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The Secret History of Here is the story of a single place in the Scottish Borders. The site on which Alistair Moffat’s farm now stands has been occupied since prehistoric times. Walking this landscape you can feel the presence and see the marks of those who lived here before. But it is also the story of everywhere. In uncovering the history of one piece of land, Moffat shows how history is all around us, if only we have the eyes to see it. Taking the form of a journal of a year, this is a walk through the centuries as much as the seasons, offering a glimpse into the lives of those who came before, as well as those who live here now.
When you buy an old house, you get much more than a house. In all its quirks, its alterations, in fragments of memory and traces left behind, you get a bundle of small mysteries. Who used to live here? Why did they come here, and where did they go? Whose name is that written on the attic wall? When did that odd little bathroom get shoehorned in there, and what did the room look like before? If you're lucky, one or two of your house's mysteries might unfold into stories. Akum Norder was very lucky. The History of Here follows Albany, New York's, Pine Hills neighborhood through more than one hundred years of change. At its heart is the story of Norder's 1912 house and the people who built and lived in it. As Norder traced their histories, she came to see the development of her house, her street, and her neighborhood as a piece of Albany's story. In the lives of its residents, their struggles and triumphs, she saw a reflection of twentieth-century America. Drawing on interviews, city records, newspapers, out-of-print books, and other sources, Norder's narrative makes a case for city neighborhoods: their value, their preservation, and the grassroots involvement that turns a jumble of houses into a community. Funny and thought-provoking, readable and relevant, The History of Here celebrates the sense of place that fuels the new urbanism.
Hailed as "the best business book of 2010" (Huffington Post), this New York Times bestseller about the 2008 financial crisis brings the devastation of the Great Recession to life. As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, many devils helped bring hell to the economy. All the Devils Are Here goes back several decades to weave the hidden history of the financial crisis in a way no previous book has done. It explores the motivations of everyone from famous CEOs, cabinet secretaries, and politicians to anonymous lenders, borrowers, analysts, and Wall Street traders. It delves into the powerful American mythology of homeownership. And it proves that the crisis ultimately wasn't about finance at all; it was about human nature. Just as McLean's The Smartest Guys in the Room was hailed as the best Enron book on a crowded shelf, so will All the Devils Are Here be remembered for finally making sense of the financial meltdown and its consequences.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
The first of two groundbreaking volumes on gay history in Wisconsin, We’ve Been Here All Along provides an illuminating and nuanced picture of Wisconsin’s gay history from the reporting on the Oscar Wilde trials of 1895 to the landmark Stonewall Riots of 1969. Throughout these decades, gay Wisconsinites developed identities, created support networks, and found ways to thrive in their communities despite various forms of suppression—from the anti-vice crusades of the early twentieth century to the post-war labeling of homosexuality as an illness to the Lavender Scare of the 1950s. In We’ve Been Here All Along, R. Richard Wagner draws on historical research and materials from his own extensive archive to uncover previously hidden stories of gay Wisconsinites. This book honors their legacy and confirms that they have been foundational to the development and evolution of the state since its earliest days
This inspiring and educational book presents examples of LGBTQ+ activism throughout Wisconsin’s history for young people to explore and discuss. Drawing from a rich collection of primary sources—including diary entries, love letters, zines, advertisements, oral histories, and more—the book provides a jumping-off point for readers who are interested in learning more about LGBTQ+ history and activism, as well as for readers who want to build on the work of earlier activists. We Will Always Be Here shines a light on powerful and often untold stories from Wisconsin’s history, featuring individuals across a wide spectrum of identities and from all corners of the state. The LGBTQ+ people, allies, and activists in this guide changed the world by taking steps that young people can take today—by educating themselves, telling their own stories, being true to themselves, building communities, and getting active. The aim of this celebratory book is not only to engage young people in Wisconsin’s LGBTQ+ history, but also to empower them to make positive change in the world.
