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Dr. Harry Kent likes to keep himself busy—juggling hospital duties with his work as a police surgeon for the London Metropolitan Police—anything to ward off the memories of his time as an army medic.Usually the police work means minor injuries and mental health assessments. But teenager Solomon Idris’s case is different. Idris has taken eight people hostage in a fast-food restaurant, and is demanding to see a lawyer and a BBC reporter. Harry is sent in to treat the clearly-ill teenager . . . before the siege goes horribly wrong.When Solomon’s life is put in danger again at a critical care ward, it becomes clear he knows something people will kill to protect. Determined to uncover the secret that drove the boy to such desperate action, Harry soon realizes that someone in the medical world, someone he may even know, has broken the doctors’ commandment to “do no harm” many times over . . .
Very convincingly done... Sykes sounds the alarm against current academic abuses with much perception, wit, and skill.--Kirkus Reviews
This book goes to the heart of why many New Zealanders feel disillusioned about politics. Nicky Hager believes that the way politicians and others in politics conduct themselves - the games they play to advance themselves - can harm the whole political system. Exposing their activities is the first step towards change.
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.
"The children of Hexen Bridge are gifted and clever, but insanity and murder follow in their wake. The Doctor has a special interest in the village, but on his return to England in the early twenty-first century, events seem to be escalating out of control. Kidnapped and taken to Liverpool, the Doctor realizes that developments in Hexen Bridge have horrifying repercussions for the rest of the country. Ace is left in the village, where small-minded prejudices and unsettled scores are flaring into violence. As scarecrows fashioned from the bodies of the recent and ancient dead stalk the country lanes around Hexen Bridge, a sinister dark stain is spreading over the surrounding fields. And as the fierce evil grows ever stronger, can the Doctor and Ace prevent it from engulfing the entire world?"--Page 4 of cover.
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Jeremy Bremen has a secret. All his life he's been cursed with the ability to read minds. He knows the secret thoughts, fears, and desires of others as if they were his own. For years, his wife, Gail, has served as a shield between Jeremy and the burden of this terrible knowledge. But Gail is dying, her mind ebbing slowly away, leaving him vulnerable to the chaotic flood of thought that threatens to sweep away his sanity. Now Jeremy is on the run--from his mind, from his past, from himself--hoping to find peace in isolation. Instead he witnesses an act of brutality that propels him on a treacherous trek across a dark and dangerous America. From a fantasy theme park to the lair of a killer to a sterile hospital room in St. Louis, he follows a voice that is calling him to witness the stunning mystery at the heart of mortality.
Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances.
A collection of poems, some of which had first appeared in Poetry, Blas, Others, The Little Review, and Arts and Letters.
In Hollow Men, Strange Women, Robin Baker provides a masterly reappraisal of Israel's experience during its Settlement of Canaan as narrated in the Book of Judges. Written under Assyrian suzerainty in the reign of Manasseh, Judges is both a theological commentary on the Settlement and an esoteric work of prophecy. Its apparent historicity subtly encrypts a grim forewarning of Judah's future, and, in its extensive treatment of otherness, Judges explores the meaning of God’s covenant with Israel. Robin Baker's scholarly and perceptive reading draws on a deep understanding of ancient Hebrew and Mesopotamian symbolic codes to interpret the riddles in this many-layered text. The Book of Judges reveals complex literary configurations from which past, present, and future are simultaneously presented.