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Despite a long and eventful reign, Britain's George II is a largely forgotten monarch, his achievements overlooked and his abilities misunderstood. This landmark biography uncovers extensive new evidence in British and German archives, making possible the most complete and accurate assessment of this thirty-three-year reign. Andrew C. Thompson paints a richly detailed portrait of the many-faceted monarch in his public as well as his private life. Born in Hanover in 1683, George Augustus first came to London in 1714 as the new Prince of Wales. He assumed the throne in 1727, held it until his death in 1760, and has the distinction of being Britain's last foreign-born king and the last king to lead an army in battle. With George's story at its heart, the book reconstructs his thoughts and actions through a careful reading of the letters and papers of those around him. Thompson explores the previously underappreciated roles George played in the political processes of Britain, especially in foreign policy, and also charts the intricacies of the king's complicated relationships and reassesses the lasting impact of his frequent return trips to Hanover. George II emerges from these pages as an independent and cosmopolitan figure of undeniable historical fascination.
Continuing after the time period covered by David Hume, Tobias Smollett's classic and authoritative history of England.
A biography of the British royal couple, who reigned for over 30 years, 1727-60, but have received little attention, probably because they left the business of government to the period's very able ministers, including Robert Walpole and William Pitt. Also explores the couple's relationship with their sons. Distributed by Books International. Annotation copyrighted by Book News, Inc., Portland, OR
In George III: A Personal History, British historian Christopher Hibbert reassesses the royal monarch George III (1738–1820). Rather than reaffirm George III's reputation as “Mad King George,” Hibbert portrays him as not only a competent ruler during most of his reign, but also as a patron of the arts and sciences, as a man of wit and intelligence, indeed, as a man who “greatly enhanced the reputation of the British monarchy” until he was finally stricken by a rare hereditary disease.Teeming with court machinations, sexual intrigues, and familial conflicts, George III opens a window on the tumultuous, rambunctious, revolutionary eighteenth century. It is sure to alter our understanding of this fascinating, complex, and very human king who so strongly shaped England's —and America's—destiny.
The sixty-year reign of George III (1760–1820) witnessed and participated in some of the most critical events of modern world history: the ending of the Seven Years’ War with France, the American War of Independence, the French Revolutionary Wars, the campaign against Napoleon Bonaparte and battle of Waterloo in 1815, and Union with Ireland in 1801. Despite the pathos of the last years of the mad, blind, and neglected monarch, it is a life full of importance and interest. Jeremy Black’s biography deals comprehensively with the politics, the wars, and the domestic issues, and harnesses the richest range of unpublished sources in Britain, Germany, and the United States. But, using George III’s own prolific correspondence, it also interrogates the man himself, his strong religious faith, and his powerful sense of moral duty to his family and to his nation. Black considers the king’s scientific, cultural, and intellectual interests as no other biographer has done, and explores how he was viewed by his contemporaries. Identifying George as the last British ruler of the Thirteen Colonies, Black reveals his strong personal engagement in the struggle for America and argues that George himself, his intentions and policies, were key to the conflict.
King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.