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At the beginning of the 20th century, Bay City was the third biggest city in Michigan, after Detroit and Grand Rapids. Lumber and sawmills were a big part of that success. The wealth amassed by its lumber barons built a vibrant downtown and mansions along its main streets. Add industry, shipping, sugar beets, schools, and churches to the mix, and you have the pictures in this book. These postcards show you how Bay City looked at its peak in the very early 1900s until about 1940-a time when people were glad they had reached their destinations and happy to send a postcard when they arrived.
Throughout its history, the Bay City area has been a fascinating place to explore. Its early 20th century role as a lumber and shipping center helped it develop into a charming place to live, work, and raise a family. While thriving industry contributed to the development of Bay City itself, neighboring communities like Auburn, Essexville, Kawkawlin, Linwood, and Pinconning were developing into smaller agricultural and residential villages. This book, a companion to Bay City: 1900-1940 in Vintage Postcards, uses archival postcards to document the progress and growth that have taken place in Bay City and its surroundings. Bay City and Beyond takes readers on a captivating tour of the streets, businesses, schools, homes, people, and events that have shaped the Bay City area as it is known today.
Written in a detailed and fascinating manner, this book is ideal for general readers interested in the English language.
Now in its second edition Maritime Economics provides a valuable introduction to the organisation and workings of the global shipping industry. The author outlines the economic theory as well as many of the operational practicalities involved. Extensively revised for the new edition, the book has many clear illustrations and tables. Topics covered include: * an overview of international trade * Maritime Law * economic organisation and principles * financing ships and shipping companies * market research and forecasting.
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Through a series of fascinating case studies of faith brands, marketing insider Mara Einstein has produced a lively account of the book in the commercialization of religion.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.