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This book covers Odysseus' journey through the lens of the Monomyth. By analyzing the Iliad and the Odyssey Josh Coker identifies each classic stages of the Hero's Journey. What is the Monomyth? The term "Monomyth" comes from the Greek. It is broken into two root words: 1) mono, meaning "one," and 2) mythos, meaning "story." The connotation being, the "One Story." This term was coined by author James Joyce in his most famous work, Ulysses (the Roman name for Odysseus). However, it wasn't popularized until the late 1940's when a comparative mythologist by the name of Joseph Campbell, published his seminal work, The Hero With A Thousand Faces. In his book, Campbell suggested that there are common aspects that nearly all myths throughout time have shared. These elements combine into a narrative format that can be used as an approach to mythology. Many people associate the "Hero's Journey" as synonymous with The Monomyth. Both, historical and modern storytellers have used it as an approach to analyze narratives and develop new plots and characters for contemporary audiences. According to Campbell, the Monomyth follows a three-act structure. In the first act, The Separation, a hero is called to adventure and leaves his known world for the unknown world, guided by a mentor. Once the hero crosses the threshold of adventure, they enter the second act, The Initiation. In this section, the hero faces many tests and trials, confronts his inner demons (many times represented as ghosts, monsters, minotaurs, or dragons), then goes on through stages of enlightenment. Once the hero retrieves the boon, he must return it to the normal world from which he came. This third act is called the Return. During this final section of the narrative, the hero must release the power of the boon into society in order to restore it. Many times this last act requires the hero to overcome his major flaw and make a sacrifice. Once restored, the hero and those citizens in the world are free once again to live in it. The story of Odysseus follows this format very close. Particularly, if we combine the events from the Iliad and the Odyssey we obtain a full picture of Odysseus' journey of kingship. This book makes a great companion guide for anyone wishing to learn the about the Hero's Journey or Odysseus' adventures.
Joseph Campbell, arguably the greatest mythologist of our time, was certainly one of our greatest storytellers.
In The Journey of Odysseus, you face the same challenges as Odysseus in Homer's Odyssey, but you are in control of your destiny. Only one path brings success and satisfaction. Fifteen others lead to death, defeat, shame, or unending regret.
Sometimes the magic inside us isn't meant to be discovered. . . . Orphan, exile, priest, Josan has been posted to a lighthouse on the farthest edge of the kingdom. As a member of the collegium, he once dreamed of making a real contribution to the Learned Brethren, but those dreams died after a mysterious fever shattered him, body and mind. At least that’s the story he’s been told to explain a past he can’t remember. But that past has returned . . . with a vengeance. When Lady Ysobel Flordelis is shipwrecked on Josan’s island, this sets in motion an explosive destiny. The Seddonian trade liaison is traveling to Ikaria on official business, but her secret purpose is to revive the revolution brutally crushed years before. Neither Ysobel nor Josan can foresee the significance of their brief meeting. But as Ysobel navigates the elaborate court intrigues in Ikaria, Josan will be forced to leave his island exile and embark on a treacherous journey to unlock the secrets that bind his past—an act that could lead him to glory . . . or doom.
Historical fantasy full of “suspense, treachery, and bone-crunching action . . . will leave fans of the genre eagerly awaiting the rest of the series” (The Times Literary Supplement). It was a time of myth and mystery. A time when Gods walked among men. It was a time of heroes. Greece is a country in turmoil, divided by feuding kingdoms desiring wealth, power and revenge. When Eperitus, a young exiled soldier, comes to the aid of a group of warriors in battle, little does he know that it will be the start of an incredible adventure. For he is about to join the charismatic Odysseus, Prince of Ithaca, on a vital quest to save his homeland. Odysseus travels to Sparta to join the most famous heroes of the time in paying suit to the sensuous Helen. Armed with nothing but his wits and intelligence, he must enter a treacherous world of warfare and politics to compete for the greatest prize in Greece. But few care for the problems of an impoverished prince when war with Troy is beckoning. An epic saga set in one of the most dramatic periods of history, King of Ithaca is a voyage of discovery of one man’s journey to become a King—and a legend. “A must read for those who enjoy good old epic battles, chilling death scenes and the extravagance of ancient Greece.” —Lifestyle Magazine “The reader does not need to be classicist to enjoy this epic and stirring tale. It makes a great novel.” —Historical Novels Review
Publisher Description
A blueprint for personal change inspired by Homer's classic shares empowering exercises that reflect every key stage of the story, a process that invites readers to work through loss and suffering, search for the divine Beloved, and share in the joy of arriving home. Original.
The occasion of forty years of teaching at Amherst by William H. Pritchard, the renowned critic of Frost, Jarrell, and many others, has generated a remarkable collection of essays by former students, colleagues, and friends.The essays themselves are a spectrum of contemporary, criticism, ranging from classroom memoirs to analytic essay-in-criticism to assessment of the state of academic letters today. These contributions, a tribute, by reason of their very range, are a salute to the breadth of William Pritchard's circle of literary acquaintance. Under Criticism demonstrates the fine persistence in certain manners of approach and habits of focus that go, among that circle, lander the name of criticism.Drawing foremost on their engagement with the literature before them, Christopher Ricks, Helen Vendler, Patricia Meyer Spacks, Neil Hertz, David Ferry, Paul Alpers, Joseph Epstein, and Frank Lentricchia -- as well as fifteen other critics and men and women of letters -- reinforce Professor Pritchard's prescription that in order to have a hearing, the critic needs to keep listening.