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The Hippie movement of the 1960s helped change modern societal attitudes toward ethnic and cultural diversity, environmental accountability, spiritual expressiveness, and the justification of war. With roots in the Beat literary movement of the late 1950s, the hippie perspective also advocated a bohemian lifestyle which expressed distaste for hypocrisy and materialism yet did so without the dark, somewhat forced undertones of their predecessors. This cultural revaluation which developed as a direct response to the dark days of World War II created a counterculture which came to be at the epicenter of an American societal debate and, ultimately, saw the beginnings of postmodernism. Focusing on 1962 through 1976, this book takes a constructivist look at the hippie era's key works of prose, which in turn may be viewed as the literary canon of the counterculture. It examines the ways in which these works, with their tendency toward whimsy and spontaneity, are genuinely reflective of the period. Arranged chronologically, the discussed works function as a lens for viewing the period as a whole, providing a more rounded sense of the hippie Zeitgeist that shaped and inspired the period. Among the 15 works represented are One Flew Over the Cuckoo's Nest, The Crying of Lot 49, Trout Fishing in America, Siddhartha, Stranger in a Strange Land, Slaughterhouse Five and The Fan Man.
Discover the unforgettable New York Times bestselling memoir about growing up in a dysfunctional Mormon family--and finding escape, adventure, and hard-earned wisdom on the road... What would you do if your stepfather pinned you down and tried to cast Satan out of you? For thirteen-year-old Ingrid, the answer is simple: RUN. For years Ingrid Ricks yearned to escape the poverty and the suffocating brand of Mormon religion that oppressed her at home. Her chance came when she was thirteen and took a trip with her divorced dad, traveling throughout the Midwest, selling tools and hanging around with the men on his shady revolving sales crew. It felt like freedom from her controlling mother and cruel, authoritarian stepfather—but it came with its own disappointments and dysfunctions, and she would soon learn a lesson that would change her life: she can't look to others to save her; she has to save herself.
Peaceniks. Stoners. Tree huggers. Freaks. For many, the hippies of the 1960s and early 1970s were immoral, drug-crazed kids too spoiled to work and too selfish to embrace the American way of life. But who were these longhaired dissenters bent on peace, love and equality? What did they believe? What did they want? Are their values still relevant today? Bringing together the personal accounts and perspectives of 54 "old hippies," this book illustrates how their lives and outlooks have changed over the past five decades. Their collective narrative invites readers to reach their own conclusions about the often misunderstood movement of ordinary young people who faced an era of escalating war, civil turmoil and political assassinations with faith in humanity and a belief in the power of ideas.
A young girl describes all the things she likes about her grandmother, including growing vegetables, picketing City Hall, and playing the banjo.
An enlightening narrative history—an entertaining fusion of Tom Wolfe and Michael Pollan—that traces the colorful origins of once unconventional foods and the diverse fringe movements, charismatic gurus, and counterculture elements that brought them to the mainstream and created a distinctly American cuisine. Food writer Jonathan Kauffman journeys back more than half a century—to the 1960s and 1970s—to tell the story of how a coterie of unusual men and women embraced an alternative lifestyle that would ultimately change how modern Americans eat. Impeccably researched, Hippie Food chronicles how the longhairs, revolutionaries, and back-to-the-landers rejected the square establishment of President Richard Nixon’s America and turned to a more idealistic and wholesome communal way of life and food. From the mystical rock-and-roll cult known as the Source Family and its legendary vegetarian restaurant in Hollywood to the Diggers’ brown bread in the Summer of Love to the rise of the co-op and the origins of the organic food craze, Kauffman reveals how today’s quotidian whole-foods staples—including sprouts, tofu, yogurt, brown rice, and whole-grain bread—were introduced and eventually became part of our diets. From coast to coast, through Oregon, Texas, Tennessee, Minnesota, Michigan, Massachusetts, and Vermont, Kauffman tracks hippie food’s journey from niche oddity to a cuisine that hit every corner of this country. A slick mix of gonzo playfulness, evocative detail, skillful pacing, and elegant writing, Hippie Food is a lively, engaging, and informative read that deepens our understanding of our culture and our lives today.
The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.
A journey to the past. A map for the future. After hitchhiking from Brazil to nearly halfway around the world, Paulo stumbles across Karla, a young Dutch woman and like-minded soul, in Amsterdam’s famous Dam Square. Together they decide to take the fabled hippie trail across Europe to Nepal, aboard the Magic Bus, in search of self-discovery. So begins a life-defining love story that will set the course for the rest of their lives. Drawing on the rich experience of his own life, Paulo Coelho relives the dreams of a generation that longed for peace and challenged the established social order.
The "summer of love" is a time of idealistic freedom and experimentation for Emma, her cousin Megan, and the young people of Pike Creek. While her brother Eric's band practices in what Uncle Pat has dubbed the Hippie House, the girls suntan on their small lake and hitchhike into town to hang around the Drop-In Center. They find the growing crowd of long-haired musicians and hangers-on that begin to show up at the farm both enticing and a bit scary. The beginning of the school year brings excitement and change for Emma. But when eighteen-year-old Katie Russell disappears, her teenage sense of immortality is suddenly shattered. A month later, when Eric discovers Katie's body in the Hippie House, the entire community is thrown into turmoil. There are plenty of suspects in the brutal murder, but for months the case remains unsolved. And while others speculate, Eric agonizes that the killer may have been one of the many drifters who passed through the Hippie House during the summer.
This is the first history of the Hippie Trail. It records the joys and pains of budget travel to Kathmandu, India, Afghanistan and other ‘points east’ in the 1960s and 1970s. Written in a clear, simple style, it provides detailed analysis of the motivations and the experiences of hundreds of thousands of hippies who travelled eastwards. The book is structured around four key debates: were the travellers simply motivated by a search for drugs? Did they encounter love or sexual freedom on the road? Were they basically just tourists? Did they resemble pilgrims? It also considers how the travellers have been represented in films, novels and autobiographical accounts, and will appeal to those interested in the Trail or the 1960s counterculture, as well as students taking courses relating to the 1960s.
The celebration of an era, this ultimate, beautiful, illuminating, and "really groovy" look at the 1960's counterculture is rich in illustrations and filled with the history, politics, sayings, and slogans that defined the age.