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In the midst of oppression, poverty, violence, and insufficiency where survival takes priority over salvation, what theology speaks to this condition? Black Theology and Holy Hip-hop are important to understand and promote, especially in their relationship to inner-city ministry and spiritual development, primarily in regards to black and brown youth. This work investigates the complex crises experienced among our black and brown youth, with special focus on the inner-city. Black Theology and Holy Hip-hop is less about people and more about institutions--the dichotomy between the institution of the church and the social institution of music that affects young people's mindset. This book will examine how a double-edged sword of Black Theology and Holy Hip-hop will cut a new faith in inner-city ministry that will initiate freedom against personal pain and systemic oppression, on the one hand, and free minds from self-hate and submissive control on the other.
The New You It's important to understand what happened when you received Jesus as your Savior. That knowledge and understanding will keep the Word that was sown in your heart from being stolen by Satan. There is more to salvation than you have ever imagined. The forgiveness of sin was not the only thing included in your salvation. From God's perspective, it is just the beginning, a means to an end. Fellowship is the real goal. Now, become a disciple (learner and follower) of Jesus. Learn what separates Christianity from every other religion; how God sees past, present, and future sins; and much more. The Holy Spirit Living the abundant life that Jesus provided is impossible without the Holy Spirit. Before Jesus disciples received Him, they were weak and fearful. After receiving, each one became a powerhouse of God's miraculous power, and that's available to you. If you believe the Bible is true, then you must also believe the baptism in the Holy Spirit is God's will for everyone. In this book, Andrew establishes the validity of speaking in tongues, talks about the many gifts that accompany it, shares other little-known benefits, and explains how to begin speaking in tongues.
Anointed Fire is a song book that is fun for all ages. It is designed to inspire, encourage, and help those who are interested in writing music, poetry, songs, or lyrics. Whether you are making music alone, with a partner, or in a group, you can use these lessons to fulfill your desire to make inspiring songs. If you love to sing or participate in making music, then Anointed Fire can help you follow your musical dreams. Remember that anything is possible, and that dreams can come true. So now's the time to fulfill your musical dreams and start learning how to create music and turn your ideas into your very own songs! Tracy "Condet" Coles is from Indiana, and he spent twelve years in the U.S. Army and Indiana National Guard. He studied sociology at City College of Chicago, and language arts at Temple University; he has also taken biblical correspondence courses and went to the Biblical Studies College in Tallahassee, Florida. He is a self-taught musician.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.
Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.
Did you know that you have something that God wants? He longs to receive it, he wants it so bad that he will move the sea for it. He wants it so bad that he will come from Heaven to earth for it. What is it you might ask; just what do I have that God wants bad enough to move in such a way. I am glad that you asked, it is your praise. Through this inspired book you will find out how valuable your praise is to God. You will learn practical ways to Praise past your persecutions Praise in the mist of the matter Praise while in the middle of the storm Praise while others stand idle Reach For The Praise will lift you to a new level of spirituality as well as praise and worship. It will show you the demonic attacks that have been launched against sacred music, as well as musicians, and worship leaders in the church. Since praise goes to the heights of heaven, it is important that we will reach high to perfect our praise. So come on and Reach For The Praise. Remember those that reach, will receive Every once in a while youll find someone that God has gifted in seemingly every area of life, Rodney E. Williams is one of these individuals. He is a pastor, musician and two time author. He has been a music minister for twenty five years. His many gifts has allowed him to frequent many different settings and cities. This gifting of preaching, playing, and singing has carried him across many denominational lines as well. Through out the years many sacred songs of Zion has been placed on the back shelf. Songs that were full of the gospel message, songs that were rich in giving God glory as well as praise; songs that seemingly that are lost forever. It is through this work that Pastor Williams desires to spark an interest in the hearts of every church member, musician, worship leader and pastor to Reach For The Praise. Pastor Williams resides in Sibley Louisiana with his wife Cynthia and their children. He presently serves as pastor of the King Solomon Baptist Church.
There’s a time in our lives when we have to look in the mirror, really see us, and deal with what we’re not happy or at peace with. Have you made choices you regret? Are you saying yes when you want to say no? Are you tired of your thought patterns, especially those not in line with God’s will for your life? Do you want to learn how to do things differently when managing relationships and your spiritual life? Do you have bad habits or addictions you want to be free from? Are you struggling with unforgiveness?” You can have anything you want or desire concerning these areas of your life and more with your determination and God’s help. In You Can Be Free—Yes You Can, by the Grace of God, Yes, You Can, author Cynthia Smith helps you think about your life in a more positive way and helps produce new desires. Smith shares how God’s transforming power, through his love, took a damaged, addicted, and wounded woman and turned her life into a beautiful butterfly, soaring in the amazing healing and delivering power of God. He then miraculously radiated that same power and love into the lives of others in many wonderful and positive ways.
This book carries an ethnographic signature in approach and style, and is an examination of a small Brooklyn, New York, African-American, Pentecostal church congregation and is based on ethnographic notes taken over the course of four years. The Pentecostal Church is known to outsiders almost exclusively for its members' "bizarre" habit of speaking in tongues. This ethnography, however, puts those outsiders inside the church pews, as it paints a portrait of piety, compassion, caring, love--all embraced through an embodiment perspective, as the church's members experience these forces in the most personal ways through religious conversion. Central themes include concerns with the notion of "spectacle" because of the grand bodily display that is highlighted by spiritual struggle, social aspiration, punishment and spontaneous explosions of a variety of emotions in the public sphere. The approach to sociology throughout this work incorporates the striking dialectic of history and biography to penetrate and interact with religiously inspired residents of the inner-city in a quest to make sense both empirically and theoretically of this rapidly changing, surprising and highly contradictory late-modern church scene. The focus on the individual process of becoming Pentecostal provides a road map into the church and canvasses an intimate view into the lives of its members, capturing their stories as they proceed in their Pentecostal careers. This book challenges important sociological concepts like crisis to explain religious seekership and conversion, while developing new concepts such as "God Hunting" and "Holy Ghost Capital" to explain the process through which individuals become tongue-speaking Pentecostals. Church members acquire "Holy Ghost Capital" and construct a Pentecostal identity through a relationship narrative to establish personal status and power through conflicting tongue-speaking ideas. Finally, this book examines the futures of the small and large, institutionally affiliated Pentecostal Church and argues that the small Pentecostal Church is better able to resist modern rationalizing forces, retaining the charisma that sparked the initial religious movement. The power of charisma in the small church has far-reaching consequences and implications for the future of Pentecostalism and its followers.
The author recounts his youth in the Big Thicket region of eastern Texas during the 1940s and 1950s, and describes the distinctive way of life in the area and some of the people that lived there.
Arizona Dranes (1889-1963) was a true musical innovator whose recordings made for the Okeh label during the years 1926-1928 helped lay the foundations for what would soon be known as gospel music. Her unique blend of ragtime, barrelhouse, and boogie woogie piano plus her exciting and emotional Pentecostal style of singing influenced the development of gospel music for the next forty years and beyond. The School of Arizona Dranes: Gospel Music Pioneer covers the life and career of Dranes and situates her accomplishments in the broader history of African American gospel music and the rise of the Pentecostal movement. Starting with the earliest recordings of the music in the late nineteenth century, this book provides a history of African American sacred and gospel music that convincingly demonstrates the revolutionary nature of Dranes’s musical accomplishment. Using specific examples, the author traces the far-reaching influence of Arizona Dranes on African American gospel piano playing and singing.