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Provides period information on home furnishings, fashion, medicine, the courts, entertainment, shopping, travel, and etiquette.
The popular myth of Victoria's genteel history -- all upper-class colonists and Royal Navy dances -- is ripe for puncturing. Yes, there were the wealthy and the well-born, but the city's pioneers also included madams and murderers, salesmen and saloon-keepers who would never have been seated at the dinner tables of the elite. But these people, upstanding citizens or impudent criminals, contributed in their way to the life of the little settlement perched on the Pacific -- the New World represented a new start for everyone, earnest, hard-working seamstresses and fly-by-night gold seekers alike. Valerie Green has unearthed a variety of stories about saloon-keepers, housemaids, actors and brothel-owners. Victoria's past may not be as proper as legends have it, but it was a lot more colourful!
Through a detailed description of the life and activities of the middle-class married woman of London between 1875 and 1900, this study reveals how housewives unwittingly became engines for change as the new century neared. In marked contrast to the stereotypical depictions of Victorian women in literature and on television, Draznin reveals a woman seldom seen: the stay-at-home housewife whose activities were not much different than those of her counterparts today. By exploring her daily activities, how she cleaned her home, disciplined her children, managed her servants, stretched a limited budget, and began to indulge herself, one discovers the human dimension of women who lived more than a century ago. While most studies of this period consider values, aspirations, and attitudes, this book concentrates on actions, what these women did all day, to provide readers with a new perspective on Victorian life. Late-Victorian London was a surprisingly modern city with a public face of well-lit streets, an excellent underground railway system, and extended municipal services. In the home, gas stoves were replacing coal ranges and household appliances were becoming more common. Having both money to spend and a strong incentive to buy the new laborsaving devices, ready-to-wear clothing, and other manufactured products, the middle-class matron's resistance to change gave way to a rising consumer culture. Despite her nearly exclusive preoccupation with home and family, these urban women became agents for the modernization of Britain.
In the Preface of the 5th Edition of Survey of Historic Costume, Tortora and Eubank conclude with the following: "In the history of dress at the beginning of the 21st century, costume might be compared to a constantly moving river. This river divides into many narrower channels that separate, cross, come together, and separate again, and yet that river continually moves on." Building on the previous editions, the authors update their analysis of Western dress to 2008. Survey of Historic Costume has, from its beginnings, taken seriously the need to accompany the text with appropriate illustrations and the major change in the 5th Edition is the move to full color throughout the book to enrich the text and the concepts. Perfect for anyone interested in historic costume, fashion, textiles, drama, and design, this beautifully illustrated book is full of interesting facts and commentary.New to this Edition:-- Over 500 four-color photographs and illustrations-- Updated text to 2008-- Additional influences from one period or civilization to another, including influences from other cultures-- Index - updated and organized to be utilized as glossary with terms defined and page numbers printed in boldface-- Instructor's Guide provides sources for visuals, websites, teaching strategies and evaluation techniques-- PowerPoint® Presentation contains interactive visual presentation with links to Internet
Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and his fifty years with the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three sections on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. Morris also demonstrates how Tenniel's cartoons depicted the key political questions of his day, from the Eastern Question to Lincoln and the American Civil War, examining their assumptions, devices, and evolving strategies. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist who mythologized the world for generations of Britons.
What people throughout history ate and wore, how they worked and played, how they built and furnished thir homes, and how they treated their illnesses provide the focus of the book while the great battles, the major inventions, and the rise and fall of empires serve as backdrop.