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The Holiday Makers is thought-provoking and profound in its analysis of the present and future patterns of work and leisure. The author analyses the different forms of tourism, examines the effects on the indigenous countries and their people, and outlines positive steps to reconcile people's holiday requirements with the world's economic and social structures.
In mid-twentieth-century America, mass tourism became emblematic of the expanding horizons associated with an affluent, industrial society. Nowhere was the image of leisurely travel more visible than in the parade of glossy articles and advertisements that beckoned readers from the pages of popular magazines. In Richard K. Popp's The Holiday Makers, the magazine industry serves as a window into postwar media and consumer society, showing how the dynamics of market research and commercial print culture helped shape ideas about place, mobility, and leisure. Magazine publishers saw travel content as a way to connect audiences to a booming ad sector, while middlebrow editors believed sightseeing travel was a means of fostering a classless society at home and harmony abroad. Expanding transportation networks and free time lay at the heart of this idealized vision. Holiday magazine heralded nothing less than the dawn of a new era, calling it "the age of Mobile Man -- Man gifted, for the first time in history, with leisure and the means to enjoy distance on a global scale." For their part, advertisers understood that selling tourism meant turning "dreams into action," as ad executive David Ogilvy put it. Doing so involved everything from countering ugly stereotypes to tapping into desires for "authentic" places and self-actualization. Though tourism was publicly touted in egalitarian terms, publishers and advertisers privately came to see it as an easy way to segment the elite free spenders from the penny-pinching masses. Just as importantly, marketers identified correlations between an interest in travel and other consumer behavior. Ultimately, Popp contends, the selling of tourism in postwar America played an early, integral role in the shift toward lifestyle marketing, an experiential service economy, and contributed to escalating levels of social inequality.
The arid regions impose strict limits upon human existence and activity. And yet by respecting those limits, the flourishing and stable culture of these regions has for centuries been sustained. In the late twentieth century, however, forces such as modernization, globalization, and the politics and economics of nations became so great that major changes in the old ways had to take place for the sake of survival. Egypt's northwest coast, where meager coastal rains have supported a sparse but thriving population of Bedouin, saw the arrival of settlers from the Nile Valley, accustomed to a very different way of life and production, and hordes of tourists whose "empty, silent structures" effectively turned the most productive strip of the coastal range into an artificial desert. This study documents the great accommodations that took place to ensure the arid rangelands of the northwest coast continue to be viable for the demands of human existence imposed on them. "A main thesis of this study," the authors write, "is that change in the northwest coast of Egypt has strong parallels in other arid regions of the wider Arab world; and specific comparisons are made to change underway elsewhere-especially regarding the transformation of Arab nomadic pastoralist production to a new form of ranching, and the related changes of sedentarization and the monetization of most aspects of livelihood."
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft.
Thomas Dekker's The Shoemaker's Holiday is one of the most popular of Elizabethan plays--entertaining, racy and vivid in its characterization. Revealing a vital portrait of Elizabethan London and the interaction of social classes within the city, its social commentary is on the whole optimistic, though darker tones are discernible. The play has had a lively history of performance on both the professional and amateur stage.
Part travel diary, part memoir, part history, and all cookbook, Lavender & Lovage is an invitation from Karen Burns-Booth to join her on a personal culinary journey through the memories of the places she has lived and visited. Born from her eponymous award winning blog this book contains 160 unique recipes, all beautifully photographed by the author. They showcase the breadth and depth of her travel. Karen has lived and travelled all over the world and has brought some of her favourite recipes, experiences, and memories to share here with her readers. Karen focuses on the best of traditional recipes, preserving the ways of eating that kept our ancestors healthy, a vital contribution to the modern food landscape. If you would like to see the old made new again, to taste slow food instead of fast, to make food personal yet international, you will find it here.
This collection of key articles from the most influential journals and books in the field examines what social scientists mean by the term tourism, and what it means to be a tourist. Carefully selected and introduced by the editor, this material charts the sociological changes that have occurred in tourism, and the change from the upper-class grand tours of the late nineteenth-century to the mass tourism of the present day. The collection also assesses the economic impacts of tourism on local economies, environmental considerations, and whether the growth of tourism is sustainable in a post-September 11th world. "Tourism: Critical Concepts in the Social Sciences" is an accessible and comprehensive resource designed for academics and scholars researching in tourism, globalization, and human geography.
There are now over 25 books published as part of the Aspects Series, each one taking readers on a voyage of nostalgic discovery through their town, city or area. Here Birmingham, once 'The Workshop of the Empire' is revealed in twelve studies of the city and its people. Here we find 'Birmingham Municipal Bank', the only successful council operated bank and 'Lesser Known Characters' about the city. We see the work of the 'Birmingham Mission' and 'Birmingham Children's Emigration Homes'. During the troubled 1930's, Birmingham held a 'Great Pageant' and as war clouds gathered over Europe, the city's young men fought in 'The Spanish Civil War'. All this and so much more is available in this, the first Aspects of Birmingham.
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