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Catalogus bij een tentoonstelling van 47 Hollandse landschapschilderijen uit de 17e eeuw van bekende en onbekende meesters, uit privé-collecties.
This extensive catalogue accompanied the exhibition on Rembrandt’s pupils organized by Hoogsteder & Hoogsteder in 1992. In his introductory essay Professor Werner Sumowski describes the beauty of Rembrandt’s art and that of his pupils. Paul Huys Janssen shows that the term ‘School of Rembrandt’ does little justice to the excellence of the work of Rembrandt’s pupils.
This book is the first complete study of the life and work of the 17th-century Dutch painter Anthonie Palamedes (1602-1673). Palamedes was active in Delft, one of the most important cities during the Dutch Golden Age, alongside Vermeer. Unlike his famous compatriot Vermeer, Anthonie Palamedes was a successful painter. He was socially acceptable, was recognized and appreciated by his colleagues, painted hundreds of pictures and achieved financial success that allowed him to live comfortably. Palamedes is therefore the embodiment of the successful painter in the Dutch "Golden Age". The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue.
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
A union list of serials commencing publication after Dec. 31, 1949.