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An examination of the uses, meanings, and social impact of Viking Age textiles. This volume offers the first full study of archaeological fabrics and their decoration found in the North Atlantic region and dating broadly from the Viking or Norse period. With contributions from both academic scholars and practitioners, it shows how approaching early medieval textiles from archaeological, historical and literary contexts, and through the processes of learning and employing the traditional skills of making them, brings about a more nuanced understanding of early medieval cloths: their creation, use and meanings within their respective societies. The book is divided into two parts. The first, "Textiles and their Interpretation", takes the reader on a journey from how wool was processed in the Viking Age, and the conservator's role in preserving and interpreting archaeological textiles, to different types of analyses that researchers use to understand and explain textiles from across the wide area of the Viking-influenced North Atlantic region. The second, "Understanding through Replicating", investigates the results of practical experiments in the reconstruction of surviving medieval fabrics and the resulting empirical conclusions that can be made about their manufacture and wider cultural implications.
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Excerpt from The Historical Works Of: Containing the Topography of Ireland, and the History of the Conquest of Ireland, Translated by Thomas Forester, Esq., M. A.; The Itinerary Through Wales, and the Description of Wales, Translated by Sir Richard Colt Hoare, Bart Giraldus was evidently a zealous, if a rather credulous, observer and collector of facts. It was during this visit to Ireland that he occupied himself diligently in collecting materials for a description of that country, and remained there for that purpose some time after the departure of prince John. The result was his Topography of Ireland, which he began to compose soon after his return to Wales, a little after the Easter of 1186, and completed in 1187. Its completion gave occasion for a remarkable display of the writer's vanity and love of ostentation. He recited his book, which was divided into three parts, which he called by the then fashionable term of distinctions, before a public audience of the university of Oxford on three successive days; and, to give more effect to this proceeding, he gave on each day a sumptuous feast. The poor people of the town were entertained on the first day; the doctors and students of greatest distinction on the second; and on the third the other scholars and the burghers and soldiers. Giraldas was evidently very proud of the sensation he had made on these occasions; for in one of his books (that De Gestis Suis, lib. Ii. 0. He declares that it was worthy of the classic ages of the poets of antiquity, and that nothing like it had ever been seen in England. Its effect appears to have been to increase his celebrity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Gerald of Wales was among the most dynamic and fascinating churchmen of the twelfth century. A member of one of the leading Norman families involved in the invasion of Ireland, he first visited there in 1183 and later returned in the entourage of Henry II. The resulting Topographia Hiberniae is an extraordinary account of his travels. Here he describes landscapes, fish, birds and animals; recounts the history of Ireland's rulers; and tells fantastical stories of magic wells and deadly whirlpools, strange creatures and evil spirits. Written from the point of view of an invader and reformer, this work has been rightly criticized for its portrait of a primitive land, yet it is also one of the most important sources for what is known of Ireland during the Middle Ages.
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