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The year is 2005. The worlds worst modern catastrophe is visiting itself on China. Avian Flu (H5N1) is estimated by the Center for Disease Control (CDC) to kill up to 150 million people, worldwide. The deadly virus has only to complete its leap from fowl, to human cross-contamination. China has already killed millions of domestic chickens, ducks, and geese. But the slaughter was a double-edged sword. They have killed the poultry earmarked to keep Chinas citizens from starvation during the 2005-2006 winter, which has been forecasted, to one of the most ferocious in five decades. China also is convinced that the United States new ballistic missile defense program is targeted at neutralizing her minuscule nuclear deterrent, relegating her to lifetime servitude to the Americans, the worlds last remaining superpower. Beijing party leaders vow that will never happen. The Peoples Republic of China must become a modern superpower. Only then will she be able to demand the outright monetary grants she needs to survive. Modernization of her army will cost 100 billion US dollars. Beijing knows that sum resides in the coffers of Hong Kong. Thus Operation Hongse Spider is born.
It is October of 2006. The Avian flu continues to visit itself upon Asia. In June of this year, WHO scientists were forced to admit that an Asian family who died of the disease in Late May is proof that H5N1 has mutated, and is now capable of being transmitted human-to-human. If that wasnt enough of a threat, former NYPD First Class Detective Edward Augustus Fox, now of the Hong Kong Police who we met last year in the serial homicide case code-named Hongse Spider, returns from a terrorism seminar presented by the FBI Academy in the US, to find Hong Kong under siege. Fox, because his work in reducing Hong Kongs burgeoning homicide rate, has been promoted from Homicide Lieutenant to Chief Inspector in-charge of combating all crimes against citizens. The new threats to Hong Kong consist of unexplained incidents of fatal radiation poisoning; a North Korean nuclear missile being smuggled through the former crown colony into China; armed robberies being pulled to steal Avian flu vaccine; the worlds best counterfeit US$100 bills meant to destabilize the economy being dumped on the streets; and the emergence of a new plot by China to sabotage the 2008 Olympic Summer Games in Beijing, called Project 119.
“It was 0310 hours, 3:10 a.m. civilian time, when the Colonel heard someone beginning to stage a pre-dawn assault on their hideout. He had heard them and god damn it, the sorry-ass excuses for sentries that were stationed in the derelict metal sheds around the missile launch silo, should have damn-well heard them too. Instead of the sounds of scorpions and rattle snakes that he was disturbing, scurrying around in the cool sand of the abandoned shed, over his shoulders and into the pockets of his fatigues, he should be hearing the sounds of the stolen Humvees being started up. After his men finished loading them with the military small arms weapons they had been stashing in some of the larger tin sheds that still had insulation on their inner walls and doors. The men had orders to only start the Humvee’s engines after first checking to ensure that they were muffled down as much as possible, so it was possible that the NCO’s in-charge were just being overly cautious. He imagined that the authority’s SWAT teams would head west on a more-or-less straight line toward the gang’s hideout. A determination of how the authorities had zeroed-in on the location of their hideout would be evaluated and dealt with later. He figured the cops would react as most infantry units would, Plan-A, backed-up by a team or so from the GCB, and the way the colonel’s luck was running, probably one or more FBI HRT teams. However, his team would be following Plan-B, to escape and evade, fleeing due south until they hit Highway 159 and following it until they hit Highway 160. There they would split up, the Green team; in their two-wheel capable vehicles, heading northwest as fast as they could go on the road until they got to Pahrump, Nevada, and Blue team; their four-wheelers would double back and ambush the cop’s Zebra team on its right flank, following which they would break off contact and retreat into the inhospitable badlands of the Red Rock Recreation Area.”
In The Bellagio Caper, we are reintroduced to Chief Investigator Edward Augustus Fox. Foxs lover, Dr. Alicia Ho, M.D., learns that she has cancer and although pregnant, flees to China, the land of her birth. Fox resigns from the police department to follow her to China. However, he is soon declared persona non grata by the Chinese government and forced to leave China without his family when Fox refuses to accept an investigators job with the Peoples Party to spy on American tourists at the 2008 Olympic Summer Games in Beijing. After our protagonist is expelled from China, Fox moves to Las Vegas, Nevada where he accepts the most sought-after law enforcement job in Nevada, that of Chief Investigator with the Nevada Gaming Control Board. In his new position, Fox is responsible for ferreting out the criminals that perpetrate major criminal acts against the casinos, and by association, the good people of the State of Nevada. The television series, CSI: Crime Scene Investigation, also entices Fox into accepting a lucrative technical script advisory consultancy contract to ensure that factual forensic realism is incorporated into series scripts, which is crucial to ensure that the acclaimed CBS television series continues to hold its lead against other copycats CSI dramas.
