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This book traces back to the history of Japanese civilization, clarifies the unique thinking mode of Japanese nation, analyses the unique aesthetic viewpoints. It also describes the communication history of culture between China and Japan from BC 3rd century to the Late Qing Dynasty. Taking the communication of culture and arts as main line, taking the field visits as backgrounds, the author shows the colourful communication history between China and Japan. In the process of absorbing each other’s culture, China and Japan show different acceptance modes, as well as different characteristics. These characteristics can help us understand the essence of Japanese culture. As the author widely investigated the important historical relics, there are many unique viewpoints and thinking in this book.
Beyond Brushtalk explores interactions between Japanese and Chinese writers during the golden age of such exchange, 1919 to 1937. During this period, there were unprecedented opportunities for exchange between writers, which was made possible by the ease of travel between Japan and China during these years and the educational background of Chinese writers as students in Japan. Although the salubrious interaction that developed during that period was destined not to last, it nevertheless was significant as a courageous essay at cultural interaction. This book will appeal not only to those interested in Sino-Japanese studies, an increasingly important field of study in its own right, but will also appeal to scholars of both Japanese literature and Chinese literature and researchers whose areas of interest correspond to the major writers included in this work such as Lu Xun and Zhou Zuoren on the Chinese side and Tanizaki Jun'ichirō and Hayashi Fumiko on the Japanese side. The relations and resulting literary works involving these major writers are often relatively neglected aspects of their total output and will draw interest from scholars of their work. This book will be accessible to both Sinologists and Japanologists with little background in the corresponding field, and to the generalist possessing an interest in literary exchange.
This is a multi-author work which examines the cultural dimensions of the relations between East Asia's two great powers, China and Japan, in a period of change and turmoil, from the late nineteenth century to the end of the Second World War. This period saw Japanese invasion of China, the occupation of China's North-east (Manchuria) and Taiwan, and war between the two nations from 1937-1945; the scars of that war are still evident in relations between the two countries today. In their quest for modernity, the rulers and leading thinkers of China and Japan defined themselves in contradisctinction to the other, influenced both by traditional bonds of classical culture and by the influx of new Western ideas that flowed through Japan to China. The experiences of intellectual and cultural awakening in the two countries were inextricably linked, as our studies of poetry, fiction, philosophy, theatre, and popular culture demonstrate. The chapters explore this process of "transculturation" - the sharing and exchange of ideas and artistic expression - not only in Japan and China, but in the larger region which Joshua Fogel has called the "Sinosphere," an area including Korea and parts of Southeast Asia with a shared heritage of Confucian statecraft and values underpinned by the classical Chinese language. The authors of the chapters, who include established senior academics and younger scholars, and employ a range of disciplines and methodologies, were selected by the editors for their expertise in particular aspects of this rich and complex cultural relationship. As for the editors: Richard King and Cody Poulton are scholars and translators of Chinese literature and Japanese theatre respectively, each taking a historical and comparative perspective to the study of their subject; Katsuhiko Endo is an intellectual historian dealing with both Japan and China.
While current scholarship on Tokugawa Japan (1603–1868) tends to see China as either a model or "the Other," Wai-ming Ng's pioneering and ambitious study offers a new perspective by suggesting that Chinese culture also functioned as a collection of "cultural building blocks" that were selectively introduced and then modified to fit into the Japanese tradition. Chinese terms and forms survived, but the substance and the spirit were made Japanese. This borrowing of Chinese terms and forms to express Japanese ideas and feelings could result in the same things having different meanings in China and Japan, and this process can be observed in the ways in which Tokugawa Japanese reinterpreted Chinese legends, Confucian classics, and historical terms. Ng breaks down the longstanding dichotomies between model and "the other," civilization and barbarism, as well as center and periphery that have been used to define Sino-Japanese cultural exchange. He argues that Japanese culture was by no means merely an extended version of Chinese culture, and Japan's uses and interpretations of Chinese elements were not simply deviations from the original teachings. By replacing a Sinocentric perspective with a cross-cultural one, Ng's study represents a step forward in the study of Tokugawa intellectual history.
