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"One of the year's best thrillers." - BestThrillers.com "Dark and gritty ... without peer in contemporary mysteries/thrillers." - Publishers Weekly BookLife Prize Semifinalist Twelve-year-old Emily Calby was a good girl from a religious family in rural Georgia. She loved softball, her little sister and looking up words to get her allowance. Then two men came and murdered her family. Somehow Emily escaped. Only the killers know she survived. On the run in a fugue, she makes an unlikely ally in a ruthless ex-gang member who takes her in. Overwhelmed by guilt for failing her family, she persuades him to train her to kill before setting out alone on a terrifying journey for justice. Nothing will stop her-not cops or creeps, not even her own splintering mind. Through it all, Emily fights to hold onto hope and the girl she once knew, kept buried deep inside. A testament to the boundless limits of love, sacrifice and the will to survive, The Hiding Girl is the first book in the Emily Calby Series. "Deeply atmospheric ... an exceptional, heart-pounding story full of raw emotion, deep-seated fear, and an undercurrent of hope and innocence." - Publishers Weekly BookLife Prize "In Emily, Author Dorian Box has created a rarity-a teenage protagonist that is at once sympathetic, vulnerable and largely fearless. ... This sharp characterization within a fast-paced work of suspense makes The Hiding Girl one of the year's most exciting series openers." - BestThrillers.com (named a 2020 Best Thriller of the Year) "The story that author Dorian Box has created for Emily Calby is nothing short of thrilling, but it's THE HIDING GIRL's masterful interplay of character, setting, and theme, along with its fast-pace and high emotional stakes that makes it a real page-turner." - IndieReader (starred review, Official Seal of Approval) "[S]tunning, captivating, heartbreaking, but also heartwarming. ... [T]he characters were so alive, believable, with heart and warmth, humor and love. ... This book is certainly on my 'best ever books' list." - NetGalley "[A] unique mix of hope, shattered innocence, pain, fear, and vulnerability ... a great, suspenseful read." - Reader's Favorite "This is a fantastic book that completely demolished my expectations. ... This novel is fast-paced and action-packed but it has a profound human element that sets it apart from other novels in its genre." - BookishFirst
What if you could go back and bury your biggest mistake? What if it came to bury you first? June 1995. A high school reunion in a South Florida town unleashes this mystery thriller, a zany concoction of darkness and light. Laidback, lottery-winning surfer Danny Teakwell seems to be living the life in his beachfront condo, but he's been hiding a secret and punishing himself for two decades. Now he's hit rock bottom. So he thinks. The skeleton in his closet shows up at the reunion, along with a cheerful psychopath posing as a classmate, launching Danny on a roller-coaster ride of mystery and mayhem through the Sunshine State. Turns out Danny's not the only one with a secret. With the help of a pill-popping lawyer, crusty barkeep, and band of oddballs he meets along the way, Danny has three days to save his skin and, more important, the woman he's loved since the fifth grade. They made a vow as kids and he broke it. He won't break it again.
"Two years after losing their infant son to a tragic accident, Peter Martell, a novelist with a peculiar knack for finding lost things, and his wife, Sylvia, are devastated to learn they may no longer be able to have children. In need of a fresh start, and compelled by strange dreams, the couple decide to rent a lake house in the idyllic town of Gilchrist, Massachusetts, a place where bad things might just happen for a reason. As bizarre events begin to unfold around them--a chance encounter with a gifted six-year-old boy, a series of violent deaths, and repeated sightings of a strange creature with a terrifying nature--Peter and Sylvia find themselves drawn into the chaos and soon discover that coming to Gilchrist may not have been their decision at all. Set against a small New England town in the summer of 1966, Gilchrist is a sinister tale about the haunting origins of violence, evil, and the undying power of memory."-- cover page 4.
How far would you go to expose a dark and mysterious Order that continues to haunt you? One that your own father may have been the original mastermind behind. This time, becoming one of them may be the only way. A devastating murder brings Jenny O'Rourke back to her hometown. The reality is, it's not over. Not even close. This time she has a new strategy to put an end to it all-infiltrate her father's secret society. The question is, how? A chance meeting brings her face to face with a member of the inner circle, a boy she once knew. He has the intel she needs, and she has what he lustfully desires. It's a dangerous combination. Jenny finds herself swept away by the lure of adventure and the reveal of mysterious springs, sinkholes, submerged caverns, and elaborate underground dwellings. As she acquires a sliver of society knowledge, she's determined to understand the rest. But, there's only one barbaric way to get to it. Becoming one of them requires following their rules. Rules that could easily kill her. There's a lot at stake, but she's ready and willing to risk it all.
