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Trotz der zahlreichen Publikationen, die in den letzten Jahren der Erforschung der mittelalterlichen Seewege im Mittelmeer, des ökonomischen und kulturellen Austausches und des Phänomen der Pilgerfahrt gewidmet waren, bleibt das Thema der spezifischen Andachtsformen, die mit der Seefahrt verbunden waren und zur Herstellung von privilegierten Heiligtümern für die Seefahrer führten, noch ein Desideratum. Wie viele bis jetzt zu wenig beachtete Urkunden bestätigen, bildete sich im Spätmittelalter ein transmediterranes Netzwerk von Heiligen Orten, die insbesondere von Seefahrern besucht wurden und deren Verehrungswürdigkeit mit ihrer Lage am symbolischen Treffpunkt zwischen den Dimensionen Wasser, Erde und Himmel direkt zusammenhing. Die in diesem Band versammelten und von Spezialisten verschiedener Disziplinen aus zahlreichen Ländern (Frankreich, Italien, Griechenland, Israel, Libanon, Polen, Spanien, Malta) verfassten Aufsätze zielen darauf, die Hauptorte dieser neuen Sakralgeographie zu beschreiben und die Geschichte ihres Kultes aus historischer, religions- und kunstgeschichtlicher Sicht zu rekonstruieren.
The Thirty Pieces of Silver: Coin Relics in Medieval and Modern Europe discusses many interconnected topics relating to the most perfidious monetary transaction in history: the betrayal of Jesus by Judas for thirty pieces of silver. According to medieval legend, these coins had existed since the time of Abraham’s father and had been used in many transactions recorded in the Bible. This book documents fifty specimens of coins which were venerated as holy relics in medieval and modern churches and monasteries of Europe, from Valencia to Uppsala. Most of these relics are ancient Greek silver coins in origin mounted in precious reliquaries or used for the distribution of their wax imprints believed to have healing powers. Drawing from a wide range of historical sources, from hagiography to numismatics, this book will appeal to students and academics researching Late Antique, Medieval, and Early Modern History, Theology, as well as all those interested in the function of relics throughout Christendom. The Thirty Pieces of Silver is a study that invites meditation on the highly symbolic and powerful role of money through coins which were the price, value, and measure of Christ and which, despite being the most abject objects, managed to become relics.
The book shows how the Franciscans in Jerusalem in the fourteenth to sixteenth centuries wrote works which standardized the cultural memory of the Holy Land. The experience of the late medieval Holy Land was deeply connected to the presence of the Franciscans of the Convent of Mount Zion in Jerusalem, who welcomed and guided pilgrims. This book analyses this construction of a shared memory based on the continuous availability of these texts in the Franciscan library of Mount Zion, where they were copied and adapted to respond to new historical contexts. This book shows how the Franciscans developed a representation of the Holy Land by elaborating on its history and describing its religious groups and the geography of the region. This representation circulated among pilgrims and influenced how contemporaries imagined the Holy Land
The Mamluk Sultanate represents an extremely interesting case study to examine social, economic and cultural developments in the transition into the rapidly changing modern world. On the one hand, it is the heir of a political and military tradition that goes back hundreds of years, and brought this to a high pitch that enabled astounding victories over serious external threats. On the other hand, as time went on, it was increasingly confronted with "modern" problems that would necessitate fundamental changes in its structure and content. The Mamluk period was one of great religious and social change, and in many ways the modern demographic map was established at this time. This volume shows that the situation of the Mamluk Sultanate was far from that of decadence, and until the end it was a vibrant society (although not without tensions and increasing problems) that did its best to adapt and compete in a rapidly changing world.
Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all—including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome’s aula gotica and a twelfth-century aquamanile in Hildesheim—Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands. Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
This volume is a collection of nineteen original essays by leading specialists on the history, historiography and memory of the Crusades, the social and cultural aspects of life in the Latin East, as well as the military orders and inter-religious relations in the Middle Ages. Intended to appeal to scholars and students alike, the volume honours Professor Sophia Menache of the Department of History, University of Haifa, Israel. The contributions reflect the richness of Professor Menache's research interests - medieval communications, the Church and the Papacy in the central and later Middle Ages, the Crusades and the military orders, as well as the memory and historiography of the Crusades.
For almost sixty years Professor David Jacoby devoted his research to the economic, social and cultural history of the Eastern Mediterranean and this new collection reflects his impact on the study of the interactions between the Italian city-states, Byzantium, the Latin East and the realm of Islam. Contributors to this volume are prominent scholars from across Medieval Studies and leading historians of the younger generation.
In the medieval world, geographical knowledge was influenced by religious ideas and beliefs. Whereas this point is well analysed for the Latin-Christian world, the religious character of the Arabic-Islamic geographic tradition has not yet been scrutinised in detail. This volume addresses this desideratum and combines case studies from both traditions of geographic thinking. The contributions comprise in-depth analyses of individual geographical works as for example those of al-Idrisi or Lambert of Saint-Omer, different forms of presenting geographical knowledge such as TO-diagrams or globes as well as performative aspects of studying and meditating geographical knowledge. Focussing on texts as well as on maps, the contributions open up a comparative perspective on how religious knowledge influenced the way the world and its geography were perceived and described int the medieval world.
True to its initial aims, the latest volume of the Journal of Greek Archaeology runs the whole chronological range of Greek Archaeology, while including every kind of material culture.