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Thomas Babington Macaulay's History of England was a phenomenal Victorian best-seller which shaped much more than the literary culture of the times: it defined a nation's sense of self, charting the rise of the British Isles to its triumph as a homogenous nation, a safeguard of the freedom of belief and expression, and a central world power. In this book Catherine Hall explores the emotional, intellectual, and political roots of Thomas Macaulay's vision of England, tracing the influence of his father's career as a colonial governor and drawing illuminating comparisons between the two men.
Between James' accession in February 1685 and flight in December 1688 the British Armies increased four fold (the English, Scots and Irish Armies were still separate institutions and were to remain so until the early 18th Century, in the case of the Scots, and the early 19th Century in the case of the Irish); from a small force of little more than ceremonial and policing use to a fully-fledged Army with all of its necessary supporting arms and services. Respected historian Correlli Barnett wrote: "It might well be said that if the British royal standing army was in fact founded at one given time, it was between 1685 and 1688, and that James II was the army's creator." James himself said his Army had "...the reputation of being the best paid, the best equipped and the most sightly troops of any in Europe." At the time there were political complaints about illegality of a "new standing Army" with a "new Cromwellian military dictatorship" (and on a point of law a standing army was still illegal), in 1689 the new King, William III, kept James' Army in being and within a few years it was to become the Army which led the victories at Blenheim and elsewhere of the Great Duke of Marlborough, who had himself been a General in James' Army. It has been said that amongst William's reasons for accepting the British Crowns was a fear that the British Army would serve in alliance with Louis XIV against him. Despite this, James' part in the creation of the British Army is often deliberately overlooked or ignored. The political aspects of James' reign, and thus of the Army, are well covered in numerous works but this book looks at the creation of the enlarged Armies of England, Scotland and Ireland - their uniforms and flags, organization and weapons, their drill and their strength, their pay and their Staff. Researched primarily from contemporary documents and manuscripts, including those in the rarely accessed Royal Library at Royal Archives at Windsor, it will go a long way to restoring these years, and the last Stuart King, to their true importance in the creation of the British Army.
Step into the tumultuous age of Stuart England with Peter Ackroyd's enlightening Civil War. Beginning with James I, the first Scottish king of England, it tracks an era of massive upheaval, ending with the dramatic flight of his grandson, James II, into exile. Civil War transports you to the heart of the 17th-century Britain, where you meet figures like James I with his shrewd perspectives on diverse matters, and Charles I, whose inept rule ignited the flames of the English Civil War. Ackroyd offers a brilliant – warts and all – portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as the king he executed. Beyond this political turmoil, Ackroyd also explores the rich cultural and literary contributions of the Jacobean era. This was a world where Shakespeare's masterpieces were penned, John Donne weaved his poetry and Thomas Hobbes crafted his philosophical marvel, Leviathan. Most importantly, get a glimpse of the extraordinary lives of common English men and women, their existence seeped in constant disruption and uncertainty. Civil War is a stirring account of a pivotal epoch, making it a must-read for history enthusiasts.
A'Beckett and Leech were original contributors to "Punch, or the London Charivari" magazine, established 1841. It became the famous "Punch" magazine and remained in publication to 2002. A'Beckett also wrote editorials for a similar concept magazine, "Figaro in London" that ceased publication in 1839. "In commencing this work, the object of the Author was, as he stated in the Prospectus, to blend amusement with instruction, by serving up, in as palatable a shape as he could, the facts of English History. He pledged himself not to sacrifice the substance to the seasoning; and though he has certainly been a little free in the use of his sauce, he hopes that he has not produced a mere hash on the present occasion. His object has been to furnish something which may be allowed to take its place as a standing at the library table, and which, though light, may not be found devoid of nutriment."--Preface.