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"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920
Written by experts in the field, the essays in this volume examine the early Christian book from a wide range of disciplines: religion, art history, history, Near Eastern studies, and classics.
The heart of this working guide is the three chapters dealing with techniques and the chapter on conservation. "Basic Techniques" detail the fundamental skills that are applicable to all hand bookbinding. "General Techniques" include those practices that, with minor variations, cover the early stages in all types of bindings. "Specific Techniques" describe the steps primarily used is producing a specific type of hand binding. The basic principles of conservation work cover one of the more important areas in the field of hand bookbinding today.
Thomas K. Ford's 'The Bookbinder in Eighteenth-Century Williamsburg' is a captivating exploration of the evolving bookbinding trade in colonial America. Through meticulous research and engaging storytelling, Ford sheds light on the importance of bookbinding in shaping literary culture and disseminating knowledge during this period. The book is written in a clear and accessible style, making it an essential read for scholars and history enthusiasts alike. Ford expertly weaves together historical facts and personal anecdotes to bring the world of bookbinding to life, providing a detailed look at the tools, techniques, and significance of this craft in eighteenth-century Williamsburg. The book also delves into the social and economic factors that influenced the development of bookbinding as a profession, offering valuable insights into the lives of bookbinders and their contributions to society. Overall, 'The Bookbinder in Eighteenth-Century Williamsburg' is a must-read for anyone interested in the history of bookmaking and the impact of books on early American society.
The fifteenth century, one of the most curious and confused periods in recorded history, witnessed amazing developments in the printing industry and in the production of books. The present volume surveys the history of the manufacture of books throughout the fifteenth century, whether written by hand or produced by the press, and points out that both methods faced very similar problems and found almost identical solutions for them. Actually, the fifteenth century itself saw no material difference between manuscripts and incunabula (fifteenth-century printings), and regarded the latter simply as codices produced by "a new method of artificial writing." Curt F. Bühler discusses the impact of the epoch-making invention on the scribes as well as the attitudes that the contemporary book-lovers adopted toward the products of the press. The author also studies the types of men who were attracted to the new industry and the nature of the books that they believed to be readily vendible. In addition, certain familiar beliefs regarding the history of the early presses are challenged, and possible solutions are presented for the problems are still imperfectly understood. To illustrate the text, beautiful reproductions of illuminated manuscript pages, printed pages, colophons, woodcut illustration, and early typefaces have been included. The author's discussion of the decoration in books is not so much a study in the fine arts but, rather, an analysis of the types of volumes which lent themselves to decoration, and the various forms of such work.
Designed for the literary student, the student librarian and the beginning book collector, this manual assumes nothing but interest at the outset. In clear language, it serves to take readers to the point at which they are prepared to turn to advanced texts to develop specialized interests.
In this illustrated survey, the author explores the use and purpose of bookbindings - over and above protecting the text inside them - and the purpose of the study of the book as a physical object. Examples from the British Library's collection are included.
Discover the changes in books in this digital age Evolving digital formats have forced libraries’ approaches to paper book collections to change in ways unforeseen even a few years ago. The Changing Book: Transition in Design, Production, and Preservation takes an insightful look at the evolution of books from its historical origins to completely digital. This visionary source examines the continuing role of the paper book, trends in print book production, and the future of the physical book. Electronic book technologies, on demand printing, book conservation, and traditions in bookmaking are discussed in detail. These superb selections of proceedings from The Changing Book Conference held in 2005 focus on the creativity and innovative ideas important to any library professional managing library collections. This resource provides numerous photographs and illustrations, and is extensively referenced. Topics in The Changing Book: Transition in Design, Production, and Preservation include: craft bookbinding historical background of book conservation the binding, repair, and conservation problems of the hundreds of years old Kennicott Bible from Spain the shift from print to digital collections the future of print collections electronic preservation and standardization the difficulties of book conservation in foreign lands traditions of Himalayan bookmaking graphic and book design alkaline paper use book preservation programs new technologies in on demand book production and more! The Changing Book: Transition in Design, Production, and Preservation is an enlightening resource for library professionals of all types, administrators, educators, and students.