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Welcome to "Miller, Inside the High Life" - a singular photographic and auditory tour of both the present and past of the iconic Miller Brewing Company. See the brewing process showcased in stunning focus from barley to beer! View the hops fields of the Yakima Valley, witness those same hops inside a roiling brew kettle, then see the rapidly moving canning and bottling machinery prepare the beer for shipping. Hear Miller employees describe their roles with pride, and sense the passion that goes into making these iconic beverages.Read statements and reflections of Frederick Miller, Miller's founder whose industrious and tenacious character undergirds the company's ethos to this day.Learn more of the Miller Brewing Company through the photographs kept in the company's personal archives.See vintage photographs of Miller's most iconic brands: "High Life" and "Lite."Enjoy, the bonus uncut sheet of authentic "High-Life" and "Lite" labels inserted in each book sold.And finally, pour yourself a Miller beverage, sit back, and reflect on the fascinating stories retold by historians, employees and retirees - alongside music inspired by Miller - on the enclosed CD.
Hollywood, the city of dreams. Jack had one ambition: to become a famous star - in exactly what way, he didn't care. Instead he entered a world much seedier than anything he could have imagined, a world of drugs and crime, whores, snuff shows, incest, deceit and despair. His wife, a hooker, is found dead - murdered and disembowelled. During his search for the killer he meets Bella, a woman of immense wealth, and sees a chance to make his dreams of money and fame come true. As it turns out, though, his nightmare is only beginning.
HE history of high-altitude physiology and medicine is such a rich and T colorful topic that it is perhaps surprising that no one has undertaken a comprehensive account before. There are so many interesting ramifications, from the early balloonists to the various high-altitude expeditions, culminating in the great saga of climbing Mt. Everest without supplementary oxygen. Underpinning this variety is the basic biological challenge of hypoxia and the ways organisms adapt to it, a subject that is of key importance in medicine and many other life sciences, encountered as it is by organisms throughout the animal kingdom. I hope that this book will be of interest to a wide range of people, from biologists and physiologists to pulmonologists and others who manage patients with hypoxemia. The topic should also appeal to those who love the mountains including trekkers, skiers, climbers, and mountaineers. The book begins with a short introductory chapter to set the scene for the non-scientist. It then follows a general chronological sequence beginning with the Greeks and ending with contemporary events. In some places, however some compromises have been made to group together areas of related interest. For example, in Chapter 4 the controversy about oxygen secretion is traced from the 1870s to the 1930s and includes the Anglo-American Pikes Peak Ex pedition of 1911 and the International High-Altitude Expedition to Cerro de Pasco, Peru during 1921-1922. It makes sense to consider these events together.
Highlife is Ghana's most important modern home grown dance-music that has its roots in traditional music infused with outside influences coming from Europe and the Americas. Although the word 'highlife' was not coined until the 1920s, its origins can be traced back to the regimental brass bands, elite-dance orchestras and maritime guitar and accordion groups of the late 19th and very early 20th centuries. Highlife is, therefore, one of Africa's earliest popular music genres. The book traces the origins of highlife music to the present - and include information on palmwine music, adaha brass bands, concert party guitar bands and dance bands, right up to off-shoots such as Afro-rock, Afrobeat, burger highlife, gospel highlife, hiphop highlife (i.e. hiplife) and contemporary highlife. The book also includes chapters on the traditional background or roots of highlife, the entrance of women into the Ghanaian highlife profession and the biographies of numerous Ghanaian (and some Nigerian) highlife musicians, composers and producers. It also touches on the way highlife played a role in Ghana's independence struggle and the country's quest for a national - and indeed Pan-African - identity. The book also provides information on music styles that are related to highlife, or can be treated as cousins of highlife, such as the maringa of Sierra Leone, the early guitar styles of Liberia, the juju music of Nigeria the makossa of the Cameroon/ It also touches on the popular music of Ghana's Francophone neighbours. There is also a section on the Black Diasporic input into highlife, through to the impact of African American and Caribbean popular music styles like calypsos, jazz, soul, reggae, disco, hiphop and rap and dancehall. that have been integrated into the highlife fold. Thus, highlife has not only influenced other African countries but is also an important cultural bridge uniting the peoples of Africa and its Diaspora.
Highlife Music in West Africa is an excursion into the origins and development of an extraordinary music form. Highlife music is essentially an urban music, but unlike dance music performed using Western musical instruments, its dynamism is based less in the aesthetics of form and style than in song-texts. Critics treat highlife as a popular music genre, but this fails to acknowledge the role that the lyrics of highlife music played in the search for political, economic, and national growth and stability in Africa. Highlife musicians' messages, like drama and theater scripts, not only reflect Africa's culture but also highlight her social, economic, and political problems. The involvement of radicals and Pan-Africanists has helped elevate highlife musicians from the status of entertainers to a more serious and responsible one, as modern African town criers, whose song-texts are communal messages, warnings, and counseling.
Anatol, the most famous ladies man in turn of the century Vienna, decides that he's finished with love - he wants to get married. All his amours - from a magician's assistant to a society wife to the third swan from the left in the royal ballet - face this prospect with varying reactions, adding up to an evening of hilarity. When Anatol discovers, however, that his timid "frau" is a great deal more lively than he had expected, it is he who has the last laugh! -- from back cover.