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A magisterial and sweeping history of modern Africa. The end of the Second World War signalled the rapid end of the European African empires. In 1945, only four African countries were independent; by 1963, thirty African states created the Organization of African Unity. Despite formidable problems, the 1960s were a time of optimism as Africans enjoyed their new independence, witnessed increases in prosperity and prepared to tackle their political and economic problems in their own way. By the 1990s, however, the high hopes of the 1960s had been dashed. Dictatorship by strongmen, corruption, civil wars and genocide, widespread poverty and the interventions and manipulations of the major powers had all relegated Africa to the position of an aid 'basket case', with some of the world's poorest and least-developed nations. By exploring developments over the last fifteen years, including the impact of China, new IT technology and the Arab Spring, the rise of Nigeria as Africa's leading country and the recent refugee crisis, Guy Arnold brings his landmark history of modern Africa up to date and provides a fresh and insightful perspective on this troubled and misunderstood continent.
The new, fully-updated edition of the acclaimed textbook covering 200 years of African history A History of Modern Africa explores two centuries of the continent’s political, economic, and social history. This thorough yet accessible text help readers to understand key concepts, recognize significant themes, and identify the processes that shaped the modern history of Africa. Emphasis is placed on the consequences of colonial rule, and the links between the precolonial and postcolonial eras. Author Richard Reid, a prominent scholar and historian on the subject, argues that Africa’s struggle for economic and political stability in the nineteenth century escalated and intensified through the twentieth century, the effects of which are still felt in the present day. The new third edition offers substantial updates and revisions that consider recent events and historiography. Greater emphasis is placed on African agency, particularly during the colonial period, and the importance of the long-term militarization of African political culture. Discussions of the postcolonial period have been updated to reflect recent developments, including those in North Africa. Adopting a long-term approach to current African issues, this text: Explores the legacies of the nineteenth century and the colonial period in the context of the contemporary era Highlights the role of nineteenth century and long-term internal dynamics in Africa’s modern challenges Combines recent scholarship with concise and effective narrative Features maps, illustrations, expanded references, and comprehensive endnotes A History of Modern Africa: 1800 to the Present, 3rd Edition is an excellent introduction to the subject for undergraduate students in relevant courses, and for general readers with interest in modern African history and current affairs.
To quote the title of Nelson Mandela's 1994 autobiography, it has been a long walk to freedom. The history of South Africa, one of the oldest inhabited places on earth, is also the story of one of the newest nations, made and remade over the last century. This compellingly written history of South Africa, from prehistoric times through 1999, is the only up-to-date history of the nation. Beginning with an overview of the modern nation, this narrative history traces South Africa from prehistory through the European invasions, the settlement by Dutch, the imposition of British rule, the many internecine wars for control of the nation, the institution of apartheid, and, finally, freedom for all South Africans in 1994 and the Mandela years 1994-1999. Twin themes of colonial rule and racism intertwine over the course of the last three hundred and fifty years. Beck, a specialist in the history of South Africa, illuminates the conflicts, personalities, and tragedies of South African history over this period, culminating in the end of apartheid in 1994, the release from prison of Nelson Mandela, and his formation of a new government. Brief sketches of key people in the history of South Africa, a glossary of terms, maps, and a bibliographic essay of suggested reading complete the work. Every library should update its resources on South Africa with this engagingly written and authoritative history.
Provides the latest insights into, and interpretations of, the history of Africa
Basil Davidson's famous book -- now updated in a welcome Third Edition -- reviews the social and political history of Africa in the twentieth century. It takes the reader from the colonial era through the liberation movements to independence and beyond. It faces squarely the disappointments and breakdowns that have dulled the early successes of the post-colonial era; yet, for all the sorrows and uncertainties of Africa today, Basil Davidson shows how much has been achieved since decolonization, and the mood of his new final chapter is hopeful and buoyant.
Definitive proof that Africa is *not* a country. A lively, entertaining and informative portrait of modern Africa that pushes back against harmful stereotypes. Over a billion people have been reduced to one simple story. Africa Is Not a Country fills in the gaps. So often Africa is depicted simplistically as a red landscape of safaris and famines. In this funny, insightful book Dipo Faloyin corrects this view to create a fresh and positive view of the continent. By turns intimate and political, he looks at buzzy urban life in Lagos and the lively West African rivalry over who makes the best jollof rice, before giving us the story of democracy in seven dictatorships, an insight into different regional accents and the colonial foundation of many countries which are still younger than your grandparents. We learn about the dangers of white saviours and the cultural significance of Aunties, and he provides us with a tour guide of where citizens of several African countries need to travel to visit their own cultural artefacts - 90% of which are in museums outside the continent. We immerse ourselves in the energy and fabric of many different cultures and communities as Dipo shows his deep love of the region - as a concept, as a promise and as a reality.
Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day. “Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.
This book offers unique insights into modern African architecture, influenced by modern European architecture, and at the same time a natural successor to existing site-specific and traditional architecture. It brings together the worlds of traditional site-specific architecture with the Modernist Project in Africa, which to date have only been considered in isolation. The book covers the four architectural disciplines: urban planning, building technology, building physics, and conservation. It includes an introduction with a historical outline and an analysis and comparison of a number of projects in various countries in Africa. On the basis of examples drawn from practice, the author documents and describes the hybrid architectural forms that have emerged from the confrontation and fusion with (pre)modern Western architecture and urban planning, and in so doing he also narrates the history of African architecture.
Contemporary Africa, edited by Toyin Falola captures the challenges, optimism and problems that face modern Africa, notably those of economic underdevelopment and political instability. African countries seek various answers, and they have recorded varying degrees of success as they attempt to unite their peoples to build strong nations, develop their economies, and stabilize their politics. Failures have equally been recorded in a number of places, although these have not prevented the search for new solutions nor dampened the enthusiasm of Africans in liberating themselves from poverty. Among the leading issues that the volume pays attention to are: the achievements of independence, the colonial legacy, Africa's place in global affairs, economic development, political instability, and the challenges of renewal in the 21st century. This is the fifth volume in a series of textbooks entitled Africa. Contributors to the volumes are African Studies teachers from a variety of schools and settings. Writing from their individual areas of expertise, these authors work together to break stereotypes about Africa, focusing instead on the substantive issues of the African past from the perspectives of Africans themselves. The organization of the books is flexible enough to suit the needs of any instructor, and the texts include illustrations, maps and timelines to make cultural and historical movements clearer. Suggestions for further reading that will help students broaden their own interests are also included. Africa challenges the accepted ways of studying Africa and encourages students who are eager to learn about the diversity of the African experience.