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In this text, David Starkey examines the personalities and politics of Henry VIII in Great Britain during the years 1509-1547.
War should be recognised as one of the defining features of life in the England of Henry VIII. Henry fought many wars throughout his reign, and this book explores how this came to dominate English culture and shape attitudes to the king and to national history, with people talking and reading about war, and spending money on weaponry and defence.
A popular image of Henry VIII is that he was something of a hot-blooded womanising, fornicating tyrant who broke with Roman Catholicism to divorce and remarry over and over again.Henry VIII was 'a veritable Bluebeard 'who died of an excess of food, drink and sex - or was he?Henry VIII, the Reign a New Look does exactly what it says on the cover, this concise book takes a new, fresh and innovative look at the reign of Henry VIII.There was more to the period than the man that was Henry VIII. The eminent Tudor historian Sir Geoffrey Elton once said of him '... we surely cannot accept an argument unsupported by evidence which ascribes to him alone the mastery of events, the making of policy and the detailed and specific government of the country.' Sir Geoffrey was quite right, the evidence is just not there - it does not exist - to support the popular image of Henry VIII.The events of the reign, however, can be ascribed to other more influential people than this fickle, malleable and ill-equipped man who was Henry VIII, King of England.This book uses the evidence to support a new look at the tumultuous reign of Henry VIII, backed up by hundreds of corroborating documents compiled from the vast Calendar of Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII: preserved in the Public Record Office, the British Museum, and elsewhere in England, together with maps and illustrations.These are not merely footnoted - references but are the full, detailed Calendar entries, transcribed word for word - these are the facts.The eBook edition facilitates the inclusion of the documentary evidence directly accessible within the publication - that is to say, the transcriptions are included in the eBook.The paperback is supported by two paper volumes of the transcriptions in Henry VIII, the Reign-the Notes (Part 1 and Part 2) which may be purchased separately.Alternatively, all the notes are available on the website Henry VIII, the Reign - for FREE.
A “brilliantly written and meticulously researched” biography of royal family life during England’s second Tudor monarch (San Francisco Chronicle). Either annulled, executed, died in childbirth, or widowed, these were the well-known fates of the six queens during the tempestuous, bloody, and splendid reign of Henry VIII of England from 1509 to 1547. But in this “exquisite treatment, sure to become a classic” (Booklist), they take on more fully realized flesh and blood than ever before. Katherine of Aragon emerges as a staunch though misguided woman of principle; Anne Boleyn, an ambitious adventuress with a penchant for vengeance; Jane Seymour, a strong-minded matriarch in the making; Anne of Cleves, a good-natured woman who jumped at the chance of independence; Katherine Howard, an empty-headed wanton; and Katherine Parr, a warm-blooded bluestocking who survived King Henry to marry a fourth time. “Combin[ing] the accessibility of a popular history with the highest standards of a scholarly thesis”, Alison Weir draws on the entire labyrinth of Tudor history, employing every known archive—early biographies, letters, memoirs, account books, and diplomatic reports—to bring vividly to life the fates of the six queens, the machinations of the monarch they married and the myriad and ceaselessly plotting courtiers in their intimate circle (The Detroit News). In this extraordinary work of sound and brilliant scholarship, “at last we have the truth about Henry VIII’s wives” (Evening Standard).
This collection of essays by leading scholars and researchers in early Tudor studies provides an up-to-date discussion of the politics, policy and piety of Henry VIII's reign. It explores such areas as the reform of central and local government, foreign policy, relations between leading politicians, life at Court, Henry's first divorce and the break with Rome, literature and the government's exploitation of it, and the growth of evangelical religion in Henry's England. Particular consideration is given to the controversies which have arisen about the reign among modern historians, and there is an effort to assess the personality of Henry himself.
Peter Ackroyd, one of Britain's most acclaimed writers, brings the age of the Tudors to vivid life in this monumental book in his The History of England series, charting the course of English history from Henry VIII's cataclysmic break with Rome to the epic rule of Elizabeth I. Rich in detail and atmosphere, Peter Ackroyd's Tudors is the story of Henry VIII's relentless pursuit of both the perfect wife and the perfect heir; of how the brief reign of the teenage king, Edward VI, gave way to the violent reimposition of Catholicism and the stench of bonfires under "Bloody Mary." It tells, too, of the long reign of Elizabeth I, which, though marked by civil strife, plots against the queen and even an invasion force, finally brought stability. Above all, however, it is the story of the English Reformation and the making of the Anglican Church. At the beginning of the sixteenth century, England was still largely feudal and looked to Rome for direction; at its end, it was a country where good governance was the duty of the state, not the church, and where men and women began to look to themselves for answers rather than to those who ruled them.
This compelling new account of Henry VIII is by no means yet another history of the ‘old monster’ and his reign. The ‘monster’ displayed here is, at the very least, a newer type, more beset by anxieties and insecurities, and more tightly surrounded by those who equated loyalty with fear, self-interest and blind obedience. This ground-breaking book also demonstrates that Henry VIII’s priorities were always primarily martial rather than marital, and accepts neither the necessity of his all-consuming quest for a male heir nor his need ultimately to sever ties with Rome. As the story unfolds, Henry’s predicaments prove largely of his own making, the paths he chooses neither the only nor the best available. For Henry VIII was not only a bad man, but also a bad ruler who failed to achieve his aims and blighted the reigns of his two immediate successors.Five hundred years after he ascended the throne, the reputation of England’s best known king is being rehabilitated and subtly sanitized. Yet Tudor historian John Matusiak paints a colourful and absorbingly intimate portrait of a man wholly unfit for power.
“Fascinating . . . Alison Weir does full justice to the subject.”—The Philadelphia Inquirer At his death in 1547, King Henry VIII left four heirs to the English throne: his only son, the nine-year-old Prince Edward; the Lady Mary, the adult daughter of his first wife Katherine of Aragon; the Lady Elizabeth, the teenage daughter of his second wife Anne Boleyn; and his young great-niece, the Lady Jane Grey. In this riveting account Alison Weir paints a unique portrait of these extraordinary rulers, examining their intricate relationships to each other and to history. She traces the tumult that followed Henry's death, from the brief intrigue-filled reigns of the boy king Edward VI and the fragile Lady Jane Grey, to the savagery of "Bloody Mary," and finally the accession of the politically adroit Elizabeth I. As always, Weir offers a fresh perspective on a period that has spawned many of the most enduring myths in English history, combining the best of the historian's and the biographer's art. “Like anthropology, history and biography can demonstrate unfamiliar ways of feeling and being. Alison Weir's sympathetic collective biography, The Children of Henry VIII does just that, reminding us that human nature has changed--and for the better. . . . Weir imparts movement and coherence while re-creating the suspense her characters endured and the suffering they inflicted.”—The New York Times Book Review
Originally published in Great Britain by Penguin Books Ltd., 2011.