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Unique in its possession of a chained library and of the Mappa Mundi, Hereford Cathedral is remarkable for its architecture, its long history and its musical tradition. "Hereford Cathedral" is the definitive account of its history from Anglo-Saxon times to the present, and of its architecture, fittings, musical tradition, archives and library. Substantial parts of the structure date from Norman times, but the building has been modified in many ways over the years. In the middle ages Hereford was the centre of pilgrimage to the shrine of St. Thomas Cantilupe, bishop of Hereford (d.1282). It survived the Reformation relatively intact, but was damaged during the Civil War. Its west end collapsed disastrously in 1786, leading to the renewal and reworking of the exterior by James Wyatt. Little was changed in the interior until the striking Victorian rationalisation by George Gilbert Scott.
Eighteenth-century Britain saw an explosion of interest in its own past, a past now expanded to include more than classical history and high politics. Antiquaries, men interested in all aspects of the past, added a distinctive new dimension to literature in Georgian Britain in their attempts to reconstruct and recover the past. Corresponding and publishing in an extended network, antiquaries worked at preserving and investigating records and physical remains in England, Scotland and Ireland. In doing so they laid solid foundations for all future study in British prehistory, archaeology and numismatics, and for local and national history as a whole. Naturally, they saw the past partly in their own image. While many antiquaries were better at fieldwork and recording than at synthesis, most were neither crabbed eccentrics nor dilettanti. At their best, as in the works of Richard Gough or William Stukeley, antiquaries set new standards of accuracy and perception in fields ranging from the study of the ancient Britons to that of medieval architecture. Antiquaries is the definitive account of a great historical enterprise.