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"This book by Nils Buttner traces the history of gardens, as seen through the eyes of artists, over the course of 2,000 years. The focus of this book is not gardens themselves or different concepts of the garden, but rather the representation of gardens in art. In this study the author explains why pictures of gardens are a mirror of the social, historical, and aesthetic context in which gardens were conceived. He also examines how artists paint gardens by presenting some 185 beautifully reproduced pictures, including full views and details of both well-heralded and little-known masterpieces." "The wide-ranging coverage includes late-medieval devotional pictures featuring Madonnas in idyllic gardens, Botticelli's masterwork La Primavera, an allegory of love, set in a grove of orange trees, that was created for a bridal chamber; sixteenth-century views of well-known historic gardens, like those of the Vatican, which were in demand because of a new interest in geography and topography; realistic depictions of nature, without any attempt to beautify it, by Courbet and other so-called "naturalists'; painters' gardens, like Monet's Giverny; and representations of modern gardens, like David Hockney's Red Pots in the Garden, which are extremely varied in style and reflect the artist's subjectivity. In sum, the carefully chosen paintings in this book represent a progression of developments in art history and foster a deep appreciation for actual gardens as well as paintings of them."--BOOK JACKET.
A fascinating, definitive history of garden development and design. From the earliest documented gardens of ancient Mesopotamia to the eclectic landscapes of the 21st century, The Story of Gardening is an engaging tale of the development and design of the garden. Brimming with glorious full-color photographs, intriguing timelines that chart the histories and fashions of individual plants, and evocative narratives, Hobhouse draws on a lifetime of work to create an enlightening overview of designers and styles that have inspired her creations and forged her gardening philosophy.
The spirit of a race or an age can be reflected even in the choice and use of plants: with the coming ofZen Buddhism, the Japanese practically ceased to grow flowers in their gardens, an attitude which Le Notre, garden designer ofVersailles, who once said 'flowers are for nursemaids' would doubtless have appreciated. In this fascinating and highly informative book, Christopher Thacker tells the history of gardens from their origins in the 'natural' paradises of Greek myth to the present day. Studying individual gardens or garden topics which are rep~ntative of an age or region, he builds up a comprehensive survey of the gardens and garden theories of an era. Whether Dr Thacker is discussing garden philosophers and designers (Alberti, Mollet, de Vries, Capability Brown, Genrude Jekyll, Russell Page, and many others), or bringing to life the lost gardens of the past, like the Yuan Ming Yuan in Peling, or William Shenstone's the Leasowes, or surveying the weird and mysterious statuary of Bomarzo, his text is always absorbing and authoritative. Profusely illustrated, this book should become a classic on its subject.
“Rich with photographs and descriptions of how landscape design has shaped and reflected culture over time.” —The American Gardener The History of Landscape Design in 100 Gardens explores the defining moments in garden design. Through profiles of 100 of the most influential gardens, Linda Chisholm explores how social, political, and economic influences shaped garden design principles. The book is organized chronologically and by theme, starting with the medieval garden Alhambra and ending with the modern naturalism of the Lurie Garden. Sumptuously illustrated, The History of Landscape Design in 100 Gardens is a comprehensive resource for garden designers and landscape architects, design students, and garden history enthusiasts.
A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".
Christopher Thacker tells the history of gardens from their origins in the 'natural' paradises of Greek myth to the present day. Studying individual gardens or garden topics which are representative of an age or region, he builds up a comprehensive survey of the gardens and garden theories of an era. -- Google Books
Gardens take many forms, and have a variety of functions. They can serve as spaces of peace and tranquilty, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people from all walks of life, and since the Garden of Eden many iconic gardens have inspired great artists, poets, musicians, and writers. In this short history, Gordon Campbell embraces gardens in all their splendour, from parks, and fruit and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. Ranging from the gardens of ancient Persia to modern day allotments, he concludes by looking to the future of the garden in the age of global warming, and the adaptive spirit of human innovation.
Whether on the ground or in the mind gardens carry meaning. They reflect social and aesthetic values and may express hope, anticipation or grief. Throughout history they have provided a means of physical survival. In creating and maintaining gardens people construe and construct a relationship with their environment. But there is no single meaning carried in the word ‘garden’: as idea and practice it reflects cultural differences in beliefs, values and social organisation. It embodies personal, community even national ways of seeing and being in the world. There are ten essays in Gardens of History and Imagination, each of which examines the role of gardens and gardening in the settlement of New South Wales and in growing a colony and a state. They explore the significance of gardens for the health of the colony, for its economy, for the construction of social order and moral worth. No less do they reveal the significance of forming and reforming personal identities in this process. For the immigrants gardening was an act of settlement; it was also a statement of possession for individuals and for Britain. For a long time it was with memories of ‘home’, often selective and idealised, that settlers made gardens but as the colony developed its own character so did gardening possibilities and practices.
Humans have long turned to gardens - both real and imaginary - for sanctuary from the frenzy and tumult that surrounds them. Those gardens may be as far away from everyday reality as Gilgamesh's garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens. With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur'an; Plato's Academy and Epicurus's Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt - all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power. Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison's earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility - and its enduring importance to humanity.