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Wealthy landowners own the Eastern Network, so uneducated witch Vittoria Gutia isn't about to make any waves. She either works as a lavanda maid, or she and her beloved nephew starve to death. That sort of math is pretty simple. When an unexpected savior lands in her lap, fate falls with him. La Salvatorra—Giver of Justice—beckons her with him. To save her nephew, Vittoria takes the reckless Landowners' soon-to-be-disastrous offer. She's thrust into a glittering new court, a world without conscience, and the burden of saving her entire Network. Can Vittoria save her witches by focusing on what matters most? Or will the world of power and men cast her aside like the lavanda maid she was raised to be? THE HIGH PRIESTESS is the first novel in the Historical Collection. This exhilarating tale of first love and tyranny will sweep you to a new place.
Containing a General Collection of Interesting Facts, Traditions, Biographical Sketches, Anecdotes, etc. Relating to the History and Antiquities of Every Town in Connecticut with Geographical Descriptions
In recent years, many museums have implemented sweeping changes in how they engage audiences. However, changes to the field’s approaches to collections stewardship have come much more slowly. Active Collections critically examines existing approaches to museum collections and explores practical, yet radical, ways that museums can better manage their collections to actively advance their missions. Approaching the question of modern museum collection stewardship from a position of "tough love," the authors argue that the museum field risks being constrained by rigid ways of thinking about objects. Examining the field’s relationship to objects, artifacts, and specimens, the volume explores the question of stewardship through the dissection of a broad range of issues, including questions of "quality over quantity," emotional attachment, dispassionate cataloging, and cognitive biases in curatorship. The essays look to insights from fields as diverse as forest management, library science, and the psychology of compulsive hoarding, to inform and innovate collection practices. Essay contributions come from both experienced museum professionals and scholars from disciplines as diverse as psychology, education, and history. The result is a critical exploration that makes the book essential reading for museum professionals, as well as those in training.