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"Deserves mention with the wackiest of today's comic crime novelists... similar to Donald E. Westlake or Carl Hiaasen." —Booklist on The Highly Effective Detective Goes to the Dogs In this third installment of Richard Yancey's hilarious Teddy Ruzak P.I. series, Teddy's latest client is a good looking dame with long blond hair and great gams. Her husband, she suspects, is stepping out on her, and she hires Teddy to nail the cheater. Then the client disappears. Is this a divorce case—or a murder?
In this fourth installment of Rick Yancey's touching and funny Highly Effective Detective Series, lovable but bumbling PI Teddy Ruzak is out of his league again, and this time, things are getting serious. Farrell, one of Teddy's old friends, is in desperate need of Teddy's help. His daughter Isabella's ex-boyfriend, locked up for assault, is days away from being released from jail, and Farrell knows his first stop out of the slammer will be at his daughter's door. Farrell enlists Teddy to keep any eye on Isabella. But when the bad seed ex-boyfriend turns out to have associates even more alarming than he is,Teddy finds himself dealing with truly dangerous criminals. To make matters worse, Felicia, his secretary, is being threatened by mysterious men whom she can't seem to shake. Can Teddy keep Felicia getting hurt while still protecting Isabella? And do his strong feelings towards Felicia run deeper than just a friend looking out for a friend? This funny and engaging mystery starring Teddy Ruzak will delight and entertain his many devoted fans.
The first cremation the homeless people held in Golden Gate Park was for a dog; their second pyre held a much larger body. To find the one responsible for these deaths, Kate Martinelli sets out on a quest for Brother Erasmus -- an enigmatic creature who has befriended the homeless and speaks only in quotations.
Those stories you hear? The ones about things that only come out at night? Things that feed on blood, feed on us? Got news for you: they’re true. Only it’s not like the movies or old man Stoker’s storybook. It’s worse. Especially if you happen to be one of them. Just ask Joe Pitt. There’s a shambler on the loose. Some fool who got himself infected with a flesh-eating bacteria is lurching around, trying to munch on folks’ brains. Joe hates shamblers, but he’s still the one who has to deal with them. That’s just the kind of life he has. Except afterlife might be better word. From the Battery to the Bronx, and from river to river, Manhattan is crawling with Vampyres. Joe is one of them, and he’s not happy about it. Yeah, he gets to be stronger and faster than you, and he’s tough as nails and hard to kill. But spending his nights trying to score a pint of blood to feed the Vyrus that’s eating at him isn’t his idea of a good time. And Joe doesn’t make it any easier on himself. Going his own way, refusing to ally with the Clans that run the undead underside of Manhattan–it ain’t easy. It’s worse once he gets mixed up with the Coalition–the city’s most powerful Clan–and finds himself searching for a poor little rich girl who’s gone missing in Alphabet City. Now the Coalition and the girl’s high-society parents are breathing down his neck, anarchist Vampyres are pushing him around, and a crazy Vampyre cult is stalking him. No time to complain, though. Got to find that girl and kill that shambler before the whip comes down . . . and before the sun comes up.
A science fiction novel about a spaceship that has wandering in space for many years.
From the author of Lovecraft Country: Myth and reality collide on a college campus “in a comic fantasy of wonderful energy, invention, and generosity of spirit” (Alison Lurie). Stephen Titus George is a young writer-in-residence at Cornell University in upstate New York. A bestselling author in search of a new story, he sees his life as a modern-day fairy tale starring himself as a would-be knight trying to woo a lovely maiden—or, actually, two: the bewitching Calliope and his guiding light, Aurora Borealis Smith. But he’s not quite in control of the narrative. There’s another writer with even greater influence on campus. The unseen Mr. Sunshine is an eternal, semi-retired deity who’s been fashioning his own story for centuries. He has all his characters in place: dragons, sprites, gnomes, and villains. And now, finally, his hero. As Mr. Sunshine’s world comes to fabulous and violent life, how can Stephen decide his own fate if it’s already being plotted by a god? An epic of life and death, good and evil, love and sorcery, Fool on the Hill lands Matt Ruff happily on the shelf between Tom Robbins and J. R. R. Tolkien for every lover of the “funky and fantastical” (New York magazine). “Inspired . . . rich in flavorful language . . . [a] dazzling tour de force.” —San Francisco Chronicle “The plot comes together like a brilliant clockwork toy.” —Locus
A senseless murder sets in motion a deadly act of revenge as Megan O'Connor, drawn into a kidnapping plot three years ago, finally finds happiness with her recent engagement to a wonderful man, a pillar of the community.
NATIONAL BESTSELLER • The Pulitzer Prize–winning author of Empire Falls returns to North Bath, the Rust Belt town first brought to unforgettable life in Nobody’s Fool. Now, ten years later, Doug Raymer has become the chief of police and is tormented by the improbable death of his wife—not to mention his suspicion that he was a failure of a husband. Meanwhile, the irrepressible Sully has come into a small fortune, but is suddenly faced with a VA cardiologist’s estimate that he only has a year or two left to live. As Sully frantically works to keep the bad news from the important people in his life, we are reunited with his son and grandson . . . with Ruth, the married woman with whom he carried on for years . . . and with the hapless Rub Squeers, who worries that he and Sully aren’t still best friends. Filled with humor, heart, and hard-luck characters you can’t help but love, Everybody’s Fool is a crowning achievement from one of the great storytellers of our time. Look for Everybody’s Fool, available now, and Somebody’s Fool, coming soon.
For Dr. David Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night his wife was taken. The last night he saw her alive. Everyone tells him it’s time to move on, to forget the past once and for all. But for David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible–that somewhere, somehow, Elizabeth is alive. Beck has been warned to tell no one. And he doesn’t. Instead, he runs from the people he trusts the most, plunging headlong into a search for the shadowy figure whose messages hold out a desperate hope. But already Beck is being hunted down. He’s headed straight into the heart of a dark and deadly secret–and someone intends to stop him before he gets there.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."