In the shadowy back alleys and opulent homes of Paris, hard-nosed police inspector Paul Mazarelle of The Paris Directive sets out on the trail of a serial killer. A murdered man is discovered dangling inside the tunnels of a Paris canal--the only clue, the tarot card in his pockets: the Hanged Man. When an innocent suspect is railroaded into prison for the homicide, Mazarelle sets off on the hunt for the real killer. For the charming, hot-tempered, impulsive Frenchman--now back from the provinces and leading his own homicide unit out of Paris’s famed Quai des Orfevres--it’s an investigation that takes him far from the comforts of Beaujolais and bouillabaisse, and plunges him into an underworld of ruthless white supremacists looking for scapegoats in Paris’s growing immigrant community, corrupt cops eager to cover up a shady side business, and a conspiracy of secrets that threaten his own life. Meanwhile, Claire Girard, an irresistible and ambitious journalist at a popular tabloid, is wrapped up in the same story. On the trail of the Tarot Card killer, Mazarelle finds himself blindsided by their growing attraction. And when his team’s case collides with Girard's latest scoop, and the body count keeps rising, Mazarelle himself becomes a prime suspect who must clear his own name. Gerald Jay’s latest Mazarelle adventure is a riveting, fast-paced thriller about a classic French detective making his way through the dangerous streets of a very modern world.
When their mistress is murdered, Anouk and her fellow beasties have only three days until their enchantment ends and they are transformed back into animals, but in seeking to remain human, they threaten the hierarchy imposed by the society of magic handlers in Paris called the Haute.
The COMPLETE Gone trilogy Macy Mercer only wants a little independence. Eager to prove herself grown up, she goes to a dark, secluded park. She’s supposed to meet the boy of her dreams who she met online. But the cute fifteen year old was a fantasy, his pictures fake. She finds herself face to face with Chester Woodran, a man capable of murder. Distraught over his own missing daughter, Chester insists that Macy replace his lost girl. He locks Macy up, withholds food, and roughs her up, demanding that she call him dad. Under duress from his constant threats and mind games, her hold on reality starts to slip. Clinging to her memories is the only way of holding onto her true identity, not believing that she is Chester’s daughter. Otherwise she may never see her family again. This trilogy will take you through all three books to the conclusion.
Cornell University is fortunate to have as its historian a man of Morris Bishop's talents and devotion. As an accurate record and a work of art possessing form and personality, his book at once conveys the unique character of the early university—reflected in its vigorous founder, its first scholarly president, a brilliant and eccentric faculty, the hardy student body, and, sometimes unfortunately, its early architecture—and establishes Cornell's wider significance as a case history in the development of higher education. Cornell began in rebellion against the obscurantism of college education a century ago. Its record, claims the author, makes a social and cultural history of modern America. This story will undoubtedly entrance Cornellians; it will also charm a wider public. Dr. Allan Nevins, historian, wrote: "I anticipated that this book would meet the sternest tests of scholarship, insight, and literary finish. I find that it not only does this, but that it has other high merits. It shows grasp of ideas and forces. It is graphic in its presentation of character and idiosyncrasy. It lights up its story by a delightful play of humor, felicitously expressed. Its emphasis on fundamentals, without pomposity or platitude, is refreshing. Perhaps most important of all, it achieves one goal that in the history of a living university is both extremely difficult and extremely valuable: it recreates the changing atmosphere of time and place. It is written, very plainly, by a man who has known and loved Cornell and Ithaca for a long time, who has steeped himself in the traditions and spirit of the institution, and who possesses the enthusiasm and skill to convey his understanding of these intangibles to the reader." The distinct personalities of Ezra Cornell and first president Andrew Dickson White dominate the early chapters. For a vignette of the founder, see Bishop's description of "his" first buildings (Cascadilla, Morrill, McGraw, White, Sibley): "At best," he writes, "they embody the character of Ezra Cornell, grim, gray, sturdy, and economical." To the English historian, James Anthony Froude, Mr. Cornell was "the most surprising and venerable object I have seen in America." The first faculty, chosen by President White, reflected his character: "his idealism, his faith in social emancipation by education, his dislike of dogmatism, confinement, and inherited orthodoxy"; while the "romantic upstate gothic" architecture of such buildings as the President's house (now Andrew D. White Center for the Humanities), Sage Chapel, and Franklin Hall may be said to "portray the taste and Soul of Andrew Dickson White." Other memorable characters are Louis Fuertes, the beloved naturalist; his student, Hugh Troy, who once borrowed Fuertes' rhinoceros-foot wastebasket for illicit if hilarious purposes; the more noteworthy and the more eccentric among the faculty of succeeding presidential eras; and of course Napoleon, the campus dog, whose talent for hailing streetcars brought him home safely—and alone—from the Penn game. The humor in A History of Cornell is at times kindly, at times caustic, and always illuminating.