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Poetry. Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. "The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and "a circus made of meat" vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!"--D.A. Powell.
Poetry. Get minky in the momodrome with Lara Glenum's second book, MAXIMUM GAGA. In scenic Catatonia, the Normopath snoozles, the Cherubim applaud, King Minus lies face-down, the Visual Mercenaries burst in, Icky and his school-boy minions race past, and the Queen Naked Mole Rat climbs inside the miraculating machine. Reworking the tabloid maximalism of Jacobean drama, this book investigates the politics of aesthetics and prosthetics, gender and power. With original cover art by Swedish artist Mia Makila. Lara Glenum's first book, THE HOUNDS OF NO, is also available from SPD.
When a ten-year-old boy finds an old book of magic in a bookshop in Ireland, the forces of good and evil gather to do battle over it.
A thrilling, harrowing novel of war, intrigue and dark, uncontrollable magic, Toll the Hounds is the new chapter in Erikson's monumental series - epic fantasy at its most imaginative and storytelling at its most exciting. In Darujhistan, the city of blue fire, it is said that love and death shall arrive dancing. It is summer and the heat is oppressive, but for the small round man in the faded red waistcoat, discomfiture is not just because of the sun. All is not well. Dire portents plague his nights and haunt the city streets like fiends of shadow. Assassins skulk in alleyways, but the quarry has turned and the hunters become the hunted. Hidden hands pluck the strings of tyranny like a fell chorus. While the bards sing their tragic tales, somewhere in the distance can be heard the baying of Hounds...And in the distant city of Black Coral, where rules Anomander Rake, Son of Darkness, ancient crimes awaken, intent on revenge. It seems Love and Death are indeed about to arrive...hand in hand, dancing. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When a ten-year-old boy finds an old book of magic in a bookshop in Ireland, the forces of good and evil gather to do battle over it.
Poetry. Drama. "Father lend me your megabone / & I'll lend u my shotgun mouth." A radiant brew of emoticon opera, fairytale fan-fiction, and chat-room flame war, POP CORPSE! follows a heroine mermaid on her devoutly disarming search for "realness." Along the way, Glenum dismantles pieties of both the left and the right, proposing new models of configuring text, voice, body and species-hood for those who swim in the increasingly fetid waters of the 21st century.
Dangerous, edgy, and dark, Gudding offers a defense not only against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself.
“Sister” Jane Arnold and her hounds must sniff out a thief with expensive taste when a string of missing paintings leads to murder in this exciting foxhunting mystery from New York Times bestselling author Rita Mae Brown. “Cunning foxes, sensible hounds, and sweet-tempered horses are among the sparkling conversationalists in this charming series.”—The New York Times Book Review Spring is peeking through the frost in Virginia, and though the hunting season is coming to a close, the foxes seem determined to put the members of the Jefferson Hunt Club through their paces. Sister and her friends are enjoying some of the best chases they’ve had all season when the fun is cut short by the theft of Crawford Howard’s treasured Sir Alfred Munnings painting of a woman in hunting attire riding sidesaddle. When another painting goes missing five days later—also a Munnings, also of a woman hunting sidesaddle—Sister Jane knows it’s no coincidence. Someone is stealing paintings of foxhunters from foxhunters. But why? Perhaps it’s a form of protest against their sport. For the hunt club isn’t just under attack from the thief. Mysterious signs have started to appear outside their homes, decrying their way of life. stop foxhunting: a cruel sport reads one that appears outside Crawford’s house, not long after his painting goes missing. no hounds barking shows up on the telephone pole outside Sister’s driveway. Annoying, but relatively harmless. Then Delores Buckingham, retired now but once a formidable foxhunter, is strangled to death after her own Munnings sidesaddle painting is stolen. Now Sister’s not just up against a thief and a few obnoxious signs—she’s on the hunt for a killer.