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NOT THE MORRIS H. MORGAN PUBLIC DOMAIN VERSION. This is a NEW (2010) easy-to-read translation by ancient Greek language scholar and horsewoman Dr. A. Nyland and is NOT one of the many century-old public domain translations NOR is it a reworded public domain version. Great advances which have been made in ancient Greek word meaning in the last twenty years were unknown to the translators of the public domains of the late nineteenth and early twentieth centuries. Despite the current trend for non-translators to reproduce public domain versions as a commercial venture, be aware that such public domain versions do not take advantage of recent scholarship in word meaning.Xenophon was an ancient Greek soldier who lived from around 430-354 BC. His "Art of Horsemanship" is his work on selecting and educating horses. It was not the first work of its kind, an earlier being that by Simon of Athens. This book also includes excerpts by Aristotle, Columella, Diogenes Laertius, Herodotos, Juvenal, Livy, Pliny the Elder, Simon of Athens, Suetonius, Theomnestus, Virgil, (and two of Xenophon's other works mentioning horsemanship,) which are relevant to Xenophon's The Art of Horsemanship. This is a NEW English translation by Dr A. Nyland.
This lavishly illustrated encyclopedic reference work brings together and organizes virtually all the great works on horses published in the late fifteenth to the early nineteenth century.
This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.
This volume fills an important gap in the analysis of early modern history and culture by reintroducing scholars to the significance of the horse. A more complete understanding of the role of horses and horsemanship is absolutely crucial to our understanding of the early modern world. Each essay in the collection provides a snapshot of how horse culture and the broader culture - that tapestry of images, objects, structures, sounds, gestures, texts, and ideas - articulate. Without knowledge of how the horse figured in all these aspects, no version of political, material, or intellectual culture in the period can be entirely accurate.
The "Allen Classic Series" brings together in a collected edition important out-of-print works of equestrian scholarship, which would otherwise be inaccessible to the dedicated enthusiast. Originally written in German in 1941, and subsequently translated into English in 1956, Waldemar Seunig's Horsemanship has become one of the most highly regarded works to be published on the training of the horse its rider. The book explores all aspects of horsemanship beginning with a study of the horse itself and a comprehensive evaluation of the physical and psychological requirements of a good rider. Following a section on the development of the rider's seat and the use of aids, the author provides a complete course of instruction for the young horse and rider in Part Two, which includes groundwork, backing the horse for the first time, development of the gaits, work in a curb bit, training open country, jumping and a discussion on how defects of conformation, disposition and character affect the training process. Part Three covers advanced work including schooled collection, manege work, piaffe, passage and, finally, the "figures about the ground".