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Two eminent scholars of historiography examine the concept of national identity through the key multi-volume histories of the last two hundred years. Starting with Hume’s History of England (1754–62), they explore the work of British historians whose work had a popular readership and an influence on succeeding generations of British children.
The Irish Yearbook of International Law is intended to stimulate further research into Ireland's practice in international affairs and foreign policy, filling a gap in existing legal scholarship and assisting in the dissemination of Irish thinking and practice on matters of international law. On an annual basis, the Yearbook presents peer-reviewed academic articles and book reviews on general issues of international law. Designated correspondents provide reports on international law developments in Ireland, Irish practice in international fora and the European Union, and the practice of joint North-South implementation bodies in Ireland. In addition, the Yearbook reproduces documents that reflect Irish practice on contemporary issues of international law. Publication of the Irish Yearbook of International Law makes Irish practice and opinio juris more readily available to Governments, academics and international bodies when determining the content of international law. In providing a forum for the documentation and analysis of North-South relations the Yearbook also make an important contribution to post-conflict and transitional justice studies internationally. As a matter of editorial policy, the Yearbook seeks to promote a multilateral approach to international affairs, reflecting and reinforcing Ireland's long-standing commitment to multilateralism as a core element of foreign policy.
The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European 'fortunes'. These essays, prepared by an international team of scholars, critics and translators, record the ways in which David Hume has been translated, evaluated and emulated in different national and linguistic areas of Europe. This is the first collection of essays to consider how and where Hume's works were initially understood throughout Europe. They reflect on how early European responses to Hume relied on available French translations, and concentrated on his Political Discourses and his History, and how later German translations enabled professional philosophers to discuss his more abstract ideas. Also explored is the idea that continental readers were not able to judge the accuracy of the translations they read, nor did many consider the contexts in which Hume was writing: rather, they were intent on using what they read for their own purposes.
"For the first time full authoritative texts of Darwin's are made available, edited according to modern textual editorial principles and practice. Letter-writing was of crucial importance to Darwin's work, not only because his poor health isolated him from direct personal communication with his scientific colleagues but also because the nature of his investigations required communication with naturalists in many fields and in all quarters of the globe. Thus the letters are a mine of information about the work in progress of a creative genius who produced an intellectual revolution." --
Samuel Richardson (1689–1761) was a highly regarded printer and influential novelist when he produced his final work of fiction, The History of Sir Charles Grandison (1753). Like his other novels, it was written in epistolary form, reflecting his lifelong interest in letter writing and the letter as a genre. Covering the period 1750–1754, many of these fully annotated letters are published from manuscript for the first time, or have been restored to their complete original form. Recording Richardson's relationships with leading cultural figures including Samuel Johnson, Colley Cibber and Elizabeth Carter, the volume reveals his support for other authors while struggling to complete his own 'story of a Good Man'. This publishing saga also incorporates Richardson's responses to the Irish piracy of his novel, and his exchanges with anonymous fans, including those who attacked the novel's tolerance for Catholicism and those who pleaded for a sequel.