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" She was homely, overweight, and over the hill, but there was a time when Marie Dressler outdrew such cinema sex symbols as Garbo, Dietrich, and Harlow. To movie audiences suffering the hardships of the Great Depression, she was Everywoman, and in the early 1930s her charming mixture of pathos and comedy packed movie theaters everywhere. In the early days of the century, Dressler was constantly in the headlines. She took up the cause of the "ponies" in the chorus lines, earning them better pay and benefits. She played in productions organized to raise money for the women's suffrage movement. And during World War I she claimed she sold more liberty bonds than any other individual in the United States. Dressler was an astute observer of public mood and taste. When she was lucky enough to find work in the newly minted Hollywood talkies, she grabbed the brass ring with fierce enthusiasm, even making three films in the year before her death, when she was so sick she had to rest between scenes on a sofa just out of camera range. The two-hundred-pound actress's remarkable stage presence captivated audiences even though her roles were not Hollywood beauties. She played tough, practical characters such as the old wharf rat in Anna Christie (1930), the waterfront innkeeper in Min and Bill (1931) -- for which she won the Academy Award for best actress -- the aging housekeeper in Emma (1932), and the title role in Tugboat Annie (1933). She spoke honestly to her audiences, and troubled people in the comforting darkness of the Depression-era movie theaters embraced her as one of themselves.
"The most balanced and comprehensive account of the Korean War." —The Economist Sixty years after North Korean troops crossed the 38th parallel into South Korea, the Korean War has not yet ended. Sheila Miyoshi Jager presents the first comprehensive history of this misunderstood war, one that risks involving the world’s superpowers—again. Her sweeping narrative ranges from the middle of the Second World War—when Korean independence was fiercely debated between Roosevelt, Stalin, and Churchill—to the present day, as North Korea, with China’s aid, stockpiles nuclear weapons while starving its people. At the center of this conflict is an ongoing struggle between North and South Korea for the mantle of Korean legitimacy, a "brother’s war," which continues to fuel tensions on the Korean peninsula and the region. Drawing from newly available diplomatic archives in China, South Korea, and the former Soviet Union, Jager analyzes top-level military strategy. She brings to life the bitter struggles of the postwar period and shows how the conflict between the two Koreas has continued to evolve to the present, with important and tragic consequences for the region and the world. Her portraits of the many fascinating characters that populate this history—Truman, MacArthur, Kim Il Sung, Mao, Stalin, and Park Chung Hee—reveal the complexities of the Korean War and the repercussions this conflict has had on lives of many individuals, statesmen, soldiers, and ordinary people, including the millions of hungry North Koreans for whom daily existence continues to be a nightmarish struggle. The most accessible, up-to date, and balanced account yet written, illustrated with dozens of astonishing photographs and maps, Brothers at War will become the definitive chronicle of the struggle’s origins and aftermath and its global impact for years to come.
Focusing on the two tumultuous decades framed by Indian independence in 1947 and the Indo-Pakistani war of 1965, The Cold War on the Periphery explores the evolution of American policy toward the subcontinent. McMahon analyzes the motivations behind America's pursuit of Pakistan and India as strategic Cold War prizes. He also examines the profound consequences—for U.S. regional and global foreign policy and for South Asian stability—of America's complex political, military, and economic commitments on the subcontinent. McMahon argues that the Pakistani-American alliance, consummated in 1954, was a monumental strategic blunder. Secured primarily to bolster the defense perimeter in the Middle East, the alliance increased Indo-Pakistani hostility, undermined regional stability, and led India to seek closer ties with the Soviet Union. Through his examination of the volatile region across four presidencies, McMahon reveals the American strategic vision to have been "surprinsgly ill defined, inconsistent, and even contradictory" because of its exaggerated anxiety about the Soviet threat and America's failure to incorporate the interests and concerns of developing nations into foreign policy. The Cold War on the Periphery addresses fundamental questions about the global reach of postwar American foreign policy. Why, McMahon asks, did areas possessing few of the essential prerequisites of economic-military power become objects of intense concern for the United States? How did the national security interests of the United States become so expansive that they extended far beyond the industrial core nations of Western Europe and East Asia to embrace nations on the Third World periphery? And what combination of economic, political, and ideological variables best explain the motives that led the United States to seek friends and allies in virtually every corner of the planet? McMahon's lucid analysis of Indo-Pakistani-Americna relations powerfully reveals how U.S. policy was driven, as he puts it, "by a series of amorphous—and largely illusory—military, strategic, and psychological fears" about American vulnerability that not only wasted American resources but also plunged South Asia into the vortex of the Cold War.
Johnston argues that the preemptive first-use of nuclear weapons, long the foundation of American nuclear strategy, was not the carefully reasoned response to a growing Soviet conventional threat. Instead, it was part of a process of cultural 'socialization', by which the United States reconstituted the previously nationalist strategic cultures of the European allies into a seamless western community directed by Washington. Building a bridge between theory and practice, this book examines the usefulness of cultural theory in international history.
Using recently released archive material, British Military Planning for the Defence of Germany, 1945-50, reassesses Britain's strategy for the defence of Germany up to the outbreak of the Korean War. Convinced of the capabilities of strategic air power with atomic weapons, and convinced that the defence of the Middle East should be the first call on British planning, Britain's military chiefs made a series of token gestures designed to boost French morale and consistently refused to make a genuine 'continental commitment' of operational troops.