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"The History of Painting in Italy Vol-2" by Luigi Lanzi is a comprehensive and insightful exploration of Italian painting during a specific period in art history. In this volume, Lanzi delves into the rich artistic landscape of Italy, examining the significant developments and notable painters of the period. Lanzi provides a detailed analysis of various artistic movements, styles, and techniques that emerged during this time. He explores the works of renowned Italian painters, discussing their contributions to the art world and their impact on subsequent generations. The author offers an in-depth examination of notable paintings, unraveling their historical and cultural contexts while providing critical insights into their artistic merits. Lanzi's engaging narrative sheds light on the societal, political, and cultural factors that influenced Italian painting during the period covered in this volume. This volume is an essential resource for art historians, scholars, and art enthusiasts seeking a comprehensive understanding of Italian painting.
A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.
The History of Painting in Italy, Vol-6 is the final volume of a six-volume work by Luigi Lanzi. The work is a comprehensive history of painting in Italy from the 13th to the 18th centuries, and it is considered to be one of the most important works of art history ever written. Vol-6 covers the period from the late 17th century to the end of the 18th century. This period saw the rise of new artistic styles, such as Rococo and Neoclassicism, and it also saw the decline of the Italian Renaissance tradition. Lanzi provides a detailed overview of the major artists and works of art of this period, and he also discusses the social and cultural factors that influenced the development of Italian painting. The History of Painting in Italy, Vol-6 is a valuable resource for anyone interested in the history of art. It is a well-researched and informative work that provides a comprehensive overview of a critical period in the development of Italian painting.
The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
Published in two volumes, History of Italian Art provides a major history of Italian Art from antiquity to the present day. A distinguished group of cultural historians provide a comprehensive account of Italian "art" in the wider sense, examining not only painting and sculpture, but also photography and iconography, restorations and fakes, landscapes and writing.
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Italian art, starting with its origins in the Middle Ages, has developed by the multiplicity of its artists and in the autonomy of its styles that for centuries now have been a constant point of reference for the whole Western World. This magnificent volume, illustrated with nearly 500 works of art, presents a portfolio of the artists who best represent the genesis and development of art in Italy from the twelfth to the nineteenth centuries. With clear and concise narrative, each historical period is brought to life in a way which will both enlighten and entertain the reader. Biographies of the artists featured add an extra dimension to the book.