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This book explores in depth the origins, development, and prospects of outlawry and of the relationship of outlaws to the social conditions of changing times. Throughout American history you will find larger-than-life brigands in every period and every region. Often, because we hunger for simple justice, we romanticize them to the point of being unable to separate fact from fiction. Frank Richard Prassel brings this home in a thorough and fascinating examination of the concept of outlawry from Robin Hood, Dick Turpin, and Blackbeard through Jean Lafitte, Pancho Villa, and Billy the Kid to more modern personalities such as John Dillinger, Claude Dallas, and D. B. Cooper. A separate chapter on molls, plus equal treatment in the histories of gangs, traces women's involvement in outlaw activities. Prassel covers the folklore as well as the facts, even including an appendix of ballads by and about outlaws. He makes clear how this motley group of bandits, pirates, highwaymen, desperadoes, rebels, hoodlums, renegades, gangsters, and fugitives—who stand tall in myth—wither in the light of truth, but flourish in the movies. As he tells the stories, there is little to confirm that Jesse and Frank James, Butch Cassidy and the Sundance Kid, the Daltons, Pretty Boy Floyd, Ma Barker, Clyde Barrow and Bonnie Parker, Belle Starr, the Apache Kid, or any of the so-called good badmen, did anything that did not enrich or otherwise benefit themselves. But there is plenty of evidence, in the form of slain victims and ruined lives, to show how many ways they caused harm. The Great American Outlaw is as much an excellent survey on the phenomenon as it is a brilliant exposition of the larger than-life figures who created it. Above all, it is a tribute to that aspect of humanity that Americans admire most and that Prassel describes as a willingness "to fight, however hopelessly, against exhibitions of privilege."
A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both.
American history -- African American studies In the popular imagination the picture of slavery, frozen in time, is one of huge cotton plantations and opulent mansions. However, in over a hundred years of history detailed in this book, the hard reality of slavery in Mississippi's antebellum world is strikingly different from the one of popular myth. It shows that Mississippi's past was never frozen, but always fluid. It shows too that slavery took a number of shapes before its form in the late antebellum mold became crystalized for popular culture. The colonial French introduced African slaves into this borderlands region situated on the periphery of French, Spanish, and English empires. In this frontier, planter society made unsuccessful attempts to produce tobacco, lumber, and indigo. Slavery outlasted each failed harvest. Through each era plantation culture rode the back of a system far removed from the romantic stereotype. Almost simultaneously as Mississippi became a United States territory in the 1790s, cotton became the cash crop. The booming King Cotton economy changed Mississippi and adapted the slave system that was its foundation. Some Mississippi slaves resisted this grim oppression and rebelled by flight, work slowdowns, arson, and conspiracies. In 1835 a slave conspiracy in Madison County provoked such draconian response among local slave holders that planters throughout the state redoubled the iron locks on the system. Race relations in the state remained radicalized for many generations to follow. Beginning with the arrival of the first African slaves in the colony and extending over 115 years, this book is the first such history since Charles Sydnor's Slavery in Mississippi (1933). David J. Libby, an independent scholar, lives in San Antonio, Texas. His work has been published in CrossRoads: A Journal of Southern Culture.
The history of Jackson is filled with gripping tales of horrors and heroism. Join Ryan Starrett and Josh Foreman as they reveal the hidden past of the City with Soul. A recording company founded in the mid-1960s with the expectation of competing with New Orleans and Memphis was a national success, outlasting its better-funded rivals. Known as the "Devil's Backbone," the Natchez Trace is the graveyard for countless travelers slain by the road's numerous serial killers, brigands and land pirates. Yet one mass grave stands above the others: the Boyd Mounds, which hold the remains of thirty-one Choctaws. Although legend has it that the father of Jackson, Louis LeFleur, was a Canadian trapper famous in high society for his dancing, the truth is even stranger.
In this deeply researched prequel to his 2006 study Rough Justice: Lynching and American Society, 1874–1947, Michael J. Pfeifer analyzes the foundations of lynching in American social history. Scrutinizing the vigilante movements and lynching violence that occurred in the middle decades of the nineteenth century on the Southern, Midwestern, and far Western frontiers, The Roots of Rough Justice: Origins of American Lynching offers new insights into collective violence in the pre-Civil War era. Pfeifer examines the antecedents of American lynching in an early modern Anglo-European folk and legal heritage. He addresses the transformation of ideas and practices of social ordering, law, and collective violence in the American colonies, the early American Republic, and especially the decades before and immediately after the American Civil War. His trenchant and concise analysis anchors the first book to consider the crucial emergence of the practice of lynching of slaves in antebellum America. Pfeifer also leads the way in analyzing the history of American lynching in a global context, from the early modern British Atlantic to the legal status of collective violence in contemporary Latin America and sub-Saharan Africa. Seamlessly melding source material with apt historical examples, The Roots of Rough Justice tackles the emergence of not only the rhetoric surrounding lynching, but its practice and ideology. Arguing that the origins of lynching cannot be restricted to any particular region, Pfeifer shows how the national and transatlantic context is essential for understanding how whites used mob violence to enforce the racial and class hierarchies across the United States.
"In the early United States, the language and symbols of American freedom inspired enslaved people and their allies to wage a real and revolutionary war against slavery"--
The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.