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Combining art and biography, the novel consists of alternating literary portraits inspired by works of Dali and Velazquez. As the title suggests, the loose story frame of the novel is that of the Herculean labor to find the twilight realm of the lovely nymphs of the Hesperides and, by conquering the dragon that jealously guards it, to plunder the garden of its golden apples of immortality. The contemporary fable casts the artist as the hero who, armed only with paintbrushes and inkwells, confronts the demons of his subconscious.
When Eryx and his companion Boentos arrived at Massalia, the two thieves decided to despoil the Artemis sanctuary. To their dismay, that did not work: surprised by guards of the Phocaean city, they had to hurriedly leave Lacydon, the Massalia port, aboard a frail vessel. But what the two thieves did not know was that their adventures carried them beyond the columns of Herakles to Erytheia Island. The most beautiful of orchards spans this wild area: the garden of the Hesperides!
"The first half of the volume is devoted to the exposition of the ancient evidence, literary and iconographic, for the traditions of Heracles' life and deeds. After a chapter each on the hero's childhood and his madness, the canonical cause of his Twelve Labors, each of the Labors themselves receives detailed treatment in a dedicated chapter. The 'Parerga' or 'Side-Labors' are then treated in a similar level of detail in seven further chapters. In the second half of the book the Heracles tradition is analysed from a range of thematic perspectives. After consideration of the contrasting projections of the figure across the major literary genres, Epic, Tragedy, Comedy, Philosophy, and in the iconographic register, a number of his myth-cycle's diverse fils rouges are pursued: Heracles' fashioning as a folkloric quest-hero; his relationships with the two great goddesses, the Hera that persecutes him and the Athena that protects him; and the rationalisation and allegorisation of his cycle's constituent myths. The ways are investigated in which Greek communities and indeed Alexander the Great exploited the figure both in the fashioning of their own identities and for political advantage. The cult of Heracles is considered in its Greek manifestation, in its syncretism with that of the Phoenician Melqart, and in its presence at Rome, the last study leading into discussion of the use made of Heracles by the Roman emperors themselves and then by early Christian writers. A final chapter offers an authoritative perspective on the limitless subject of Heracles' reception in the western tradition"--
In this detailed treatment of the myth of Adonis in post-Classical times, Carlo Caruso provides an overview of the main texts, both literary and scholarly, in Latin and in the vernacular, which secured for the Adonis myth a unique place in the Early Modern revival of Classical mythology. While aiming to provide this general outline of the myth's fortunes in the Early Modern age, the book also addresses three points of primary interest, on which most of the original research included in the work has been conducted. First, the myth's earliest significant revival in the age of Italian Humanism, and particularly in the poetry of the great Latin poet and humanist Giovanni Pontano. Secondly, the diffusion of syncretistic interpretations of the Adonis myth by means of authoritative sixteenth-century mythological encyclopaedias. Thirdly, the allegorical/political use of the Adonis myth in G.B. Marino's (1569-1625) Adone, published in Paris in 1623 to celebrate the Bourbon dynasty and to support their legitimacy with regard to the throne of France.
The celebrated modern Greek poet Yannis Ritsos follows such distinguished predecessors as C. P. Cavafy and George Seferis in a dramatic and symbolic expression of a tragic sense of life. The shorter poems gathered in this volume present what Ritsos calls "simple things" that turn out not to be simple at all. Here we find a world of subtle nuances, in which everyday events hide much that is threatening, oppressive, and spiritually vacuous--but the poems also provide lyrical and idyllic interludes, along with cunning re-creations of Greek mythology and history. This collection of Ritsos's work--perhaps most of all those poems written while he was in forced exile under the dictatorship of the Colonels--testifies to his just place among the major European poets of this century. The distinguished translator of modern Greek poetry Edmund Keeley has chosen for this anthology selections from seven of Ritsos's volumes of shorter poems written between 1946 and 1975. Two of these volumes are represented here in English versions for the first time, two others have been translated only sporadically, and the remaining three were first published in a bilingual edition now out of print (Ritsos in Parentheses). The collection thus covers thirty years of a poetic career that is the most prolific, and among the most honored, in Greece's modern history.
Drawing on a wealth of sources, from Hesiod to Pausanias and from the Orphic Hymns to Proclus, Professor Kerényi provides a clear and scholarly exposition of all the most important Greek myths. After a brief introduction, the complex genealogies of the gods lead him from the begettings of the Titans, from Aphrodite under all her titles and aspects, to the reign of Zeus, to Apollo and Hermes, touching the affairs of Pan, nymphs, satyrs, cosmogonies and the birth of mankind, until he reaches the ineffable mysteries of Dionysos. The lively and highly readable narrative is complemented by an appendix of detailed references to all the original texts and a fine selection of illustrations taken from vase paintings. ‘...learned, admirably documented, exhaustive...’—TIMES LITERARY SUPPLEMENT ‘...it most emphatically must be the book that many have long been waiting for...’—STEPHEN SPENDER ‘Kerényi’s effort to reinterpret mythology...arises out of the conviction that an appreciation of the mythical world will help Western man to regain his lost sense of religious values....(His) theory of myth and his actual interpretations of mythical themes...help to point the way to...a new kind of humanism.’—A. Altman, Philosophy
Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.