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During the 1790s and 1800s, cultural critics became convinced that Britain was being 'inundated' by pernicious literary translations imported from the European Continent. British Romanticism and Continental Influences discusses Romantic writers' complex and ambivalent responses to this threatening literary invasion. Confronted with foreign texts that seemed both attractive and repulsive, Mortensen argues, Romantic writers such as Wordsworth and Coleridge publicly distanced themselves from European sensationalism, even as they assimilated and revised its conventions in their own writing.
A new exploration of the innovative features of Jane Austen's style.
In November 1814, Jane Austen's niece Fanny Knight wrote Austen a letter secretly requesting advice. Fanny wanted urgently to know whether she should continue encouraging her most ardent suitor, what the future would hold were she to marry him, and whether she, Fanny, was in love with him. Fanny evidently wished to turn over her love life to Austen's creative direction, and Austen's letters of response cooperate with this desire. Today, many readers address to Austen's novels their deepest uncertainties about their love lives. Consulting Austen-themed divination toys for news about the future or applying to their own circumstances the generalizations they have gleaned from Austen's narrator, characters, or plots, they look to Austen not for anonymous instruction but for the custom-tailored guidance-and magical intervention-of an advisor who knows them well. This book argues that Austen, inspired by her niece to embrace the most scandalous possibilities of the novel genre, sought in her three last-published novels to match her readers with real-world lovers. The fictions that Austen wrote or revised after beginning the advisory correspondence address themselves to Fanny Knight. They imagine granting Fanny a happy love life through the thaumaturgic power of literary language even as they retract Austen's epistolary advice and rewrite its results. But they also pass along the role of Fanny Knight to Austen's readers, who get a chance to be shaped by Austen's creative effort, to benefit from Austen's matchmaking prowess, and to develop nothing less than a complex love relation with Austen herself.