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Japanese women who underwent surgery in the U.S. to repair the ravages caused by the atomic blast became known as the "Hiroshima maidens". The author documents the medical, humanitarian and diplomatic undertaking that brought them to the States.
Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.
The little-known history of U.S. survivors of the Hiroshima and Nagasaki atomic bombings reveals captivating trans-Pacific memories of war, illness, gender, and community.
On the morning of August 6, 1945, an American bomber, the Enola Gay, roars down the runway of the Pacific island, Tinian. Its target is Hiroshima, Japan. Its cargo is an atom bomb. The same morning, twelve-year-old Sachi and her classmates tear down houses. It is their way of contributing to the war effort. Suddenly, a teacher yells "B-29! B-29!" There is a blinding light like the sun, a boom like a giant drum. The Enola Gay has dropped an atom bomb over Hiroshima. Will Sachi ever see her family again? Book jacket.
The story of twenty-five young women, scarred survivors of the Hiroshima blast, who became known as the Hiroshima Maidens after they were taken to the United States for plastic surgery.
In this account, Rodney Barker tells the full and terrifying story of a microorganism popping up along the Eastern seaboard—far closer to home than the Ebola virus and equally frightening. In the coastal waters of North Carolina—and now extending as far north as the Chesapeake Bay area—a mysterious and deadly aquatic organism named Pfiesteria piscicida threatens to unleash an environmental nightmare and human tragedy of catastrophic proportions. At the very center of this narrative is the heroic effort of Dr. JoAnn Burkholder and her colleagues, embattled and dedicated scientists confronting medical, political, and corporate powers to understand and conquer this new scourge before it claims more victims.
"The ethnographic studies in this volume are outstanding, and together offer a brilliant mix of materials for throwing light on the representation of violence and suffering in the public sphere. Das and Kleinman introduce the collection with an elegant and deeply insightful set of theoretical reflections on narrative, voice, and social suffering."—Kenneth M. George, author of Showing Signs of Violence
Sonia Sanchez is a prolific, award-winning poet and one of the most prominent writers in the Black Arts movement. This collection brings her plays together in one volume for the first time. Like her poetry, Sanchez’s plays voice her critique of the racism and sexism that she encountered as a young female writer in the black militant community in the late 1960s and early 1970s, her ongoing concern with the well-being of the black community, and her commitment to social justice. In addition to The Bronx Is Next (1968), Sister Son/ji (1969), Dirty Hearts (1971), Malcolm/Man Don’t Live Here No Mo (1972), and Uh, Uh; But How Do It Free Us? (1974), this collection includes the never-before-published dramas I’m Black When I’m Singing, I’m Blue When I Ain’t (1982) and 2 X 2 (2009), as well as three essays in which Sanchez reflects on her art and activism. Jacqueline Wood’s introduction illuminates Sanchez’s stagecraft in relation to her poetry and advocacy for social change, and the feminist dramatic voice in black revolutionary art.
"As a child, Ari M. Beser heard stories of his grandfather's dedicated and proud service aboard the two US planes carrying the atomic bombs dropped on Japan. He also heard about a Japanese friend of the family who survived these horrific bombings. Desiring to reconcile these two sides of his family, their history, and their involvement in the war, Beser set out for Japan to meet firsthand with survivors of the atomic devastation. 'The Nuclear Family' tells the story of Ari's grandfathers, the countless Japanese people who suffered and died because of the bombs, and how the use of atomic weapons and nuclear energy continues to affect every single person alive today in ways that we might not understand."--Back cover.