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The Hidden History of South Africa's Book and Reading Cultures shows how the common practice of reading can illuminate the social and political history of a culture. This ground-breaking study reveals resistance strategies in the reading and writing practices of South Africans; strategies that have been hidden until now for political reasons relating to the country's liberation struggles. By looking to records from a slave lodge, women's associations, army education units, universities, courts, libraries, prison departments, and political groups, Archie Dick exposes the key works of fiction and non-fiction, magazines, and newspapers that were read and discussed by political activists and prisoners. Uncovering the book and library schemes that elites used to regulate reading, Dick exposes incidences of intellectual fraud, book theft, censorship, and book burning. Through this innovative methodology, Dick aptly shows how South African readers used reading and books to resist unjust regimes and build community across South Africa's class and racial barriers.
'Africa's Hidden Histories' takes a private and personal look into the world of everyday Africans, as they put pen to paper. As it explores the innovative, intense, and sociable interest in reading and writing, the text opens new avenues for understanding a rich and hidden history of Africa's creative expression.
The South Africa Reader is an extraordinarily rich guide to the history, culture, and politics of South Africa. With more than eighty absorbing selections, the Reader provides many perspectives on the country's diverse peoples, its first two decades as a democracy, and the forces that have shaped its history and continue to pose challenges to its future, particularly violence, inequality, and racial discrimination. Among the selections are folktales passed down through the centuries, statements by seventeenth-century Dutch colonists, the songs of mine workers, a widow's testimony before the Truth and Reconciliation Commission, and a photo essay featuring the acclaimed work of Santu Mofokeng. Cartoons, songs, and fiction are juxtaposed with iconic documents, such as "The Freedom Charter" adopted in 1955 by the African National Congress and its allies and Nelson Mandela's "Statement from the Dock" in 1964. Cacophonous voices—those of slaves and indentured workers, African chiefs and kings, presidents and revolutionaries—invite readers into ongoing debates about South Africa's past and present and what exactly it means to be South African.
'Lyrical, deep, chilling, and prescient, this is a book we will be talking about for years to come.' - Justice Malala, author and commentator. South Africans face a reckoning: mourn a miracle nation that never came into being, fight on to give it birth, or make something else out of 1994's ashes? In The Inheritors, award-winning writer Eve Fairbanks tells the stories of ordinary people facing this stupendous question. These are the kinds of lives rarely examined in such depth: political activist Dipuo, her born-free daughter Malaika, and Christo, one of the last Afrikaner men drafted to fight for the apartheid regime. All three have to remake their own lives while facing the questions: what do I owe to my forebears, and what does history owe to me? They tell of the unresolved rage, generational guilt, and enduring hope that many South Africans struggle to speak aloud to themselves in private, let alone share. Observing subtle truths about power and inheritance, Fairbanks explores questions that preoccupy so many South Africans today: how can one let go of one's past? How should historical debts be paid? And how can a person live an honourable life in a society that – for better or worse – they no longer recognise?
Conventional historical and political analyses of South Africa have frequently neglected the vital role of sport in general, and rugby in particular. This book fills the gap through a critical interpretation of rugby's role in the development of white society, its role in shaping significant social divisions, and its centrality to the apartheid era "power elite".
When South Africa's present transitional government comes to an end, apartheid will be dead. But just as the demise of slavery did not solve America's race problems, so the abolition of apartheid will only begin South Africa's healing process. Heart of Whiteness examines the cataclysmic changes taking place among Afrikaners--the "white tribe" of South Africa.
Drawing on two decades of interviews and ethnographic fieldwork (1998–2018), this book presents a unique and multi-faceted history of youth development in South Africa through the lens of a South African non-governmental organization (NGO) prominent in youth development from the mid-1980s until 2008. The book weaves history, ethnography, and discourse analysis to contextualize the Joint Enrichment Project (JEP) in the politics and history of South African education. It examines JEP’s role leading up to and during South Africa’s transition to democracy, its work and influence in post-apartheid South Africa, and the continued relevance of its legacy to contemporary initiatives seeking to address youth development and social justice. While JEP repeatedly repositioned itself as an organization, from fighting the effects of apartheid on young people to becoming a potential partner with the new African National Congress (ANC)-led government, its most significant role may have been to reposition people. After tracing JEP’s twenty-year history, the book focuses on the participants in a 1998 Youth Work Scheme, exploring their learning experiences and the program’s immediate impact on their lives. It then revisits these participants twenty years later in 2018, analyzing their life trajectories after JEP and comparing them with the life trajectories of former JEP staff over the same period—shedding light on broader patterns of socio-economic reproduction and change in the country. The book concludes with a discussion of a perennial paradox facing youth development institutions. This book will be of great interest to academics, researchers and post-graduate students in the fields of education, international development, anthropology, and African studies.
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
All Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country's colonial government in the years leading up to Apartheid. In six parts--each of which is illustrated by a different South African artist--All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations. This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories--true stories of grit, compassion, and hope, now being told for the first time in print.
This book provides a succinct synthesis of South African history from the introduction of agriculture about 1500 years ago up to and including the government of Nelson Mandela. Stressing economic, social, cultural and environmental matters as well as political history, it shows how South Africa has become a single country. On the one hand it lays emphasis on the country's African heritage, and shows how this continues to influence social structures, ways of thought and ideas of governance. On the other, it chronicles the processes of colonial conquest and of economic development and unification stemming from the industrial revolution which began at the end of the nineteenth century. This leads on to a description and analysis of the fundamental political changes which South Africa is currently undergoing, while providing a background for the understanding of those many things which have not changed.