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The idea that there is an analogy between the social collective and the human body originated more than twenty-five centuries ago. It was known to Plato and St. Paul, and was adopted by state functionaries in the Middle Ages and Renaissance, and by academics in the Nineteenth Century. In the early Twentieth Century the notion was taken up by military theorists and contributed to the formulation of new tactical and strategic doctrines, and it has resurfaced again in the IT era. At each stage the idea has been elaborated and given new emphases; for two millennia it has been part of the vocabulary in which successive generations have attempted to articulate their developing ideas about society. This book is more than simply a history of a political metaphor however: it is a history of how metaphor may be converted into action. What reviewers said of earlier books by A.D. Harvey: ''Collisions of Empire is a vast, complex, and brilliant mosaic, each individual tessera of which is hard-edged and glittering.'' Richard Holmes, Times Literary Supplement. '''Excellent... [A.D. Harvey] is a master of the concrete, the adroit displayer of the precious scrap of hard fact.'' Kathryn Hughes, Daily Telegraph. "Arnold Harvey has written an energetic and eclectic book reflecting on the implications of the idea that society can be seen as a body. He takes us from ancient India to computer hackers, provides quotations rich and strange and explores the by-ways of assassination and aerial warfare. Engrossing." Prof. Robert Bartlett, Dept. of Mediaeval History, University of St Andrews, St Andrews KY16 9AL, Scotland
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Regency England was a pivotal time of political uncertainty, with a changing monarchy, the Napoleonic Wars, and a population explosion in London. In Susanna Clarke's fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic. Locating the consequences of this eruption of magical unreason within the context of England's imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic's return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, the book offers both a fuller understanding of the ethical visions underlying Clarke's groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.