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Catalogus bij een tentoonstelling van 47 Hollandse landschapschilderijen uit de 17e eeuw van bekende en onbekende meesters, uit privé-collecties.
This superb book presents 100 notable examples from the Harvard Art Museums’ distinguished collection of Dutch, Flemish, and Netherlandish drawings from the 16th to 18th century. Featuring such masters as Pieter Bruegel the Elder, Peter Paul Rubens, and Rembrandt van Rijn, the volume showcases beautiful color illustrations accompanied by insightful commentary on prevalent styles and techniques. Genres that define this artistic period—landscape, scenes of everyday life, portraiture, and still life—are explored in detail. The book also presents the results of new conservation and technical study, including infrared analysis and scientific examinations of drawing materials. This revelatory new research has allowed previously illegible underdrawings and inscriptions in many of the artworks to surface for the first time, shedding light on longstanding mysteries of production and provenance.
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
How does the human mind transform space into place, or land into landscape? For more than three decades, William L. Fox has looked at empty landscapes and the role of the arts to investigate the way humans make sense of space. In Terra Antarctica, Fox continues this line of inquiry as he travels to the Antarctic, the “largest and most extreme desert on earth.” This contemporary travel narrative interweaves artistic, cartographic, and scientific images with anecdotes from the author's three-month journey in the Antarctic to create an absorbing and readable narrative of the remote continent. Through its images, history, and firsthand experiences—snowmobile trips through whiteouts and his icy solo hikes past the edge of the mapped world—Fox brings to life a place that few have seen and offers us a look into both the nature of landscape and ourselves.
The Bader Collection stands among the great private collections of its kind in the world. For the past 40 years Dr. Alfred Bader of Milwaukee has donated works to the Agnes Etherington Art Centre at his Canadian alma mater, Queens University, where the entire Bader Collection will be housed . This extraordinary collection demonstrates a rich interplay of interests and insights, at the same time drawing back the curtain on the motivations and principles behind these remarkable acquisitions, whose history dates back to 1950. This scholarly publication presents 200 Dutch and Flemish Baroque paintings that form the collections focus. Exhaustively researched, the richly illustrated entries present each painting in detail. An introductory essay explores the life of this remarkable collector and the motivations that drive his pursuit of the art of the Age of Rembrandt with such passion and insight.