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New Diplomatic History has turned into one of the most dynamic and innovative areas of research – especially with regard to early modern history. It has shown that diplomacy was not as homogenous as previously thought. On the contrary, it was shaped by a multitude of actors, practices and places. The handbook aims to characterise these different manifestations of diplomacy and to contextualise them within ongoing scientific debates. It brings together scholars from different disciplines and historiographical traditions. The handbook deliberately focuses on European diplomacy – although non-European areas are taken into account for future research – in order to limit the framework and ensure precise definitions of diplomacy and its manifestations. This must be the prerequisite for potential future global historical perspectives including both the non-European and the European world.
This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to 'Cultures and Power', opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.
Polish independence following the end of World War I marked a new era for a nation which had endured centuries of foreign partition. But the spirit of Polish nationalism - forged during this long period of external domination - has been frequently at odds with the modernising drives of democracy and communism. How can the ideals of nationalism survive in a modern nation-state? Anita Prazmowska traces this conflict from the emergence of an independent Poland in 1918; through World War II, communism and the democratic victories of Solidarity; to the present day, when Polish membership of the EU is changing perceptions both within Poland and in the wider world.
In The Ottoman Threat and Crusading on the Eastern Border of Christendom during the Fifteenth Century Liviu Pilat and Ovidiu Cristea focus on less-known aspects of the later crusades in Eastern Europe, examining the ideals of holy war and political pragmatism. They analyze the Ottoman threat and crusading as political themes through a unifying vision based in the political realities of the fifteenth century and the complex relationship between crusading, Ottoman expansion, and the political interests of the Christian states in the region. Approaching the relationship between the borders of Christendom and crusading as a highly complex phenomenon, Pilat and Cristea introduce new elements to the image of Latin Christendom's frontier from the perspective of Catholic-Orthodox relations, frontier ideology, and crusading rhetoric in political propaganda.
This book discusses little-known linkages between two seemingly distant peoples, the Polish and the Irish, whose historical experiences share important similarities. Both Ireland and Poland have been subject to foreign rule, which they overturned in 1916 and 1918 respectively. Their predominantly Catholic societies were among the first to grant voting rights to women a century ago. This volume uses the centenary of both Ireland and Poland (re)gaining national independence and the political empowerment of women in these countries as a point of departure to analyse selected aspects of Polish and Irish people’s struggle for autonomy. Cases of mutual assistance, including the awareness-raising campaigns organized by Western women in support of the independence and suffragist movements in Poland, are presented along with examples of grassroots self-organization, foreign press coverage, and military and diplomatic efforts to empower the Poles and the Irish.
This book explores diplomacy and ritual practice at a moment of new departures and change in both early modern Europe and Russia.
The history of the Black Sea may be considered as alternating between an “inner lake,” when a single empire establishes control over the sea and its surrounding areas, and that of an open sea, in which various continental or maritime powers compete for the region’s resources. By taking into account the impact both of major powers and minor political actors, this volume proposes a long-term perspective of regional history. It offers a deep understanding of the political and commercial history of the Black Sea between the 14th and the 16th centuries, and provides insights into the political and economic developments of the region.
A prize-winning historian reveals how Stalin—not Hitler—was the animating force of World War II in this major new history. World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler’s war; it was Stalin’s war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin’s War revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler’s genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin’s goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain’s self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin’s war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin’s armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin’s War is essential reading for anyone looking to understand the current world order.
The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.