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George Simling has grown up in the city-state of Illyria, an enclave of logic and reason founded as a refuge from the Reaction, a wave of religious fundamentalism that swept away the nations of the 21st century. Yet to George, Illyria's militant rationalism is as stifling as the faith-based superstition that dominates the world outside its walls. For George has fallen in love with Lucy. A prostitute. A robot. She might be a machine, but the semblance of life is perfect. To the city authorities, robot sentience is a malfunction, curable by erasing and resetting silicon minds. But George knows that Lucy is something more. His only alternative is to flee Illyria, taking Lucy deep into the religious Outlands where she must pass as human because robots are seen as mockeries of God, burned at the stake, dismembered, crucified. Their odyssey leads them through betrayal, war and madness, ending only at the monastery of the Holy Machine.
Memory, morality, and immortality merge in this “haunting and lyrical triumph” from the bestselling author of Schismatrix Plus (Time). In the late twenty-first century, technology has lengthened lifespans far beyond what was once medically possible. Existence itself has become relatively easy—if boring. In this futuristic paradise, ninety-four-year-old Mia Ziemann longs for something different and undergoes a radical new treatment that restores both her body and mind to that of a twenty-year-old. After her dramatic transformation, Mia finds herself lost in an avant-garde world of passion, designer drugs, and creative expression . . . “Ideas—big ideas—lurk beneath Mia’s romp through Sterling’s delightfully imagined newly post-human Earth. Art, artifice, the pursuit of immortality, and youth and aging bounce around the story, the characters, and their conversations in imaginative, engaging fashion. . . . In the end, Holy Fire is one of the most interesting, imaginative, and subtly humorous—and relevant for it—novels the cyberpunk/post-human era has produced. . . . Holy Fire may very well be [Sterling’s] best work.” —Speculiction “An intellectual feat, it is also a treat for the spirit and the senses.” —Wired “A patented Sterling extra-special.” —Newsday “The future Sterling traces is plausible and provocative, particularly his consideration of several contrasting cultures, and of the disenfranchised who are unable to become ‘post-human.’ Those interested in serious speculative conversation set within a very strange near-future will find this much to their taste.” —Publishers Weekly
Praised as “one of the most inventive writers that science fiction has ever produced” (SF Site), national bestselling author Stephen Baxter presents a new saga of a world that could have become our own.... Ten thousand years ago, a vast and fertile plain existed that linked the British Isles to Europe. Home to a tribe of simple hunter-gatherers, Northland teems with nature’s bounty, but is also subject to its whims. Fourteen-year-old Ana calls Northland home, but her world is changing. The air is warming, the ice is melting, and the seas are rising. One day Ana meets a traveler from a far-distant city called Jericho—a town that is protected by a wall. And she starts to imagine the impossible....
A sharp, lyrical thriller of power, religion, and artificial intelligence.
Science fiction-roman.
Andra wakes up from a cryogenic sleep 1,000 years later than she was supposed to, forcing her to team up with an exiled prince to navigate an unfamiliar planet in this smart, thrilling sci-fi adventure, perfect for fans of Renegades and Aurora Rising. When Andra wakes up, she's drowning. Not only that, but she's in a hot, dirty cave, it's the year 3102, and everyone keeps calling her Goddess. When Andra went into a cryonic sleep for a trip across the galaxy, she expected to wake up in a hundred years, not a thousand. Worst of all, the rest of the colonists--including her family and friends--are dead. They died centuries ago, and for some reason, their descendants think Andra's a deity. She knows she's nothing special, but she'll play along if it means she can figure out why she was left in stasis and how to get back to Earth. Zhade, the exiled bastard prince of Eerensed, has other plans. Four years ago, the sleeping Goddess's glass coffin disappeared from the palace, and Zhade devoted himself to finding it. Now he's hoping the Goddess will be the key to taking his rightful place on the throne--if he can get her to play her part, that is. Because if his people realize she doesn't actually have the power to save their dying planet, they'll kill her. With a vicious monarch on the throne and a city tearing apart at the seams, Zhade and Andra might never be able to unlock the mystery of her fate, let alone find a way to unseat the king, especially since Zhade hasn't exactly been forthcoming with Andra. And a thousand years from home, is there any way of knowing that Earth is better than the planet she's woken to?
"Mad Clot on a Holy Bone: Memories of a Psychic Theater is the first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company. The book includes three plays by Hartman: Purple Electric Play (PEP!), Mr. Akita, and Sorry, Atlantis: Eden’s Achin’ Organ Seeks Revenge; as well as a full-color insert, contributions by Janet Sarbanes and Lucas Wrench, and a conversation between Asher Hartman and Mark Allen (who produced the three featured plays in collaboration with Machine Project) and Tim Reid (a playwright and performer who joined the Gawdafful company in 2018, as the assistant director of Sorry, Atlantis). Mad Clot on a Holy Bone is co-edited by Mark Allen and Deirdre O’ Dwyer and designed by Becca Lofchie"--Publisher's website.
To George Simling, first generation son of a former geneticist who was left emotionally and psychically crippled by the persecution she encountered in her native Chicago, science-dominated Illyria is becoming as closed-minded and stifling as the religion-dominated world outside.
Four full-length plays by one of the greatest dramatists Europe has produced.
Devil in the Device brims with brilliant world-building and richly-imagined characters—a great encapsulation of everything that makes science fiction so much fun!" —Andrea Tang, author of Rebelwing and Renegade Flight Zhade's power might be going to his head. Newly on the throne, he’s still getting used to wearing Maret's face, but he can't deny that the influence it affords him has its perks. So when the magic of Eerensed starts to turn deadly, Zhade must master the Crown if he's going to save his people, and Tsurina's destructive plans for Eerensed aren't going to make that easy. Worse, he's starting to see her point. Andra is underground. Assumed dead by the people of Eerensed, she must stay hidden in the city’s depths if she's going to live long enough to build the rocket that will finally save the colonists from this dying planet. But when Andra hears voices urging her to destroy everything, she starts to dig deeper into her subconcious. What she discovers leads her to question whether she's destined to be a savior after all. Battling the dangerous forces buried within their minds, Andra and Zhade will have to find a way to work together before two power-hungry leaders and a deadly swarm of rogue technology destroy humanity for good. Lora Beth Johnson delivers a stunning conclusion to the Goddess in the Machine duology with this brilliant novel. Part political conspiracy, part technological thriller, its deeply emotional core deftly explores what it means to be human, and how to hold on when everything seems lost.