This book explores and brings to light untold stories from the margins of Chinese society. It investigates and reveals grassroots and popular cultural beliefs, amusing anecdotes, items of lore, and accounts of the strange and the unusual. It delves into questions of identity formation, considering gender, sexuality, class, generational divides, subcultures, national minorities and online communities. It examines heritage-making practices and the persistence of marginalized memories. Bringing together views from cultural studies, literature, gender studies, cultural heritage, sociology, history and more, the book argues that neither the margins nor the centre can be understood in isolation, and that by focusing on the margins, a fuller picture of Chinese society overall emerges, including new perspectives on spatial and social marginality, on hierarchies of marginality, and on neglected spaces, voices and identities.
When Mao and the Chinese Communist Party won power in 1949, they were determined to create new, revolutionary human beings. Their most precise instrument of ideological transformation was a massive program of linguistic engineering. They taught everyone a new political vocabulary, gave old words new meanings, converted traditional terms to revolutionary purposes, suppressed words that expressed "incorrect" thought, and required the whole population to recite slogans, stock phrases, and scripts that gave "correct" linguistic form to "correct" thought. They assumed that constant repetition would cause the revolutionary formulae to penetrate people's minds, engendering revolutionary beliefs and values. In an introductory chapter, Dr. Ji assesses the potential of linguistic engineering by examining research on the relationship between language and thought. In subsequent chapters, she traces the origins of linguistic engineering in China, describes its development during the early years of communist rule, then explores in detail the unprecedented manipulation of language during the Cultural Revolution of 1966–1976. Along the way, she analyzes the forms of linguistic engineering associated with land reform, class struggle, personal relationships, the Great Leap Forward, Mao-worship, Red Guard activism, revolutionary violence, Public Criticism Meetings, the model revolutionary operas, and foreign language teaching. She also reinterprets Mao’s strategy during the early stages of the Cultural Revolution, showing how he manipulated exegetical principles and contexts of judgment to "frame" his alleged opponents. The work concludes with an assessment of the successes and failures of linguistic engineering and an account of how the Chinese Communist Party relaxed its control of language after Mao's death.
Acclaimed by the Daily Mail as 'definitive and harrowing' , this is the final volume of 'The People's Trilogy', begun by the Samuel Johnson prize-winning Mao's Great Famine. After the economic disaster of the Great Leap Forward that claimed tens of millions of lives between 1958 and 1962, an ageing Mao launched an ambitious scheme to shore up his reputation and eliminate those he viewed as a threat to his legacy. The stated goal of the Cultural Revolution was to purge the country of bourgeois, capitalist elements he claimed were threatening genuine communist ideology. But the Chairman also used the Cultural Revolution to turn on his colleagues, some of them longstanding comrades-in-arms, subjecting them to public humiliation, imprisonment and torture. Young students formed Red Guards, vowing to defend the Chairman to the death, but soon rival factions started fighting each other in the streets with semi-automatic weapons in the name of revolutionary purity. As the country descended into chaos, the military intervened, turning China into a garrison state marked by bloody purges that crushed as many as one in fifty people. When the army itself fell victim to the Cultural Revolution, ordinary people used the political chaos to resurrect the marked and hollow out the party's ideology. In short, they buried Maoism. In-depth interviews and archival research at last give voice to the people and the complex choices they faced, undermining the picture of conformity that is often understood to have characterised the last years of Mao's regime. By demonstrating that decollectivisation from below was an unintended consequence of a decade of violent purges and entrenched fear, Frank Dikotter casts China's most tumultuous era in a wholly new light. Written with unprecedented access to previously classified party documents from secret police reports to unexpurgated versions of leadership speeches, this third chapter in Frank Dikotter's extraordinarily lucid and ground-breaking 'People's Trilogy' is a devastating reassessment of the history of the People's Republic of China.
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.
Portrays the ongoing revolution in cultural production that has transformed contemporary life in the People's Republic of China.
Explains why Mao launched the Cultural Revolution, and shows his Machiavellian role in masterminding it. This book documents the Hobbesian state that ensued. Power struggles raged among Lin Biao, Zhou Enlai, Deng Xiaoping, and Jiang Qing - Mao's wife and leader of the Gang of Four - while Mao often played one against the other.