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The first ever biography of The Hollies, one of the sixties and seventies biggest British bands.
'The Hollies: Riding The Carousel' is the first full biography of the British music legends. This extensive project, researched in detail, covers the story from their early 1960s formation, playing the small clubs and coffee houses in and around Manchester, right up to the current day. Second only to The Beatles in UK Chart successes at their peak, this work draws on many rare interviews with all former members of the group during their hit-making heyday. In addition, friends and acquaintances also share their thoughts and recollections as to what made this band so special. I'm Alive, Here I Go Again, Bus Stop, Look Through Any Window, Carrie Anne, On A Carousel, He Ain't Heavy He's My Brother, The Air That I Breathe, Long Cool Woman (In A Black Dress)... and many, many more are covered within the pages, along with a selection of rare photographs and posters. Why did the group's original guitarist leave, just before success came calling? Which former member went on to achieve superstardom in the U.S. after quitting the band? How did a founding member of the 1970s chart-topers 10cc play such an important role in the Hollies story? What did The Hollies get up top on a darkened Newcastle railway platform in the company of Paul McCartney's younger brother? How did a beer commercial revitalise the career of the group? Stories, history, chart facts... it's all here. Climb aboard and start Riding The Carousel!
A founding member of the bands Crosby, Stills, Nash & Young and the Hollies shares the story of his life from his youth in post-war England through his creative relationship with Joni Mitchell and his career as a solo musician and political activist
Generally regarded as one of the most tragic tales in the history of rock music, the story of Badfinger makes for an impressively sombre Hollywood-style film script. A Welsh and Liverpudlian hybrid, the band were signed to Apple Records, became protégés of The Beatles and produced four global hit singles. Two of its members also co-wrote the now perennial pop standard ‘Without You’, covered most notably by Harry Nilsson. Yet Badfinger found themselves plagued by ruinous misfortune and through a combination of unscrupulous business management, record label neglect and just plain bad luck, the dream soon lay in tatters with the band’s story ultimately culminating in the suicides of two of its members, Pete Ham and Tom Evans. This book helps redress the band’s legacy and refocuses some much-needed attention on the brilliance of their music. It casts a keen critical eye over their entire musical output – albums and singles – recorded and released during their lifetime. This detailed and definitive guide not only examines and assesses the recordings but also provides valuable historical context for each album and while not ignoring the financial and legal issues that blighted the band, this book ultimately focuses on Badfinger’s considerable musical legacy. Robert Day-Webb graduated from the University of Birmingham and subsequently worked in the publishing industry for sixteen years, undertaking a wide variety of editorial and writing roles. A self-confessed music, movie and TV buff, Robert has also had several personal reflection essays published in a number of music and TV-related anthology books. He currently lives in Gloucester, UK, with his wife, Marie, their two children, Joshua and Lauren, and an extremely oversized CD collection.
Hailing from Muswell Hill in London, The Kinks were one of the top British bands of the sixties, with over twenty hit singles including a trio of number ones (including the famous paean to their home city 'Waterloo Sunset'). They had over a dozen top ten's, thanks to the clever and sometimes sardonic songwriting of Ray Davies, who dominated the band and deservedly went on to be knighted. When the seventies came along, they recorded a number of critically acclaimed concept albums, and their live shows became more theatrical with the band shifting focus to become pioneers of arena rock in America. Following a resurgence of commercial popularity in the late seventies and early eighties, the band continued to record interesting and lyrically insightful albums. They last performed together in 1996. The combination of Ray's songs and the musicianship of the band - including his brother Dave Davies, with whom Ray had a rather tempestuous relationship, has resulted in The Kinks being named as a major influence for many bands. This book examines all the tracks released by The Kinks, both singles and albums, and provides a valuable insight into one of music's greatest groups.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r
The legendary Jimi Hendrix has had all kinds of superlatives bestowed on him since his incendiary debut in 1966, but Lou Reed’s pithy summation beats the lot: ‘...he was such a bitching guitar player’. Jimi Hendrix On Track explores each thrilling song and album, drawing out exactly what made Hendrix not only a great guitarist but also a vocalist, arranger, interpreter, producer and songwriter of genius. Hendrix’s revolutionary albums with The Experience and Band of Gypsys are discussed in detail, as are his posthumous releases from First Rays of the Rising Sun to Both Sides of the Sky. His early work as a session player for acts like The Isley Brothers, Little Richard and even Jayne Mansfield is considered, along with his later work as a guest star on albums by Stephen Stills, Robert Wyatt, and McGear and McGough, and not forgetting his blistering work as a producer for Eire Apparent. From psychedelic odysseys to progressive blues to proto-metal to funk-rock, Hendrix mastered them all. Jimi Hendrix On Track is an informative guide to some of the 20th century’s most extraordinary recordings. Emma Stott missed out on the 1960s and the 1970s and she still isn’t over it, so writing about the greatest decades in rock music helps with her loss. She also writes about literature and education, being an English teacher by day in Manchester, UK, where she forbids any ‘dark sarcasm’ in her classroom.
A comprehensive overview of the musical career of Elton John provides the full story behind all of the musician's recordings, a complete chronicle of his concert tours, an assessment of his musical odyssey, and a study of his sometimes turbulent personal life, along with more than forty photographs and a complete discography.
Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on popular culture; a chapter on classic rock's legacy; and a bibliography. This organization gives readers the choice of starting from the beginning to learn how classic rock and each of its subgenres emerged after rock and roll or skip ahead to a specific artist, recording, or song in the Must-Hear Music section. This volume stands out from other resources on classic rock for its listening-centered approach. Most books on classic rock focus on trivia, history, terminology, or criticism. It also explores the sound of the music of important artists and offers musical analyses that are accessible to upper-level high school and lower-level undergraduates while at the same time maintaining the interest of classic rock aficionados and scholars.