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The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
A father with something to hide, a jockey with a taste for blackmail, a man with an agonising secret . . . and a young woman in love, defying them all. Sophie Dixon is determined to leave her tragic past behind and forge a bright future on her beloved farm. While looking to buy a new horse, she is drawn into her neighbour Aaron's Laidlaw's orbit, despite the bad blood between their families. As the racing season unfolds, Sophie and Aaron's feelings for each other deepen. But Aaron is torn, haunted by a dark secret he fears can never be forgiven - especially by Sophie. Sophie believes herself strong, but the truth behind her mother's death will test her strength, and her love, to the limit. She's been broken once. No one wants to see her broken again. Least of all the man who has grown to love her. From an exciting new Australian voice comes this compelling story about love, loyalty and forgiveness.
A stunning novel of passion, sin and redemption, The Horseman’s Graves returns to the harsh locale of Sand Hills on the Saskatchewan-Alberta border, the location for Jacqueline Baker’s multiple award-winning short story collection A Hard Witching and Other Stories. Speaking through the narrative voice of a see-all neighbour and filling her story with memorable characters—a blustering, pious priest; a mysterious “witch” faith healer; the town busybody; a fearful young farm wife who is virtually worked to death—Baker unfolds a tale of a small German farming community where the failures of one generation are passed on to the next.
No name. No past. One giant future? The only thing worse than suddenly waking up in a magical house with the insanely gorgeous Four Horsemen of the Apocalypse? Being the Fifth. With no memory of who I am, where I came from, or what I'm doing here, I'm thrust into a new life with four people who I might want more from than just friendship. But with no past, how can I possibly plan for a future? The only clue as to who I am? Four different species' magic resides within me-Vampire, Fae, Shifter, and Witch-and between them, I might be the most powerful creature on the planet. For fuck's sake. Look out world, Horseman of Magic coming through! *** This is a 120,000-word fantasy polyromance book where the main character will not be forced to choose between their love interests. This is also known as a whychoose romance. This book contains lesbian and gay content, mature sexual situations, excess profanity, a character who can shift their sex (both male and female), is gender and sexually fluid, and who spends a lot of time being a snarky, swearing badass.
Sophie Dixon is determined to leave her tragic past behind and forge a bright future on her beloved farm. While looking to buy a new horse, she is drawn into her neighbour Aaron Laidlaw's orbit, despite the bad blood between their families. As the racing season unfolds, Sophie and Aaron's feelings for each other deepen. But Aaron is torn, haunted by a dark secret he fears can never be forgiven - especially by Sophie. Sophie believes herself strong, but the truth behind her mother's death will test her strength, and her love, to the limit. She's been broken once. No one wants to see her broken again. Least of all the man who has grown to love her.
When the final episode of BoJack Horseman aired on Netflix in 2020, it was to massive critical and popular acclaim. Across six seasons, viewers followed the exploits of a washed-up sitcom actor and his wacky collection of friends, set against the fading glitz of Hollywood and played out through a distinct cast of both human and anthropomorphic characters. Before the series even concluded, it was clear that it would be the topic of research and discussion long beyond its relatively short run. This collection brings together essays about the ways this series handles complex and highly nuanced topics within three main themes: mental health, masculinity, and the perils of celebrity. With contributions from researchers across a broad range of fields, these essays offer a variety of perspectives on these themes, how they are represented within the show, and the ways that both characters and viewers engage with them.
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"Dear Master" is a rare firsthand look at the values, self-perception, and private life of the black American slave. The fullest known record left by an American slave family, this collection of more than two hundred letters--including seven discovered since the book's original appearance--reveals the relationship of two generations of the Skipwith family with the Virginia planter John Hartwell Cocke. The letters, dating from 1834 to 1865, fall into two groups. The first were written by Peyton Skipwith and his children from Liberia, where they settled after being freed in 1833 by Cocke, a devout Christian and enlightened slaveholder. The letters, which tell of harsh frontier life, reveal the American values the Skipwiths took with them to Africa, and express their faith in Liberia's future and pride in their accomplishments. The second group of letters, written by George Skipwith and his daughter Lucy, originate from Cocke's Alabama plantation, an experimental work community to which Cocke sent his most talented, responsible slaves to prepare them for the moral and educational challenges of emancipation. George, a "privileged bondsman," was a slave driver. His letters about the management of the plantation include reports on the slaves' conduct and any disciplinary actions he took. Readers can sense George's pride in his work and also his ambivalence toward his role as leader in the slave hierarchy. Lucy, Cocke's chief domestic slave, was the plantation nurse and teacher. Her letters, filled with details about spiritual, familial, and health matters, also display her skill at exploiting her master's trust and her uncommon boldness, for she spoke against whites to her master when she felt they hampered his slaves' education. "Dear Master" affirms that these slaves and former slaves were not simply victims; they were actors in a complex human drama. The letters imply trust and affection between master and slave, but there were other motives as well for the letter-writing. The Liberian Skipwiths needed American-made supplies; moreover, the whole family may have viewed their relationship with Cocke as a chance to help free other slaves. In his new preface, Miller reevaluates his book in light of changes in the historiography of American slavery over the past decade.