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A fresh, fascinating appraisal that is the first study of the nude in photography as seen through the social customs, manners and taboos that shaped the art. 20 full-color and 200 black-and-white photographs.
"The nude in photography portrays nudes in all kinds of attitudes and settings as they have evolved since the 1850s, when the photographer Durieu posed some of the earliest nudes in history under the direction of the artist Delacroix in Paris. More than 70 notable photographers are presented, including Peter Basch, Bill Brandt, Elliott Erwitt, Milton H. Greene, and others."--Amazon.
Born like Venus on the half shell from the centuries-long tradition of the nude in painting, the nude first appeared as a subject matter in photography with the introduction of the medium itself, between 1837 and 1840, and has continued as an ever-evolving theme through changing technical developments and cultural mores to the present day. This volume surveys the subject of nudity from the earliest surviving photographs of Greek and Roman sculpture through studies of living nude models for aesthetic or scientific purposes to the burgeoning practice of exploring the human body as pure form. The seventy-eight works, selected from the extensive collection of the J. Paul Getty Museum and further contextualized here in the essay “Masterworks of the Nude,” span the entire arc of the history of photography in a manner that is both fresh and illuminating. Among the sixty-four photographers included are nineteenth-century masters Julia Margaret Cameron, Edgar Degas, and Thomas Eakins; early-twentieth-century artists Man Ray, Alfred Stieglitz, and Edward Weston; mid-twentieth-century innovators Bill Brandt, Harry Callahan, and Minor White; late-twentieth-century image makers Diane Arbus, Robert Mapplethorpe, and Herb Ritts; and contemporary artists Chuck Close, Timothy Greenfield-Sanders, and Mona Kuhn.
TASCHEN's 25th anniversary - Special edition! ""Fascinating for what it tells us about the history of body images and social codes."" -The Independent, London
Fully Exposed is a pioneering cultural history of the photography of the male nude which sets the photographer and the model within our cultural and historical perceptions and prejudices. This second edition extends the book's coverage so that the story from the beginnings of the medium to the present day is complete. Fully Exposed is lavishly illustrated with over two hundred and fifty photographs,many of them new to this edition. Different chapters discuss how the male nude has been used by artists, the way it has been treated in the popular press,in relation to British colonialism and scientific ideology. It also discusses `private pictures' taken at home or acquired as erotic material by the private collector. A final chapter brings the book up-to-date and discusses the male nude in the nineties. The combination of art criticism and photographic essay make this an unusual and important book both for academics and the general reader.
Bertolotti explores the history of nude photography, from the first academic snapshots all the way to the most audacious avant-gardists. Organized chrono-thematically and accompanied by socio-cultural analysis, this book includes the works by Germaine Krull, Man Ray, Bill Brandt, Araki, Robert Mapplethorpe, and Jean-Loup Sieff.
An illustrated bibliography of all the hardback books of the nude - mainly but not exclusively the female nude - which were published in England in roughly the first half of the twentieth century. Full bibliographical details are given of each one, together with a description of the contents.