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Widely referred to as the "Father of History," Greek Historian Herodotus lived during the 5th century BC and "The Histories" is generally accepted as the first work of historical literature in Western Civilization. Departing from the ancient Homeric tradition of treating historical subjects as epically romantic figures, Herodotus instead approached his subjects with a systematic method of investigation. "The Histories" of Herodotus describe the important wars of the fifth century BC. This work conveys the careful research and deliberate documentation of martial battles between the Greek city-states and the Persian Empire. The reasons for his efforts, as explained by Herodotus, were to preserve the memory and glory of human achievements and deeds, as well as to record why the Greco-Persian Wars took place. Organized in nine books, which are named after the Muses, he unfolds the various battles while making a comparison of the widely differing governments of the antagonists. In undertaking his "Histories," Herodotus unfolds a holistic view of the classical world with considerable narrative skill and charisma. This edition is printed on premium acid-free paper, follows the translation of George Rawlinson, includes an introduction by George Swayne, and a preface by H. L. Havell.
In 1933, George L. Mosse fled Berlin and settled in the United States, where he went on to become a renowned historian at the University of Wisconsin–Madison. Through rigorous and innovative scholarship, Mosse uncovered the forces that spurred antisemitism, racism, nationalism, and populism. His transformative work was propelled by a desire to know his own persecutors and has been vital to generations of scholars seeking to understand the cultural and intellectual origins and mechanisms of Nazism. This translation makes Emilio Gentile’s groundbreaking study of Mosse’s life and work available to English language readers. A leading authority on fascism, totalitarianism, and Mosse’s legacy, Gentile draws on a wealth of published and unpublished material, including letters, interviews, lecture plans, and marginalia from Mosse’s personal library. Gentile details how the senior scholar eschewed polemics and employed rigorous academic standards to better understand fascism and the “catastrophe of the modern man”—how masculinity transformed into a destructive ideology. As long as wars are waged over political beliefs in popular culture, Mosse’s theories of totalitarianism will remain as relevant as ever.
The original Harvard Classics Collection contains 51 volumes of the essential works of world literature, showing the progress of man from antics to modern age. In this edition, the original collection is supplemented with the 20 volume Harvard Shelf of Fiction, a selection of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work comprises the first western historical writing. It provides a history of the then known world, and provides answers to questions such as: why did Pheidippides run from Marathon to Athens and why did Leonides and the Spartans comb their hair before the battle of Thermopylae.
Herodotus was a Greek writer and geographer credited with being the first historian. He is referred to as "The Father of History", a title conferred on him by the ancient Roman orator Cicero. His magnum opus is a long account of the Greco-Persian Wars that he called “The Histories.” Before Herodotus, no writer had ever made such a systematic, thorough study of the past or tried to explain the cause-and-effect of its events. Herodotus explained that he reported what he "saw and [what was] told to him." A sizable portion of the Histories has since been confirmed by modern historians and archaeologists. The Histories Ηροδότου Ιστορίαι
This anthology collects some of the most important plays by Ancient Greek tragedians, in updated translations with new introductions. Greek Tragedies, Volume III presents some of the finest and most fundamental works of Western dramatic literature. It draws together plays of Aeschylus, Sophocles, and Euripides from Chicago’s acclaimed nine-volume series, Complete Greek Tragedies. This third edition updates the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which they are famous. New introductions for each play provide essential information about the production histories and the stories themselves. This volume contains Aeschylus’s “The Eumenides,” translated by Richmond Lattimore; Sophocles’s “Philoctetes,” translated by David Grene; Sophocles’s “Oedipus at Colonus,” translated by Robert Fitzgerald; Euripides’s “The Bacchae,” translated by William Arrowsmith; and Euripides’s “Alecestis,” translated by Richmond Lattimore.
Outstanding translations of five plays, now updated with informative new content for students, teachers, and lovers of the classics. Greek Tragedies, Volume I contains: Aeschylus’s “Agamemnon,” translated by Richmond Lattimore Aeschylus’s “Prometheus Bound,” translated by David Grene Sophocles’s “Oedipus the King,” translated by David Grene Sophocles’s “Antigone,” translated by Elizabeth Wyckoff Euripides’s “Hippolytus,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy they the for which our English versions are famous. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. Each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a collection destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
This new, fully-annotated translation by a leading expert on Hesiodic poems combines accuracy with readability and includes an introduction and explanatory notes on these two works by one of the oldest known Greek poets. The Theogony contains a systematic genealogy and account of the struggles of the gods, and the Works and Days offers a compendium of moral and practical advice for a life of honest husbandry.