A Financial Times “Summer Books” Selection “Will become required reading.” —Times Literary Supplement “Elegantly written...with a confidence that comes from decades of deep research on the topic, illustrating how influence and power have waxed and waned between the two countries.” —Rana Mitter, Financial Times China and Japan have cultural and political connections that stretch back fifteen hundred years, but today their relationship is strained. China’s military buildup deeply worries Japan, while Japan’s brutal occupation of China in World War II remains an open wound. In recent years both countries have insisted that the other side must openly address the flashpoints of the past before relations can improve. Boldly tackling the most contentious chapters in this long and tangled relationship, Ezra Vogel uses the tools of a master historian to examine key turning points in Sino–Japanese history. Gracefully pivoting from past to present, he argues that for the sake of a stable world order, these two Asian giants must reset their relationship. “A sweeping, often fascinating, account...Impressively researched and smoothly written.” —Japan Times “Vogel uses the powerful lens of the past to frame contemporary Chinese–Japanese relations...[He] suggests that over the centuries—across both the imperial and the modern eras—friction has always dominated their relations.” —Sheila A. Smith, Foreign Affairs
Imperial Politics and Symbolics in Ancient Japan is an ambitious and ground-breaking study that offers a new understanding of a formative stage in the development of the Japanese state. The late seventh and eighth centuries were a time of momentous change in Japan, much of it brought about by the short-lived Tenmu dynasty. Two new capital cities, a bureaucratic state led by an imperial ruler, and Chinese-style law codes were just a few of the innovations instituted by the new regime. Herman Ooms presents both a wide-ranging and fine-grained examination of the power struggles, symbolic manipulations, new mythological constructs, and historical revisions that both defined and propelled these changes. In addition to a vast amount of research in Japanese sources, the author draws on a wealth of sinological scholarship in English, German, and French to illuminate the politics and symbolics of the time. An important feature of the book is the way it opens up early Japanese history to considerations of continental influences. Rulers and ritual specialists drew on several religious and ritual idioms, including Daoism, Buddhism, yin-yang hermeneutics, and kami worship, to articulate and justify their innovations. In looking at the religious symbols that were deployed in support of the state, Ooms gives special attention to the Daoist dimensions of the new political symbolics as well as to the crucial contributions made by successive generations of "immigrants" from the Korean peninsula. From the beginning, a "liturgical state" sought to co-opt factions and clans (uji) as participants in the new polity with the emperor acting as both a symbolic mediator and a silent partner. In contrast to the traditional interpretation of the Kojiki mythology as providing a vertical legitimation of a Sun lineage of rulers, an argument is presented for the importance of a lateral dimension of interdependency as a key structural element in the mythological narrative. An enlightening line of interpretation woven into the author’s analysis centers on purity. This eminently politico-ritual value central to Chinese Daoism and Buddhism was used by Tenmu as the emblematic expression of his regime and new political power. The concept of purity was most fully realized in the world of the Saiô princess in Ise and was later used by Ise ritualists to defend themselves against Buddhist rivals. At the end of the Tenmu dynasty, it was widely believed that avenging spirits were the principal source of danger and pollution, notions understood here as statements about the bloody political battles that were waged in Tenmu court circles. The Tenmu dynasty began and ended in bloodshed and was marked throughout by instability and upheaval. Constant succession struggles between two branches of the royal line and a few outside lineages generated a host of plots, uprisings, murders, and accusations of black magic. This aspect of the period gets full treatment in fascinatingly detailed narratives, which the author skillfully alternates with his trademark structural analysis. Imperial Politics and Symbolics in Ancient Japan is a boldly imaginative, carefully and extensively researched, and richly textured history that will reward reading by Japan specialists and students in several disciplines as well as by scholars with an interest in the role of religious symbolism in state formation.
In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.
The relation between China and Japan is one of the most important bilateral relationships in the world but how did the Japanese view China in ancient times? How did views change throughout the course of history? How could China’s image be improved in Japanese people’s eyes? This book provides an analysis of the history of contact between China and Japan and surveys the present situation to understand general views of Japanese society toward China. Through scientific public opinion surveys as well as in-depth interviews, the book examines ordinary and elite Japanese people’s views of Chinese culture, society, politics, the economy, media and Sino-Japanese relations. In addition, it analyzes the main causes of the formation of such views, and makes suggestions on promoting positive public opinions of China. The authors hope that this title can deepen Japanese society’s understanding and comprehension of China, help promote Sino-Japanese non-governmental exchange, and lay the foundation for continuous development of Sino-Japanese relations. This title will appeal to students and scholars of cultural studies, international relations and Asian studies.
Joshua Fogel offers an incisive historical look at Sino-Japanese relations from three different perspectives. Introducing the concept of “Sinosphere” to capture the nature of Sino-foreign relations both spatially and temporally, Fogel presents an original and thought-provoking study on the long, complex relationship between China and Japan.
For hundreds of years until the 1900s, in today’s China, Japan, North and South Korea, and Vietnam, literati of Classical Chinese or Literary Sinitic (wényán 文言) could communicate in writing interactively, despite not speaking each other’s languages. This book outlines the historical background of, and the material conditions that led to, widespread literacy development in premodern and early modern East Asia, where reading and writing for formal purposes was conducted in Literary Sinitic. To exemplify how ‘silent conversation’ or ‘brush-assisted conversation’ is possible through writing-mediated brushed interaction, synchronously face-to-face, this book presents contextualized examples from recurrent contexts involving (i) boat drifters; (ii) traveling literati; and (iii) diplo- matic envoys. Where profound knowledge of classical canons and literary works in Sinitic was a shared attribute of the brush-talkers concerned, their brush-talk would characteristically be intertwined with poetic improvisation. Being the first monograph in English to address this fascinating lingua-cultural practice and cross-border communication phenomenon, which was possibly sui generis in Sinographic East Asia, it will be of interest to students of not only East Asian languages and linguistics, history, international relations, and diplomacy, but also (historical) pragmatics, sociolinguistics, sociology of language, scripts and writing systems, and cultural and linguistic anthropology.