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“The uglimen are coming. Watch your back. They killed your dad. They’ll kill you too if they can.” Rob Loomis has everything he could wish for: a beautiful girlfriend, a job he loves, a nice flat in London. Life is sweet—until the day that his mother rings him at work to tell him that his quiet, thoughtful and apparently contented father has hung himself from the banister of their family home. Before long, Rob finds that it is not only his own and his mother's grief that he has to cope with. A mysterious, hissing voice on the phone informs him that his father was murdered, and that his murderers—the uglimen—are targeting Rob as their next victim. But if Rob’s father really is dead, why does Rob glimpse him, standing between distant trees, watching his own funeral? Is his father a phantom? A figment of Rob's imagination? Or has he somehow faked his own death in order to avoid some terrible retribution? To discover the truth, Rob must confront and accept shocking revelations about his father, must delve deep into his father’s past, and in particular into certain events that occurred in California in 1969, during the fabled summer of love. For it was here where his father made the biggest mistake of his life, where his reckless actions were to have such devastating consequences that they would destroy not only his life, but the lives of all those around him.
Kate Nolan is a successful magazine editor with a loving husband, James, and a five-year-old son, Max. Her life couldn’t be more perfect—but one day she receives a phone call from James, which changes everything. Clearly distressed, James tells Kate to meet him at midnight outside the beach café once owned by her long-dead grandmother in the seaside town of Seahaven, where they both grew up. A strange request, made even more sinister by the fact that in recent weeks Seahaven has become prey to a serial killer who is targeting the local children. Kate keeps the midnight appointment, but instead of finding her husband and son, she finds herself drawn into an ever-tightening web of past misdeeds and long-buried secrets. As hopes for her missing family fade, Kate becomes involved in a desperate race against time. Where are her husband and son? Have they become the latest victims of the serial killer, who calls himself Dominic and seems to know her intimately? And what has all this to do with Kate’s childhood terror of the impenetrable darkness known as “the black”?
Sometimes a girl just has to get stabby... ​​​​​​​Lilah has sworn she's done with that side of her personality. Then again, maybe not. The Part Is Over is the eighth book in the ongoing Lilah Love series: Murder Notes Murder Girl Love Me Dead Love Kills Bloody Vows Bloody Love Happy Death Day The Party Is Over
Take a terrifying trip through time in this scary GOOSEBUMPS adventure that’s packed with more than twenty super-spooky endings. B-O-R-I-N-G. That’s how you’d describe your family vacation in New York City. Instead of visiting all the cool spots, like Rockefeller Center and the Statue of Liberty, your parents drag you to a bunch of stupid museums. Then, at the Museum of Natural History something really strange happens. You accidentally get involved in a strange experiment that sends you traveling through time! Will you duel with knights at a medieval castle? Come face-to-face with a man-eating dinosaurs? Or take a ride through outer space? Reader beware—you choose the scare! GIVE YOURSELF GOOSEBUMPS!
Choose your fate on a wild scavenger hunt in this scary GOOSEBUMPS adventure that’s packed with more than twenty super-spooky endings. Being the new kid in school is no picnic. At your old school you had tons of friends, but now you don’t even have one. Then you meet Nick. He asks you to join Horror Club. The Horror Club meets in an old mansion known as Bat Wing Hall. It’s dark. It’s spooky. And it’s where your adventure begins. The members of the Horror Club are going on a scavenger hunt. If you join the red team, you find out the truth about your new friends—they’re actually monsters! One is a green-skinned reptile. Another is a hulking giant! If you join the blue team, you get turned into a furry-faced vampire bat! The choice is yours . . . Reader beware—you choose the scare! GIVE YOURSELF GOOSEBUMPS!
From the winner of the Costa Children's Book Award 2018. Meet Saffy, Indigo, Rose and Caddy Casson. This colourful and hilarious series will make you wish you were part of the family! It's Valentine's Day and everything's changing. Indigo's in love and wants to do something special to win over Sarah, Saffy has a strange new boyfriend who teaches her all about the stars and Caddy has fallen in love and is getting married . . . but not to Michael. With a wedding to plan, promises to uphold and hearts to protect, everything's a little crazier than usual in the Casson household. 'Warm witty and wise' Sunday Telegraph The first book in the series, Saffy's Angel, won the Whitbread Children's Book Award, and book 3, Permanent Rose, was shortlisted for the same award, celebrating McKay's talent for conveying the anarchic bedlam of family life.
