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First published in 2013. This two-part, eight-volume, reset edition draws together a range of sources from the early modern era through to the industrial age, to show the changes and continuities in responses to the social, political, legal and spiritual problems that self-murder posed. Part II, Volume 6 contains the period of 1750–1799: Legal, Medical, Literary and Miscellaneous Texts, and Newspapers and Magazines.
First published in 2013. This two-part, eight-volume, reset edition draws together a range of sources from the early modern era through to the industrial age, to show the changes and continuities in responses to the social, political, legal and spiritual problems that self-murder posed. Part II, Volume 8 contains 1800–1850: Medical Writers (continued), Statistical Inquiries, Social Criticism, Poetic and Popular Representations and Cases.
First published in 2013. This two-part, eight-volume, reset edition draws together a range of sources from the early modern era through to the industrial age, to show the changes and continuities in responses to the social, political, legal and spiritual problems that self-murder posed. Part II, Volume 5 contains the period of 1750–1799: Sermons, Discourses, Essays and Treatises.
First published in 2013. This two-part, eight-volume, reset edition draws together a range of sources from the early modern era through to the industrial age, to show the changes and continuities in responses to the social, political, legal and spiritual problems that self-murder posed. Part II, Volume 7 contains 1800–1850: Legal Contexts, Religious Writings and Medical Writers.
This book explores ways in which passions came to be conceived, performed and authenticated in the eighteenth-century marketplace of print. It considers satire and sympathy in various environments, ranging from popular novels and journalism, through philosophical studies of the Scottish Enlightenment, to last words, aesthetics, and plastic surgery.
Nowadays remembered mostly through Adam Smith’s references to the short-lived Ayr Bank in the Wealth of Nations, the 1772-3 financial crisis was an important historical episode in its own right, taking place during a pivotal period in the development of financial capitalism and coinciding with the start of the traditional industrialisation narrative. It was also one of the earliest purely financial crises occurring in peacetime, and its progress showed an impressive geographical reach, involving England, Scotland, the Netherlands and the North American colonies. This book uses a variety of previously unpublished archival sources to question the bubble narrative usually associated with this crisis, and to identify the mechanisms of financial contagion that allowed the failure of a small private bank in London to cause rapid and severe distress throughout the 18th century financial system. It re-examines the short and turbulent career of the Ayr Bank, and concludes that its failure was the result of cavalier liability management akin to that of Northern Rock in 2007, rather than the poor asset quality alleged in existing literature. It furthermore argues that the Bank of England’s prompt efforts to contain the crisis are evidence of a Lender of Last Resort in action, some thirty years before the classical formulation of the concept by Henry Thornton.
Acts of suicide by enslaved people carried significant cultural, legal, and political implications in the emerging slave societies of British America and, later, the United States. This study features a wide range of evidence from ship logs and surgeon's journals, legal and legislative records, newspapers, periodicals, novels, and plays, abolitionist print and slave narratives in order to consider the intimate circumstances, cultural meanings, and political consequences of enslaved peoples' acts of self-destruction in the context of early American slavery.
Suicide Century investigates suicide as a prominent theme in twentieth-century and contemporary literature. Andrew Bennett argues that with the waning of religious and legal prohibitions on suicide in the eighteenth and nineteenth centuries and the increasing influence of medical and sociological accounts of its causes and significance in the twentieth century, literature responds to the act and idea as an increasingly normalised but incessantly baffling phenomenon. Discussing works by a number of major authors from the long twentieth century, the book explores the way that suicide makes and unmakes subjects, assumes and disrupts meaning, induces and resists empathy, and insists on and makes inconceivable our understanding of ourselves and of others.
This collection brings together current research on topics that are perennially important to Romantic studies: the life and work of Jean-Jacques Rousseau, and the landscape and history of his native Switzerland.
A Sly and Dangerous Fellow chronicles the life and adventures of Thomas Violet, an Englishman who lived from 1609-1662. During the course of his tumultuous life Violet was a goldsmith, a spy, a prisoner of war during the English Civil War, a traitor to both sides, a major economic theorist, an anti-Semite who nearly drove the Jews of England out of the country, and a suicide. Violet’s life consisted of one unbelievable escapade after another. He was a scoundrel who used his knowledge of the financial markets of his day to legally extort money out of people in scheme after scheme for nearly thirty years. Along the way, he was caught up in the English Civil War and interacted with many of the major players – he knew and worked for King Charles I, Oliver Cromwell, and King Charles II. In desperate times, both King Charles I and Oliver Cromwell were willing to use the unsavory Violet to help solve the financial crisis both men faced as rulers of England. Violet’s knowledge of the silver trade, in particular, would bring untold riches to Oliver Cromwell. However, Charles II had no need of Violet, and, when Violet could not convince Charles II to extort money from England’s Jews, Violet committed suicide rather than face the world without a royal patron. Readers will be fascinated—and outraged—by Violet’s actions.