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This book explores the intersections of the military, war and gender in 20th-century Germany from a variety of perspectives.
This volume explores the role of gender on both the home and fighting fronts in eastern Europe during World Wars I and II. By using gender as a category of analysis, the authors seek to arrive at a more nuanced understanding of the subjective nature of wartime experience and its representations. While historians have long equated the fighting front with the masculine and the home front with the feminine, the contributors challenge these dichotomies, demonstrating that they are based on culturally embedded assumptions about heroism and sacrifice. Major themes include the ways in which wartime experiences challenge traditional gender roles; postwar restoration of gender order; collaboration and resistance; the body; and memory and commemoration.
First published in 2005. This volume documents women's 20th century wartime experiences from World War I through the recent conflicts in Bosnia. The articles cross national boundaries including France, China, Peru, Guatemala, Germany, Bosnia, the U.S. and Great Britain.. The contributors of these original essays trace the evolution of women's roles as victims of war while also showing how they have been increasingly incorporated into battle as actors and perpetrators. These comparative studies analyze war's disruptions of daily life, its effects on children, rape as a war crime, access to equal opportunity, and women's resistance to violence.
This volume contains writings of or about war from the following authors : Nina Macdonald, Rebecca West, Vera Brittain, Edith Wharton, Mary Borden, Ellen La Motte, Colette, Helen Zenna Smith, Dorothy Canfield Fisher, Amy Lowell, Willa Cather, Mary Lee, Elizabeth Shepley Sergeant, Gertrude Stein, Kathe Kollwitz, Charlotte Mew, Katherine Mansfield, Louise Bogan, Toni Morrison, Jane Addams, Emmeline Pethick-Lawrence, Edna St. Vincent Millay, Martha Gellhorn, Frances Davis, Dorothy Parker, Gertrud Kolmar, Virginia Woolf, Dorothy Thompson, Ding Ling, Anna Akhmatova, Olivia Manning, Elizabeth Bowen, Bryher, H.D., Mary Lee Settle, Elizabeth Vaughan, Iris Origo, Christabel Bielenberg, Etty Hillesum, Sara Nomberg-Przytyk, Charlotte Delbo, Elsa Morante, Mitsuye Yamada, Hirabayashi Taiko, Kikue Tada, Doris Lessing, Kathryn Hulme, Kay Boyle, Gwendolyn Brooks, Marguerite Higgins, Martha Gelhorn, Mary McCarthy, Grace Paley, Huong Tram, Lady Borton, Margaret Atwood, Muriel Rukeyser, Susan Griffin, Karla Ramirez, Margaret Thatcher, Molly Moore, Fadwa Tuqan, Dahlia Ravikovitch, Meena Alexander, Marta Traba, Lina Magaia, and Margaret Drabble.
For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war's cultural battle.
Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria. While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves. Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.
Honors Minnesotans who faced war with equal amounts of determination and dread, courage and fear, in places as far away as the Pacific and Europe and as close as our hometown.
Spirited Henrietta wishes she was the kind of doctor's wife who knew exactly how to deal with the daily upheavals of war. But then, everyone in her close-knit Devonshire village seems to find different ways to cope: there's the indomitable Lady B, who writes to Hitler every night to tell him precisely what she thinks of him; the terrifyingly efficient Mrs Savernack, who relishes the opportunity to sit on umpteen committees and boss everyone around; flighty, flirtatious Faith who is utterly preoccupied with the latest hats and flashing her shapely legs; and then there's Charles, Henrietta's hard-working husband who manages to sleep through a bomb landing in their neighbour's garden. With life turned upside down under the shadow of war, Henrietta chronicles the dramas, squabbles and loyal friendships that unfold in her affectionate letters to her 'dear childhood friend' Robert. Warm, witty and perfectly observed, Henrietta's War brings to life a sparkling community of determined troupers who pull together to fight the good fight with patriotic fervour and good humour. Henrietta's War is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.
The Ottoman Empire was unprepared for the massive conflict of World War I. Lacking the infrastructure and resources necessary to wage a modern war, the empire's statesmen reached beyond the battlefield to sustain their war effort. They placed unprecedented hardships onto the shoulders of the Ottoman people: mass conscription, a state-controlled economy, widespread food shortages, and ethnic cleansing. By war's end, few aspects of Ottoman daily life remained untouched. When the War Came Home reveals the catastrophic impact of this global conflict on ordinary Ottomans. Drawing on a wide range of sources—from petitions, diaries, and newspapers to folk songs and religious texts—Yiğit Akın examines how Ottoman men and women experienced war on the home front as government authorities intervened ever more ruthlessly in their lives. The horrors of war brought home, paired with the empire's growing demands on its people, fundamentally reshaped interactions between Ottoman civilians, the military, and the state writ broadly. Ultimately, Akın argues that even as the empire lost the war on the battlefield, it was the destructiveness of the Ottoman state's wartime policies on the home front that led to the empire's disintegration.
The US has been at war for 70 of the past 100 years. This startling collection of wartime letters, songs, poems, editorial cartoons, newspaper articles and government documents reveals the profound influence war has had on the country. Home Fronts offers a vivid cross-section of American intellectual, political and cultural life over the past century. Across the rich variety of social commentary, political critique and artistic expression, this title brings into sharp focus the startling continuities and contrasts of these experiences.