Author Luke Longstreet Sullivan has a simple way of describing his new memoir: “It's like The Shining . . . only funnier.” And as this astonishing account reveals, the comment is accurate. Thirty Rooms to Hide In tells the story of Sullivan's father and his descent from being one of the world's top orthopedic surgeons at the Mayo Clinic to a man who is increasingly abusive, alcoholic, and insane, ultimately dying alone on the floor of a Georgia motel. For his wife and six sons, the years prior to his death were years of turmoil, anger, and family dysfunction; but somehow, they were also a time of real happiness for Sullivan and his five brothers, full of dark humor and much laughter. Through the 1950s and 1960s, the six brothers had a wildly fun and thoroughly dysfunctional childhood living in a forbidding thirty-room mansion, known as the Millstone, on the outskirts of Rochester, Minnesota. The many rooms of the immense home, as well as their mother's loving protection, allowed the Sullivan brothers to grow up as normal, mischievous boys. Against a backdrop of the times—the Cold War, the Cuban Missile Crisis, fallout shelters, JFK's assassination, and the Beatles—the cracks in their home life and their father's psyche continue to widen. When their mother decides to leave the Millstone and move the family across town, the Sullivan boys are able to find solace in each other and in rock 'n' roll. As Thirty Rooms to Hide In follows the story of the Sullivan family—at times grim, at others poignant—there is a wonderful, dark humor that lifts the narrative. Tragic, funny, and powerfully evocative of the 1950s and 1960s, Thirty Rooms to Hide In is a tale of public success and private dysfunction, personal and familial resilience, and the strange power of humor to give refuge when it is needed most, even if it can't always provide the answers.
Melissa and Owen met on New Years’ Eve and he proposed on Valentine’s Day. Now it’s March, and they’re about to set sail on a two-week Caribbean cruise – and get married on the last day at sea. Though their relationship’s moving fast, Melissa’s wanted to be married for years and she knows the smart stable Owen is a great catch so she’s sure they’ll be fine. At least, she’s sure until she meets his brothers on the cruise and discovers she’s dated both of them: Austin, the fun-loving flirt whose kisses still haunt her dreams, and Nicholas, the sweet horror movie fan whose lack of ambition upset her in ways she still doesn’t understand. Melissa expected to spend tons of time onboard with her fiancé, but he instead spends nearly his every waking moment in the casino displaying a previously unseen love of gambling. This surprise, and the time she spends with Nicholas and with Austin, makes her question everything she thought she wanted. Her relationship with Owen was just fine before, but suddenly ‘just fine’ doesn’t seem good enough to keep a marriage alive for a lifetime. Melissa has two weeks to decide: stay with Owen or jump ship.
A YA anthology of horror stories centering Black girls who battle monsters, both human and supernatural, and who survive to the end Be warned, dear reader: The Black girls survive in this one. Celebrating a new generation of bestselling and acclaimed Black writers, The Black Girl Survives in This One makes space for Black girls in horror. Fifteen chilling and thought-provoking stories place Black girls front and center as heroes and survivors who slay monsters, battle spirits, and face down death. Prepare to be terrified and left breathless by the pieces in this anthology. The bestselling and acclaimed authors include Erin E. Adams, Monica Brashears, Charlotte Nicole Davis, Desiree S. Evans, Saraciea J. Fennell, Zakiya Dalila Harris, Daka Hermon, Justina Ireland, L.L. McKinney, Brittney Morris, Maika & Maritza Moulite, Eden Royce, and Vincent Tirado. The foreword is by Tananarive Due.
Wes Craven's Scream (1996) emerged at the point where the early eighties American slasher cycle had effectively morphed into the post-Fatal Attraction trend for Hollywood thrillers that incorporated key slasher movie tropes. Scream emerged as a spiritual successor to Wes Craven's unpopular but critically praised previous film New Nightmare (1994), which evolved from his frustration at having lost creative control over his most popular creation, Freddy Krueger, and rebirthed the character in a postmodern context. Scream appropriates many of the concepts, conceits, and in-jokes inherent in New Nightmare, albeit in a much more commercial context that did not alienate teenage audiences who were not around to see the movies that were being referenced. This Devil's Advocate offers a full exploration of Scream, including its structure, its many reference points (such as the prominent use of Halloween as a kind of sacred text), its marketing ("the new thriller from Wes Craven" – not a horror film), and legacy for horror cinema in the new millennium.