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Excerpt from The History of Music, Vol. 1 An attack was made thirty years ago on the assertion that Handel was not only a sacred composer, but was especially the founder of the epic element in music. It is, therefore, very satisfactory to observe the extent to which the truth of that assertion is now generally admitted this can also be said of the admission of the proof that the invention of the opera at Florence was due to a Tuscan School. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A Narrative History of Music, Vol. 1: Book I, the Pre-Classic Periods So many and varied are the paths of musical enjoy ment and profit opened out in the following pages, so different and sometimes so conflicting are the types of art represented there, that the timid or inexperienced reader may well pause at the threshold, afraid of wholly losing his way in such a labyrinth. He may hesitate to trust himself in so unfamiliar a landscape without first seeing some sort of small-scale plan of the ground, which, omitting the confusing details, shows in bold relief only the larger and essential divisions - the 'lay of the land.' Such a plan it is the object of this introduction to furnish. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of Music, Vol. 1 of 3 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author Chappell's intent with The History of Music (Art and Science): Volume One - From the Earliest Records to the Fall of the Roman Empire was to produce a complete history of music. Beginning with the earliest evidence of music, which largely comes from the Greeks, Chappel attempts to trace the development of the art through to modern day. Volume One, presented here, traces the history of music until the fifth century. The book actually opens where many works conclude, with a detailed glossary and explanatory index. From there, Chappel begins his historical examination in earnest. Opening chapters highlight the early Greek system of music, the three-stringed lyre of Egypt, the development of harmonies, and the earliest uses of music. Later chapters discuss early designs of instruments and the importance of music in the Roman Empire. The volume concludes with a brief section of notes and addendums. The History of Music is a noble effort at documenting the history of the art, Chappell is clearly a well-researched and knowledgeable writer. The work includes a fair amount of technical analysis, and thus is best read by an individual with some knowledge of the principals of music theory. Chappell's first volume in his series The History of Music is a well-written and worthy attempt at documenting the early history of the development of music. Students of history, particularly those interested in music history, will certainly find this to be a fascinating work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of Music, Vol. 1 WE believe that every intelligent person who loves music wishes to know more Of the history of music how music developed; about the great composers and their works; hymns that have helped; songs that have cheered and inspired; performers who have stirred the world; the great operas and oratorios, and even the essentials of composition and musical theory. These and many other related subjects, constituting the litera ture Of music, are fully treated in the volumes comprising the University Musical Encyclopedia. These volumes form a complete encyclopedia and history of music and musicians. They comprise a library covering the whole field of musical literature. The material has been written by more than forty of the greatest musicians, critics, and experts on musical subjects in this country and Europe. It is accurate and authoritative. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A General History of Music, Vol. 1: From the Earliest Ages to the Present Period (1789); With Critical and Historical NotesIn the present edition, Burney' 5 text and notes (with the original spelling) have been given in full and unaltered with the following exceptions.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A General History of the Science and Practice of Music, Vol. 1 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A General History of the Science and Practice of Music, Vol. 1 of 5 The natural media feem to confifi only in colour and figure, and refer ro1e to painting: the artificial are words, which are fymbols by compaa of ideas, as are alfo, in a limited fenfe, mufical fcunds, including in the term the accident of time or duration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The History of Music, Vol. 5 Schumann and Mendelssohn are entitled to take the lead as composers of classical pianoforte music since Beethoven. Schumann employed his piano as a means Of expressing his most intense feeling, and we find that the first ten years of his career as a composer (1829 - 1839) were entirely devoted to pianoforte compositions. The results are his Papillons, Intermezzi. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.