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Derek Houghton was born and bred in London’s East End, Bethnal Green, when horses and carts were just as predominant on its streets as motorised vehicles. It was at a time when National Health was not even a dream, or any kind of benefit existed, the only benefit available was by taking the “Means Test” (Dole Money) that most East Enders were too proud to take. Poverty was never any stranger to their doors, unemployment was rife, and the pawnshops did a roaring trade. People then could walk the streets in safety, the streets were the children’s playgrounds, where they played unhindered. As hard as times were, neighbours showed great compassion in helping each other. Each street was like a village, where everybody knew everyone else. World War II was to bring about an even stronger bond with each other. Above all, it was the love of a street – “Our Street.”
This is the fourth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history. Volume IV covers the period during which dramatic satire emerged, as well as the opening of the original Globe theatre in London.
During the 18th century, not all books were found in bookstores or libraries. In London, itenerate book salesmen wandered the streets hawking their wares. The books they sold were cheap and often poorly printed, but they represented the beginnings of popular reading among the growing lower classes. Henry and Ann Lemoine were among the most prolific writers and publishers of street literature in the late eighteenth-century and theirs is a story of poverty, greed, prison, and female empowerment.
In this pioneering work Victor Neuberg has assembled a wealth of information about popular literature, from the invention of the printing press to the present. This guide, by judicious selection, gives a vivid picture of the range and variety of popular literature and its producers. Besides describing the main genres, the author has also included the social, cultural and commercial background to the production of popular literature, factors that were crucial in influencing the forms it took.