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The historical role of Photius has, all too often, been viewed only as it concerned the rift between the Western and Eastern Churches. He has been regarded either as the “Father of the Schism” or as the staunch defender of Greek Orthodoxy against the encroachments of Rome. It is hoped that by presenting the Homilies of Photius in English translation these one-sided views may to some extent be corrected. For, surprising though it may appear, we shall not find in the Homilies a single reference to the Papacy. When they are not purely didactic, the Homilies are dominated by such topics as the suppression of the Iconoclast movement, the re-establishment of sacred painting, the propagation of the true faith among heretics, and the quelling of internal division in the Church of Constantinople. -From the Introduction
The historical role of Photius has, all too often, been viewed only as it concerned the rift between the Western and Eastern Churches. He has been regarded either as the "Father of the Schism" or as the staunch defender of Greek Orthodoxy against the encroachments of Rome. It is hoped that by presenting the Homilies of Photius in English translation these one-sided views may to some extent be corrected. For, surprising though it may appear, we shall not find in the Homilies a single reference to the Papacy. When they are not purely didactic, the Homilies are dominated by such topics as the suppression of the Iconoclast movement, the re-establishment of sacred painting, the propagation of the true faith among heretics, and the quelling of internal division in the Church of Constantinople. -From the Introduction.
The historical role of Photius has, all too often, been viewed only as it concerned the rift between the Western and Eastern Churches. He has been regarded either as the "Father of the Schism" or as the staunch defender of Greek Orthodoxy against the encroachments of Rome. It is hoped that by presenting the Homilies of Photius in English translation these one-sided views may to some extent be corrected. For, surprising though it may appear, we shall not find in the Homilies a single reference to the Papacy. When they are not purely didactic, the Homilies are dominated by such topics as the suppression of the Iconoclast movement, the re-establishment of sacred painting, the propagation of the true faith among heretics, and the quelling of internal division in the Church of Constantinople. -From the Introduction
"This volume gives an account of the Church in the period from the end of the Sixth Ecumenical Synod in 681 to the Battle of Manzikert in 1071. Although "Greek East" and "Latin West" are becoming distinct entities during this expanse of time, the author treats them in parallel, observing the points at which their destinies coincide or conflict. The author notes developments within the whole of the Church rather than striving simply, or even primarily, to explain the eventual schism between Eastern and Western Christendom. Coveriing events both unique to each part (the Iconoclastic controversy in the East and the rise of the Carolingian Empire in the West) and common to each part (monastic reform, renaissance, and mission) the author skillfully portrays two Christian civilizations that share much in common yet become increasingly incomprehensible to one another. Despite curious synchronisms between East and West, the author demonstrates how two paths diverged from a once common route, and how eventually Byzantine Orthodoxy defined the Greek East over and against the Latin West in theological, religious, cultural, and political terms." -- Provided by publisher.
Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.