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Excerpt from The History of Galloway, From the Earliest Period to the Present Time, Vol. 2 The buildings in towns were still but mean, and the cottages rude and incommodious. The windows were yet but holes, sometimes closed with boards moving on clumsy hinges, sometimes stufl'ed with straw. And sometimes filled with turf. The cot tages rarely contained more than one apartment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
'Reading has a history. But how can we recover it?' This volume brings together original research essays focusing on the history of reading in the British Isles, using evidence ranging from library records to Mass Observation surveys to highlight the social factors that influence a seemingly private, individual activity.
The subject of this book, James Hill (1703-1776), was born into a Scotland which had been riven for half a century with political and economic conflicts, which had direct effects on his own family. King Charles II was restored to the UK throne in 1660 and a period of expansion of the arts science and trade followed in England. In Scotland, the period was quite different. Charles was the head of an Episcopalian church and was determined that Presbyterian Scotland should return to this form of worship. There followed years of persecution and mutual intolerance. James received his medical education as an apprentice to an Edinburgh surgeon, George Young who was closely involved in the Scottish Enlightenment. His apprenticeship was followed by two years at sea. He then returned to his home region of Dumfries and started to practice surgery in 1732, continuing there until 1776. As this book shows, he achieved a grand reputation as a surgeon, and was respected not only locally, but also in neighbouring counties and the capital. His greatest contribution was in the treatment of head injuries, treating 18 cases, of which only three died. Two of these had untreatable injuries and the third refused surgery. The book notes that, despite James Hill’s close relationship to the harshness of religious conflicts, this does not seem to have been a major influence on him. On the other hand, the Enlightenment was clearly important given his attitude to prefer his own observations to the teachings of past authorities. His reputation persisted for a century after his death, but has since gradually faded, and, as such, this book documents the contribution of a most important surgeon in the management of cranial trauma.
The Solway Country – the lands surrounding the inner Solway Firth – constitutes one of the many small regional worlds of the British Isles that are remarkable for the ways in which their landscapes evoke a powerful sense of territorial identity rooted not only in their physical appeal, but also in the richness and distinctiveness of their human history and geography. The Solway Country is an archetypical but hitherto little known exemplar of places like these. This book captures the spirit and substance of the Solway Country’s allure by means of a series of layered narratives dealing with its natural milieu, its past social and political turmoil, its changing forms of rural and agrarian life, and its responses to the industrial and urban forces that were unleashed in Britain after the eighteenth century. The Solway Country has the added charm of being partly in England and partly in Scotland, so that its personality partakes of elements of both. At the same time, the region exhibits a composite geographic unity derived from the central physical feature of the Solway Firth itself and from the many common aspects of local life and livelihood that have left deep imprints on the landscape. This unity is expressed symbolically in the peculiar hybrid culture of ballads and songs that emerged alongside the theft, murder, and mayhem that raged in the Anglo-Scottish marchlands in the days of the border reivers.