“What caused the American Revolution? This is indeed a rhetorical question that for many years historians have begun chapters with. As well they should. For the American Revolution is without a doubt the single most important historical event to occur in this nation except of course for Super Bowl III (Jets 16. Colts 7. This historian won $35).” So goes the skewed sensibility, the muddied mind, the bent pen of one of America's funniest writers, Dave Barry. This time his subject is U.S. history, the way it's never been told before. Every single momentous event and crucial moment is covered, including . . . • The Birthing Contractions of a Nation • Kicking Some British Butt • Barging Westward • The Forging of a Large, Wasteful Bureaucracy • Deep Economic Doo-doo • The Fifties: Peace, Prosperity, Brain Death . . . and right up through the scintillating Reagan-Bush years, during which, Mr. Barry notes, America is steadfastly Napping Toward Glory. If you love to laugh, if you love your country, if you are unaware that “the Sixth Amendment states that if you are accused of a crime, you have a right to a trial before a jury of people too stupid to get out of jury duty,” Dave Barry Slept Here is the book you've been waiting for since 1776. Or at least since Super Bowl III. Praise for Dave Barry Slept Here “A dazzling performance . . . Barry is brilliant.”—The Washington Post Book World “[Dave] Barry turns his formidable wit to the subject of American history, with a result reminiscent of the Reduced Shakespeare Company: The better you know the original, the funnier it gets.”—Los Angeles Times “I fear that Mr. Barry's dream of making millions of dollars through mass sales of his book to a captive audience of innocent schoolchildren will not be realized, and he will have to be content with making readers laugh a lot, as this one did.”—The New York Times Book Review
In Here, George Washington Was Born, Seth C. Bruggeman examines the history of commemoration in the United States by focusing on the George Washington Birthplace National Monument in Virginia's Northern Neck, where contests of public memory have unfolded with particular vigor for nearly eighty years. Washington left the birthplace with his family at a young age and rarely returned. The house burned in 1779 and would likely have passed from memory but for George Washington Parke Custis, who erected a stone marker on the site in 1815, creating the first birthplace monument in America. Both Virginia and the U.S. War Department later commemorated the site, but neither matched the work of a Virginia ladies association that in 1923 resolved to build a replica of the home. The National Park Service permitted construction of the "replica house" until a shocking archeological discovery sparked protracted battles between the two organizations over the building's appearance, purpose, and claims to historical authenticity. Bruggeman sifts through years of correspondence, superintendent logs, and other park records to reconstruct delicate negotiations of power among a host of often unexpected claimants on Washington's memory. By paying close attention to costumes, furnishings, and other material culture, he reveals the centrality of race and gender in the construction of Washington's public memory and reminds us that national parks have not always welcomed all Americans. What's more, Bruggeman offers the story of Washington's birthplace as a cautionary tale about the perils and possibilities of public history by asking why we care about famous birthplaces at all.
'Here on Earth' is a revolutionary dual biography of the planet and of our species. Tim Flannery reimagines the history of Earth, from its earliest origins as a chaotic ball of elemental dust and gases to the teeming landscape we currently call home.
Robert Montgomery went to relax and enjoy a drink a a local tavern in Battle Creek, Michigan. When he finished his drink, the bartender broke the glass. He would not allow his white customers to drink from the same glass a black man had used.That act of racisim in the 1949 didn't break Robert's spirit...it ignited a desire to have a club where black people could go, feel welcome, and enjoy themselves. He and his wife, Helen quit their jobs and opened the El Grotto Lounge. The club not only became a place blacks could come to enjoy themselves, it became a place where dreams came true.Those such as Junior Walker and the All Stars, Al Green, and even comedian Jimmie Lynch ( Dolomite's sidekick) got their start in the small club between Detroit and Chicago. What began as a way to make a difference, became a place to make dreams come true.The history of African Americans in Battle Creek, Michigan, and those who made their musical dreams come true in the city, are shared in this third edition of "Here I Stand: One City's Musical History."Sean Hollins takes never-before-published images of Battle Creek history and musicians to create a history book that keeps the readers engaged. Sonya Hollins share of the stories of these musicians and the town, most of which has never before been published.