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Winner of the 2018 PEN America Award in Drama As Tolstoy said, “All happy families are alike; each unhappy family is unhappy in its own way.” In The House in Scarsdale, playwright Dan O'Brien traces the roots of his family's particular unhappiness to learn why his parents and siblings cut him off years ago. The more Dan learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his world is shaken when rumours surface that his real father might be another member of the family. Is his pathological pursuit of the truth worth the risk? Or should he follow the advice of a psychic and make his life a never-finished work of art?
In Scarsdale Dan O'Brien applies to his own early life the same honesty and insight that were evident in his prize-winning War Reporter. Growing up in a family scarred by past trauma, he makes a bid for freedom - 'in love with myself and this young stray's life' - only to be pulled back into the orbit of the place he had sought to escape. Gradually, possibilities for a more lasting change unfold.
Drawing on O’Brien’s experience of cancer and of childhood abuse, and on his ongoing collaboration with a war reporter, the four essays in A Story that Happens—first written as craft lectures for the Sewanee Writers’ Conference and the US Air Force Academy—offer hard-won insights into what stories are for and the reasons why, "afraid and hopeful," we begin to tell them.
Reproduction of the original: The House on the Moor by Mrs. Oliphant
From the acclaimed, award-winning author of Thank You, Mr. Nixon comes a “hilariously funny and seriously important” novel (Amy Tan) about American multiculturalism and a Chinese American teenager doing her best to fit in–even if it means converting to Judaism. In these pages, acclaimed author Gish Jen introduces us to teenaged Mona Chang, who in 1968 moves with her newly prosperous family to Scarshill, New York. Here, the Chinese are seen as "the new Jews." What could be more natural than for Mona to take this literally—even to the point of converting? As Mona attends temple "rap" sessions and falls in love (with a nice Jewish boy who lives in a tepee), Jen introduces us to one of the most charming and sweet-spirited heroines in recent fiction, a girl who can wisecrack with perfect aplomb even when she's organizing the help in her father's pancake house. On every page, Gish Jen sets our received notions spinning with a wit as dry as a latter-day Jane Austen's.
From Scarsdale is an evocative and lyrical memoir of a haunted childhood in Scarsdale, New York. With a cancer diagnosis in his early forties, the author is compelled to revisit and resolve the mystery of his family’s sadness. The fourth of six children in an Irish-American household distinctly out-of-place in this affluent suburb of New York City, O’Brien grows up in a claustrophobic milieu of secrecy, lies, and mental illness. The turning point in his maturation is an older brother’s attempted suicide — an event he witnesses firsthand. From Scarsdale traces with sensitivity the complex histories and dynamics that lead to this trauma, as O’Brien investigates the psychologies of his parents, themselves the survivors of painful childhoods in Scarsdale. Then, simultaneously disturbed and catalyzed by his brother’s depression, and his own developing obsessive-compulsive disorder, the adolescent O’Brien discovers literature and the theatre as an escape, though it will take years for an actual liberation to occur. In many ways this memoir is that liberation, as his ambition here has been to tell “the story of who I am and where I’m from, with honesty, insight, and something like forgiveness. To try to leave the old place behind.” With the specificity and aching affection of William Maxwell’s Ancestors, and the impressionistic, mosaic-like structure of Michael Ondaatje’s Running in the Family, this book’s subject is ultimately, like all memoir, the solace and the conundrum of memory. From Scarsdale is a rare book, uniquely told, and a poignant example of the redemptive power of a true story.
Mogadishu, 1993. Paul is a Canadian photojournalist who is about to take a picture that will win him the Pulitzer Prize. Princeton, the present day, Dan is an American writer who is struggling to finish his play about ghosts. Both men live worlds apart but a chance encounter over the airwaves sparks an extraordinary friendship that sees them journey from some of the most dangerous places on earth to the depths of the human soul.Flying from Kabul to the Canadian High Arctic, The Body of an American sees two actors jump between more than thirty roles in an exhilarating new form of documentary drama. It urgently places these two men’s battles – both public and private –against a backdrop of some of the world’s most iconic images of war. The Body of an American is the recipient of the 2013 Edward M. Kennedy Prize for Drama Inspired by American History. It also received the PEN Center USA Award for Drama and the L. Arnold Weissberger Award, and premiered at Portland Center Stage in 2012, directed by Bill Rauch. The play was the recipient of the McKnight National Residency & Commission from the Playwrights’ Center, as well as a Sundance Institute Time Warner Storytelling Fellowship and a TCG Future Collaborations Grant. For further information and resources on this play, visit the Edward M Kennedy website: http://kennedyprize.columbia.edu/winners/2013/obrien/